The Beadle Files Gypsy Curses

Gypsy Curses, the sixth installment of The Beadle Files, begins in Buffalo where LC Beadle is investigating the mysterious disappearance of Bernadette Millier, a cabaret singer climbing the rungs of success. During the course of his digging and inquires, he discovers a bombshell secret about her manager Alfonso Kosteas, which the pair had conspired to keep hidden. The narrative weaves its way around organized crime circles populated by gangsters, including Stefano Galleo, an authoritative kingpin who is somewhat obsessed with Bernadette Millier. His fixation results in him pulling strings and manipulating events on her behalf. In Durango, Tatiyana Baglio, proprietor of Jewel’s Tea and Spice Emporium, is kept busy by those seeking an advantage in receiving a glimpse of the future, including Jack Whistler and a pair of veteran mobsters, Hacksaw Maddox and Jimmy Pachino. Josiah Grassley, along with Cynthia Sue Hopple and Megan Kitner, are on an urgent quest to recover a treasure entrusted to Josiah then stolen by a pair of ne’er-do-well flimflammers. The travelers form a bond and experience misadventures whilst being enlightened or entertained by a neverending commentary from Cynthia Sue telling longwinded stories gleaned from her past.

Cryptic Lessons, the seventh installment of The Beadle Files, opens with LC Beadle receiving a telephone call about a crime scene in South Fork where ominous words were written in blood on the wall of a barn. State and federal investigators are drawn to the site while being hampered by a nasty snowstorm. The narrative takes meandering turns from South Fork to Buffalo to Chicago to Durango. Clyde and Patsy Lobato, ne’er-do-well con artists, continue their shameful shenanigans, much to the dismay of Josiah Grassley and company; Cynthia Sue Hopple is in her usual excitable state that comes complete with tirades and rambling commentary on happenings. In Durango, Father Francis Lynch receives a visit from a mysterious woman who, for reasons unbeknownst to him rattles his sensibilities. Truth is, Sophia Jenkins possesses a secret that has the potential to turn his world upside down—it’s a complicated situation that could create insurmountable problems. The priest perseveres forward, even as Jack Whistler threatens to employ blackmail tactics. Meanwhile, in Buffalo, Mags Vitali and Eddy Olenski continue their partnership in shady endeavors. Near the end of the novel, Jack Whistler dispatches Cody Fralick to Buffalo with orders for him to connect with Magdalene Vitali and Eddy Olenski. Jack also informs him that he may be in Buffalo for a year or more.

Risky Chances, the eighth installment of The Beadle Files, opens with LC Beadle in Buffalo meeting with a supposed informant, but soon enough determines that he’s been snookered. A pair of ruffians warn him that Cody Fralick will very shortly be greeted by the Grim Reaper, then they proceed to beat the journalist until he is smothered into unconsciousness. The narrative is crisp and fast-paced, set mostly in Buffalo, New York—there are twists and turns that take the reader on a train trip from Colorado to the Queen City. A pair of mysterious female characters bring vivid memories from the past that in different ways rattle both Avis Lahay and Tatiyana Baglio. Meanwhile Jack Whistler continues to be the sly and crafty master of information, even as he is visited by shadowy wheelers and dealers. Ziggy Alder and Sara Mulder continue their adventurous escapades on the trail to Creede, where he hopes to find a kinsman’s grave, as well as yearns to meet anyone who knew him who could tell some Uncle Whitey stories. Ziggy chatters constantly, regaling Sara with tall tales from his past, which are so entertaining that she seems to always want to hear another one.

Graveyard Promises is the first installment of The Beadle Files, a hardboiled suspense series set in the Roaring Twenties. Prohibition is the law of the land. Social and economic fluctuations are sweeping across the country, and organized crime has become a volatile influence—it is the era of gangland infighting for territory and control of the flow of liquor. The main character in the ensemble cast is LC Beadle, a World War I foreign correspondent who is now stateside in Durango, Colorado. Following a lead, the newspaperman gets caught up in a murder mystery that has conspiratorial undercurrents involving the Chicago rackets. Trouble or the threat of it is an ever-present reality leaping off the pages like an aggressive terrier. Schemes and plotlines jump from the Backdoor Vault to Triad Medical to Rooster’s Barnyard to Jewel’s Tea & Spice Emporium to the Kilkenny Social Club. The narrative entwines around the life and times of a legendary lawman and his family. Supernatural elements are woven into the fabric of story arcs as the age-old war between good and evil continues unabated. Despair is at odds with hope while hints of tragedy lurk in the shadows. The words of Yaz Lightfoot, a deeply spiritual Lakota Sioux man, serve as an overarching theme: “Justice demands the fidelity of principled men.”

A New Translation From The French By Marion Wiesel Born in Sighet, Transylvania, Elie Wiesel was a teenager when he and his family were taken from their home in 1944 and deported to the Auschwitz concentration camp, and then to Buchenwald. Night is the terrifying record of Elie Wiesel's memories of the death of his family, the death of his own innocence, and his despair as a deeply observant Jew confronting the absolute evil of man. This new translation by his wife and most frequent translator, Marion Wiesel, corrects important details and presents the most accurate rendering in English of Elie Wiesel's seminal work.

Since its first appearance in Germany in 1911, Jews and Modern Capitalism has provoked vehement criticism. As Samuel Z. Klausner emphasizes, the lasting value of Sombart's work rests not in his results-most of which have long since been disproved-but in his point of departure. Openly acknowledging his debt to Max Weber, Sombart set out to prove the double thesis of the Jewish foundation of capitalism and the capitalist foundation of Judaism. Klausner, placing Sombart's work in its historical and societal context, examines the weaknesses and strengths of Jews and Modern Capitalism.

A Room of One’s Own is an essay written by Virginia Woolf. It was published in 1929 and is based on two lectures given by the author in 1928 at two colleges for women at Cambridge. In this famous essay, Woolf addressed the status of women, and women artists in particular. In this essay, the author also asserts that a woman must have money and a room of her own if she is to write. According to Woolf, women’s creativity has been curtailed due to centuries of prejudice and financial and educational disadvantages. To emphasize her view, she offers the example of an imaginary gifted but uneducated sister of William Shakespeare, who, discouraged from all eventually kills herself. Woolf celebrates the work of women who have overcome that tradition and become writers, including Jane Austen, George Eliot, and the Brontë sisters, Anne, Charlotte, and Emily. In the final section Woolf suggests that great minds are neutral and argues that intellectual freedom requires financial freedom. The author entreats her audience to write not only fiction but poetry, criticism, and scholarly works as well.