The Austen Formula Jane Austen S Pride And Prejudice In The Nineteenth And Twentieth Century

World literature is full of great love stories, but there are few that make it through the centuries and are as well-known and loved today as they were decades ago. One of those stories that have the ability to leave an everlasting impression is Jane Austen’s best-known and probably most famous novel Pride and Prejudice (1813). Its appeal to literary posteriority lies in the astonishing emotional impact of a seemingly simple story: A clever girl and a mysterious man, destined for one another, loathe each other from the very beginning because of wrong first impression and bad influence from others. They gradually have to overcome these obstacles in order to recognise the nobility of each other’s characters and find happiness together. From Austen’s contemporary writing and its scarce possibilities for women writers on to the emancipation of the female author up until the possibilities for women novelists in the lately developing genre labelled chick lit – Pride and Prejudice still continues to fascinate readers and writers alike. This book sets out to examine how Austen’s formula was put to use to yield three contemporary works of British fiction; Kate Fenton’s Lions and Liquorice (1995), Helen Fielding’s Bridget Jones’s Diary (1996) and Melissa Nathan’s Pride, Prejudice and Jasmin Field (2000) and what transformations it has experienced in the process.

World literature is full of great love stories, but there are few that make it through the centuries and are as well-known and loved today as they were decades ago. One of those stories that have the ability to leave an everlasting impression is Jane Austen’s best-known and probably most famous novel Pride and Prejudice (1813). Its appeal to literary posteriority lies in the astonishing emotional impact of a seemingly simple story: A clever girl and a mysterious man, destined for one another, loathe each other from the very beginning because of wrong first impression and bad influence from others. They gradually have to overcome these obstacles in order to recognise the nobility of each other’s characters and find happiness together. From Austen’s contemporary writing and its scarce possibilities for women writers on to the emancipation of the female author up until the possibilities for women novelists in the lately developing genre labelled chick lit – Pride and Prejudice still continues to fascinate readers and writers alike. This book sets out to examine how Austen’s formula was put to use to yield three contemporary works of British fiction; Kate Fenton’s Lions and Liquorice (1995), Helen Fielding’s Bridget Jones’s Diary (1996) and Melissa Nathan’s Pride, Prejudice and Jasmin Field (2000) and what transformations it has experienced in the process.

Austen’s most celebrated novel tells the story of Elizabeth Bennet, a bright, lively young woman with four sisters, and a mother determined to marry them to wealthy men. At a party near the Bennets’ home in the English countryside, Elizabeth meets the wealthy, proud Fitzwilliam Darcy. Elizabeth initially finds Darcy haughty and intolerable, but circumstances continue to unite the pair. Mr. Darcy finds himself captivated by Elizabeth’s wit and candor, while her reservations about his character slowly vanish. The story is as much a social critique as it is a love story, and the prose crackles with Austen’s wry wit.

In early nineteenth-century England, a spirited young woman copes with the suit of a snobbish gentleman as well as the romantic entanglements of her four sisters.

Pride and Prejudice is the most famous of Jane Austen's novels, and its opening is one of the most famous lines in English literature — "It is a truth universally acknowledged that a single man in possession of a good fortune must be in want of a wife". Its manuscript was initially called First Impressions, but was never published under that title. It was published on 28 January 1813 and, like both its predecessors Sense and Sensibility and Northanger Abbey, it was written at Steventon Rectory.

"Pride and Prejudice" - Mr. Bennet of the Longbourn estate has five daughters, but his property is entailed, meaning that none of the girls can inherit it. His wife has no fortune, so it is imperative that at least one of the girls marry well in order to support the others on his death. The story charts the emotional development of Elizabeth Bennet who learns the error of making hasty judgments and comes to appreciate the difference between the superficial and the essential. "Sense and Sensibility" - When Mr. Henry Dashwood dies, his house, Norland Park, must pass directly to his grandson, the son of John Dashwood, the child of the elder Dashwood's first wife. His second wife, Mrs. Dashwood, and their daughters, Elinor, Marianne and Margaret, inherit only a small income, but John makes a promise to his father that he will take care of his half-sisters. However, John's greedy wife, Fanny, persuades him to renege on the promise and the Dashwood women soon become the unwelcome guests in Norland Park. Mrs. Dashwood decides to move her family to Barton Cottage in Devonshire, near the home of her cousin, Sir John Middleton.

In early nineteenth-century England, a spirited young woman copes with the suit of a snobbish gentleman, as well as the romantic entanglements of her four sisters.

Pride and Prejudice, by Jane Austen, one of literature's most beloved stories of love, marriage, and social mores, is now available in a fine exclusive collector's edition featuring a laser-cut jacket on a textured book with foil stamping and ribbon marker, making it ideal for fiction lovers and book collectors alike.