The Band Music Mystery

A chronology and analysis of albums, shows, and recordings by Pink Floyd and individual band members as solo artists.

Now Available as an eBook Catch a train to the heart of rock ‘n’ roll with this essential study of the quintessential American art form. First published in 1975, Greil Marcus’ Mystery Train remains a benchmark study of rock ‘n’ roll and a classic in the field of music criticism. Focusing on six key artists--Robert Johnson, Harmonica Frank, Randy Newman, the Band, Sly Stone, and Elvis Presley--Marcus explores the evolution and impact of rock ‘n’ roll and its unique place in American culture. This sixth edition of Mystery Train includes an updated and rewritten Notes and Discographies section, exploring the evolution and continuing impact of the recordings featured in the book.

As if recovering from a raucous dream of the 1960s, Gerry Beckley, Dewey Bunnell, and Dan Peek arrived on 1970s American radio with a sound that echoed disenchanted hearts of young people everywhere. The three American boys had named their band after a country they’d watched and dreamt of from their London childhood Air Force base homes. What was this country? This new band? Classic and timeless, America embodied the dreams of a nation desperate to emerge from the desert and finally give their horse a name. Celebrating the band’s fiftieth anniversary, Gerry Beckley and Dewey Bunnell share stories of growing up, growing together, and growing older. Journalist Jude Warne weaves original interviews with Beckley, Bunnell, and many others into a dynamic cultural history of America, the band, and America, the nation. Reliving hits like “Ventura Highway,” “Tin Man,” and of course, “A Horse with No Name” from their 19 studio albums and incomparable live recordings, this book offers readers a new appreciation of what makes some music unforgettable and timeless. As America’s music stays in rhythm with the heartbeats of its millions of fans, new fans feel the draw of a familiar emotion. They’ve felt it before in their hearts and thanks to America, they can now hear it, share it, and sing along.

A Merry Band of Murderers is more than a compilation of short mystery stories from some of the genre's finest writers. It is also an exploration of music. Conceived by Claudia Bishop and Don Bruns, the collection is staged in two acts: first, a non-fiction discussion of short stories, mysteries, and music; and second, a compilation of musical short mysteries. The first act opens with an essay by Bishop explaining the role of the short story in mystery writing and another essay by Bruns discussing writers who play, sing, and compose. The second act is more whimsical. There are thirteen music-centered stories from authors Mary Anna Evans, Jim Fusilli, Bill Moody, Rupert Holmes, Rhys Bowen, John Lescroart, Nathan Walpole, Peter Robinson, Jeffery Deaver, Tom Cocoran, Val McDermid, and, of course, the editors themselves. Each story is accompanied by a short introduction, song lyrics, and an interview with the writer.

Two-time Edgar Award winner Rupert Holmes–author of the critically acclaimed Where the Truth Lies and creator of the Tony Award—winning musical whodunit The Mystery of Edwin Drood–now fuses gripping suspense and evocative music in an innovative novel of intrigue set in 1940, during the very heart of the Big Band era. Jazz saxophonist and arranger Ray Sherwood, touring with the Jack Donovan Orchestra, is haunted by personal tragedy. But when a beautiful and talented Berkeley student named Gail Prentice seeks his help in orchestrating a highly original composition called Swing Around the Sun, which is slated to premiere at the Golden Gate Exposition on the newly created Treasure Island in San Francisco Bay, Ray finds himself powerfully drawn to the beguiling coed. Within moments of first setting eyes on her, Ray also witnesses a horrifying sight: a young woman plunging to her death from the island’s emblematic Tower of the Sun. As the captivated Ray learns more about Gail and her unusual family, he finds himself trapped in a tightening coil of spiraling secrets– some personally devastating, all dangerous and deadly– in which from moment to moment nothing is certain, including Gail’s intentions toward him and her connection to the dead woman who made such a grisly impact upon the stunning island. As events speed toward a shocking climax, Ray must use all his physical daring and improvisational skills to unlock an ominous puzzle whose sinister implications stretch far beyond anything he could imagine.

A Boston music journalist-turned-corporate writer investigates the suspicious death of a friend from her punk past in this noir mystery. The Boston club scene may be home to a cast of outsiders and misfits, but it’s where Tara Winton belongs—the world she’s been part of for the past twenty years. Now, one of the old gang is dead, having fallen down the basement stairs at his home. With her journalist’s instincts, Tara senses there’s something not quite right about Frank’s supposedly accidental death. When she asks questions, she begins to uncover some disturbing truths about the club scene in its heyday. Beneath the heady, sexually charged atmosphere lurked something darker. Twenty years ago, there was another death. Could there be a connection? Is there a killer still at large…and could Tara herself be at risk? “[A] a fascinating reminiscence of sex, drugs, and rock and roll.”—Kirkus Reviews “Simon writes with authority and affection about a lost world. Highly recommended”—Catriona McPherson, award-winning author of Strangers at the Gate “World Enough, is steeped in the 1980s Boston rock scene, with its sticky-floored clubs, radio stations dusted in coke, stars and hangers-on, seedy barbacks, and all the attendant sin and debauch that emerges after midnight when you can still hear the show ringing in your ears.”—Boston Globe “Simon's dark story shimmers with brilliance—and stands as her finest.”—Richmond Times-Dispatch