The Ascent Of Rum Doodle

An English comic novel about a World War II expedition to a Himalayan peak. WITH AN INTRODUCTION BY BILL BRYSON An outrageously funny spoof about the ascent of a 40,000-and-a-half-foot peak, The Ascent of Rum Doodle has been a cult favourite since its publication in 1956. Led by the reliably under-insightful Binder, a team of seven British men -- including Dr Prone (constantly ill), Jungle the route finder (constantly lost), Constant the diplomat (constantly arguing) -- and 3,000 Yogistani porters sets out to conquer the highest peak in the Himalayas.

First published in 1956, "The Ascent of Rum Doodle" quickly became a mountaineering classic. As an outrageously funny spoof about the ascent of a peak in the Himalayas, many thought it was inspired by the 1953 conquest of Everest. But Bowman had drawn on the flavor and tone of earlier adventures, of Bill Tilman and his 1937 account of the Nandi Devi expedition. The book's central and unforgettable character, Binder, is one of the finest creations in comic literature.

Having brought the highest mountain in the world to its knees, Binder, leader of the expedition to conquer Rum Doodle, soon sets off on a new adventure, aboard the raft Talking Fish. With only two cats, one frog, one oyster and five fellow-adventurers as crew, he is determined to master the challenges of the deep.

As he teetered on a narrow rock ledge a yak’s bellow short of the stratosphere, with a rubber mask strapped to his face, a pair of mittens the size of a sealion’s flippers, and a drop of two kilometres below him, it’s fair to say Mark Horrell wasn’t entirely happy with the situation he found himself in. He had been an ordinary hiker who had only read books about mountaineering. When he signed up for an organised trek in Nepal with a group of elderly ladies, little did he know that ten years later he would be attempting to climb the world’s highest mountain. But as he travelled across the Himalayas, Andes, Alps and East Africa, following in the footsteps of the pioneers, he dreamed up a seven-point plan to gain the skills and experience which could turn a wild idea into reality. Funny, incisive and heartfelt, his journey provides a refreshingly honest portrait of the joys and torments of a modern-day Everest climber.

'An incredible and important story, finally being told' - Mishal Husain On 28 May 1940, Major Akbar Khan marched at the head of 299 soldiers along a beach in northern France. They were the only Indians in the British Expeditionary Force at Dunkirk. With Stuka sirens wailing, shells falling in the water and Tommies lining up to be evacuated, these soldiers of the British Indian Army, carrying their disabled imam, found their way to the East Mole and embarked for England in the dead of night. On reaching Dover, they borrowed brass trays and started playing Punjabi folk music, upon which even 'many British spectators joined in the dance'. What journey had brought these men to Europe? What became of them – and of comrades captured by the Germans? With the engaging style of a true storyteller, Ghee Bowman reveals in full, for the first time, the astonishing story of the Indian Contingent, from their arrival in France on 26 December 1939 to their return to an India on the verge of partition. It is one of the war's hidden stories that casts fresh light on Britain and its empire.

Tilman has been called "arguably the best expedition writer and best explorer-mountaineer" of the 20th century.

In 1924 Mount Everest remained unclimbed. Two British expeditions had already tackled what was known to be the highest mountain on Earth. The first, in 1921, found a route to the base. The second, in 1922, attempted the summit, reaching a record height of 27,320 feet before retreating. Two years later, a team that included Colonel E.F. Norton, George Mallory and Andrew Irvine returned to the Himalaya. Armed with greater knowledge and experience, confidence was high. But they were still climbing into the unknown. How high could they climb without supplementary oxygen? Would the cumbersome oxygen equipment help them climb higher? Could they succeed where others had failed, and make the first ascent of the highest mountain on earth? Before they could find out, tragedy struck - George Mallory and Andrew Irvine, climbing high on the mountain, vanished into the clouds. First published in 1925, and reissued now for only the second time, The Fight for Everest 1924 is the official record of this third expedition to Everest. The compelling narrative by Norton and other expedition members, and Mallory's vivid letters home, present a gripping picture of life in the Himalaya. Notes and observations from the entire team show how far knowledge of the mountain and of high-altitude climbing had advanced by 1924, and make recommendations for future Everest attempts. As well as the full original text and illustrations, this edition reproduces some of Norton's superb pencil sketches and watercolours along with previously unpublished materials from his private archive. These include original planning documents from the expedition, Mallory's last note to Norton, and a moving letter to Norton from Mallory's widow. Together, they add up to complete one of the most fascinating mountaineering books ever written.

Breathtaking tales of climbers and hunters, runners and racers, winners and losers by the Pulitzer Prize-winning reporter. New York Times reporter John Branch’s riveting, humane pieces about ordinary people doing extraordinary things at the edges of the sporting world have won nearly every major journalism prize. Sidecountry gathers the best of Branch’s work for the first time, featuring 20 of his favorites from the more than 2,000 pieces he has published in the paper. Branch is renowned for covering the offbeat in the sporting world, from alligator hunting to wingsuit flying. Sidecountry features such classic Branch pieces, including “Snow Fall,” about downhill skiers caught in an avalanche in Washington state, and “Dawn Wall,” about rock climbers trying to scale Yosemite’s famed El Capitan. In other articles, Branch introduces people whose dedication and decency transcend their sporting lives, including a revered football coach rebuilding his tornado-devastated town in Iowa and a girls’ basketball team in Tennessee that plays on despite never winning a game. The book culminates with his moving personal pieces, including “Children of the Cube,” about the surprising drama of Rubik’s Cube competitions as seen through the eyes of Branch’s own sports-hating son, and “The Girl in the No. 8 Jersey,” about a mother killed in the 2017 Las Vegas shooting whose daughter happens to play on Branch’s daughter’s soccer team. John Branch has been hailed for writing “American portraiture at its best” (Susan Orlean) and for covering sports “the way Lyle Lovett writes country music—a fresh turn on a time-honored pleasure” (Nicholas Dawidoff). Sidecountry is the work of a master reporter at the top of his game.