The Artists Of Algonquin

Art. Women's Studies. WILD WOMEN is a celebration of the wilderness as seen through the eyes of three women artists: Joyce Burkholder, Kathy Haycock and Linda Sorensen. The book presents reproductions of each artist's paintings, and photos of the artists at work in the landscape and in their studios followed by a series of conversations that illuminate and compare their individual approaches and techniques. WILD WOMEN: PAINTERS OF THE WILDERNESS is a beautiful art book that is also a strong statement by women about recording, sharing and preserving the Canadian wilderness. It introduces to a wider public a group of contemporary professional women painters who work together and support each other in their mutual goals. Each has a back- to-the land experience that draws her to this remote, rural area and connects her to the wilderness.

Beginning in 1912, Defiant Spirits traces the artistic development of Tom Thomson and the future members of the Group of Seven, Franklin Carmichael, Lawren Harris, A. Y. Jackson, Franz Johnston, Arthur Lismer, J. E. H. MacDonald, and Frederick Varley, over a dozen years in Canadian history. Working in an eclectic and sometimes controversial blend of modernist styles, they produced what an English critic celebrated in the 1920s as the “most vital group of paintings” of the 20th century. Inspired by Cézanne, Van Gogh and other modernist artists, they tried to interpret the Ontario landscape in light of the strategies of the international avant-garde. Based after 1914 in the purpose-built Studio Building for Canadian Art, the young artists embarked on what Lawren Harris called “an all-engrossing adventure”: travelling north into the anadian Shield and forging a style of painting appropriate to what they regarded as the unique features of Canada’s northern landscape. Rigorously researched and drawn from archival documents and letters, Defiant Spirits constitutes a “group biography,” reconstructing the men’s aspirations, frustrations and achievements. It details not only the lives of Tom Thomson and the members of the Group of Seven but also the political and social history of Canada

In master engraver George A. Walker's newest work, The Mysterious Death of Tom Thomson, the circumstances surrounding the death and disappearance of the iconic Canadian artist are explored through some one hundred and nine wood engravings, creating a work that eulogizes not only the artist himself, but the struggle of the artist's attempt to express himself while constrained by society, the reality of the moment, and mortality.