The Art Of War In 19th Century

The Military Maxims of Napoleon will provide the reader with the very essence of the Napoleonic art of war. This book is a collection of maxims which directed the military operations of the greatest captain of modern times, Napoleon Bonaparte. This extraordinary collection shades light to the period of French domination over Europe, which was build on Napoleon's great military and political skills. On War is one of the most important treatises on political-military analysis and strategy ever written, and remains both controversial and influential on strategic thinking. It was written by Prussian general Carl von Clausewitz, after the Napoleonic wars, between 1816 and 1830. Clausewitz had set about revising his accumulated manuscripts, but did not live to finish the task. On War represents his theoretical explorations. Clausewitz analyzed the conflicts of his time along the line of the categories Purpose, Goal and Means. He reasoned that the Purpose of war is one's will to be enforced, which is determined by politics. The Goal of the conflict is therefore to defeat the opponent in order to exact the Purpose. The Goal is pursued with the help of a strategy that might be brought about by various Means such as by the defeat or the elimination of opposing armed forces or by non-military Means (such as propaganda, economic sanctions and political isolation). Thus, any resource of the human body and mind and all the moral and physical powers of a state might serve as Means to achieve the set goal.

The Military Maxims of Napoleon will provide the reader with the very essence of the Napoleonic art of war. This book is a collection of maxims which directed the military operations of the greatest captain of modern times, Napoleon Bonaparte. This extraordinary collection shades light to the period of French domination over Europe, which was build on Napoleon's great military and political skills. On War is one of the most important treatises on political-military analysis and strategy ever written, and remains both controversial and influential on strategic thinking. It was written by Prussian general Carl von Clausewitz, after the Napoleonic wars, between 1816 and 1830. Clausewitz had set about revising his accumulated manuscripts, but did not live to finish the task. On War represents his theoretical explorations. Clausewitz analyzed the conflicts of his time along the line of the categories Purpose, Goal and Means. He reasoned that the Purpose of war is one's will to be enforced, which is determined by politics. The Goal of the conflict is therefore to defeat the opponent in order to exact the Purpose. The Goal is pursued with the help of a strategy that might be brought about by various Means such as by the defeat or the elimination of opposing armed forces or by non-military Means (such as propaganda, economic sanctions and political isolation). Thus, any resource of the human body and mind and all the moral and physical powers of a state might serve as Means to achieve the set goal.

Sun Tzu's The Art of War is still one of the world's most influential treatises on strategic thought. Applicable everywhere from the boardroom to the bedroom, from the playing field to the battlefield, its wisdom has never been more highly regarded. Now available in its complete form, including the Chinese characters and English text, this essential examination of the art of strategic thinking features extensive commentary and an insightful historical introduction written by Lionel Giles, its original translator. This new edition includes an all-new introduction by the scholar of ancient Chinese literature, John Minford.

"Proceedings of the symposium "The Civil War in Art and Memory," organized by the Center for Advanced Study in the Visual Arts, National Gallery of Art, and sponsored by the Arthur Vining Davis Foundations. The symposium was held November 8-9, 2013, in Washington."

Field Marshal Helmuth Graf von Moltke is best known for his direction of the German/Prussian campaigns against Austria in 1866 and France in 1870-71, yet it was during his service as chief of the General Staff that he laid the foundation for the German way of war which would continue through 1945. Professor Daniel Hughes of the Air War College, in addition to editing and assisting with the translation of this selection of Moltke’s thoughts and theories on the art of war, has written an insightful commentary on “Moltke the Elder” that places him in the broader context of Prussian military theorist Carl von Clausewitz’s sometimes abstract philosophical ideas. The book also contains an extensive bibliographic and historiographic commentary that includes references to Moltke and his theories in the current literature in Germany, England, and the United States—a valuable aid to anyone doing research on the subject. This volume, in addition to its appeal to scholars, serves as an introduction to the theory of the German army, as well as a summary of Moltke’s enduring theoretical legacy. Praise for Moltke on the Art of War “Moltke molded the Prussian and ultimately the German army at a time of technological and economic change. For that reason . . . this book deserves a much wider audience than those interested in nineteenth-century military history. Readers will be particularly grateful for the editor’s careful explanation of terms that are easily mistranslated in English, and for concise and useful footnotes and bibliography. A model of fine editing.”—Foreign Affairs Magazine “This valuable work ably compiles the selected writings on the art of war of one of military history’s greatest geniuses. [Moltke’s] impact on American military thinking persists, especially in various military staff college curricula. Strongly recommended.”—Armed Forces Journal “A thoughtfully edited, well-translated anthology that merits a place in any serious collection on the craft of war in the modern Western world."—Journal of Military History

In times of crisis, we often turn to artists for truth-telling and memory-keeping. There is no greater crisis than war, and in this sumptuously illustrated volume, we find a comprehensive visual, cultural, and historical account of the ways in which armed conflict has been represented by artists. Covering the last two centuries, from the Crimean War to the present day, the book shows how the artistic portrayal of war has changed, from a celebration of heroic exploits to a more modern, troubled, and perhaps truthful depiction of warfare and its consequences. The book investigates broad patterns as well as specific genres and themes of war art, and features more than 400 color illustrations by artists including Paul Nash, Judy Chicago, Pablo Picasso, Melanie Friend, Marc Chagall, Francis Bacon, K the Kollwitz, Joseph Beuys, Yves Klein, Robert Rauschenberg, Dora Meeson, Otto Dix, and many others. The volume also highlights the work of often overlooked artists, including children, non-Europeans, and prisoners of war. A wide range of subjects, from front-line combat to behind-the-lines wartime experiences are represented in paintings, etchings, photography, film, digital art, comics, and graffiti. Edited and with an introduction by Joanna Bourke, War and Art features essays written by premier experts in the field. This extensive survey is a fitting and timely contribution to our understanding of art, memory, and commemoration of war.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.