The Arts Of Korea

Built upon the works at a 2012 symposium, this book explores some of the canonical attributes of Korean art and the challenges in collecting this art. Contemporary, traditional, and modern Korean art collections are explored, along with the continuing research in iconography and aesthetics that define Korean art.

The Museum of Fine Arts, Boston, has one of the finest collections of Korean art outside East Asia, with particularly superb holdings of ceramics, including celadon masterworks from the eleventh to fourteenth centuries, and Buddhist paintings and sculptures. It is also rich in metalwork, lacquer, and ink painting. While some of the hundred objects presented here were created for royals and aristocrats, many others were originally intended for everyday use and tell a story not only about the artisans who made these boxes, mirrors, jars, tiles, and trays but also about the people who used them. The works represented in 'Arts of Korea' reach in time from a Bronze Age dagger to contemporary ceramics and prints, highlighting the creative dialogue of artists with Korea's unique traditions, as well as with those of China and Japan, over more than two millennia. Enhanced with illuminating essays about the objects' cultural history, this book offers an ideal introduction to the splendors and subtleties of Korean art.

Explore the rich artistic heritage of Korea: a blend of native tradition, foreign infusions, and sophisticated technical skill.

Contains more than 100 highlights of the collection, along with detailed commentaries by Kumja Paik Kim

The only college-level publication on Korean art history written in English Korean pop culture has become an international phenomenon in the past few years. The popularity of the nation’s exports—movies, K-pop, fashion, television shows, lifestyle and cosmetics products, to name a few—has never been greater in Western society. Despite this heightened interest in contemporary Korean culture, scholarly Western publications on Korean visual arts are scarce and often outdated. A Companion to Korean Art is the first academically-researched anthology on the history of Korean art written in English. This unique anthology brings together essays by renowned scholars from Korea, the US, and Europe, presenting expert insights and exploring the most recent research in the field. Insightful chapters discuss Korean art and visual culture from early historical periods to the present. Subjects include the early paintings of Korea, Buddhist architecture, visual art of the late Chosŏn period, postwar Korean Art, South Korean cinema, and more. Several chapters explore the cultural exchange between the Korean peninsula, the Chinese mainland, and the Japanese archipelago, offering new perspectives on Chinese and Japanese art. The most comprehensive survey of the history of Korean art available, this book: Offers a comprehensive account of Korean visual culture through history, including contemporary developments and trends Presents two dozen articles and numerous high quality illustrations Discusses visual and material artifacts of Korean art kept in various archives and collections worldwide Provides theoretical and interpretive balance on the subject of Korean art Helps instructors and scholars of Asian art history incorporate Korean visual arts in their research and teaching The definitive and authoritative reference on the subject, A Companion to Korean Art is indispensable for scholars and academics working in areas of Asian visual arts, university students in Asian and Korean art courses, and general readers interested in the art, culture, and history of Korea.

This catalog highlights one hundred of the finest examples of Korean ceramics, metalwork, and decorative arts, Buddhist sculpture, and painting. One of the few English-language volumes to be published on the subject, Arts of Korea is a comprehensive introduction to an important East Asian cultural and artistic tradition. -- Metropolitan Museum of Art website.

The first comprehensive survey to explore the rich and complex history of contemporary Korean art - an incredibly timely topic Starting with the armistice that divided the Korean Peninsula in 1953, this one-of-a-kind book spotlights the artistic movements and collectives that have flourished and evolved throughout Korean culture over the past seven decades - from the 1950s avant-garde through to the feminist scene in the 1970s, the birth of the Gwangju Biennale in the 1990s, the lesser known North Korean art scene, and all the artists who have emerged to secure a place in the international art world.

The social and economic rise of the chungin class (“middle people” who ranked between the yangban aristocracy and commoners) during the late Chosŏn period (1700–1910) ushered in a world of materialism and commodification of painting and other art objects. Generally overlooked in art history, the chungin contributed to a flourishing art market, especially for ch’aekkori, a new form of still life painting that experimented with Western perspective and illusionism, and a reimagined style of the traditional plum blossom painting genre. Sunglim Kim examines chungin artists and patronage of the visual arts, and their commercial transactions, artistic exchange with China and Japan, and historical writings on art. She also explores the key role of men of chungin background in preserving Korean art heritage in the tumultuous twentieth century, including the work of the modern Korean collector and historian O Se-ch’ang, who memorialized many chungin painters and calligraphers. Revealing a vivid picture of a complex art world,Flowering Plums and Curio Cabinets presents a major reconsideration of late Chosŏn society and its material culture. Lushly illustrated, it will appeal to scholars of Korea and East Asia, art history, visual culture, and social history. A William Sangki and Nanhee Min Hahn Book Art History Publication Initiative. For more information, visit http://arthistorypi.org/books/flowering-plums-and-curio-cabinets