The Beatles And Film

It's Been A Hard Day's Night, Help , Yellow Submarine, Magical Mystery Tour, Let It Be.... These were the five films made by the Beatles, films that, like the band itself, broke new ground, set new trends and became cult favorites that continue to fascinate fans a quarter of a century later. Beatles at the Movies provides detailed behind-the-scene takes on the making of these films. It describes each movie location, the antics of the Fab Four in front of -- and behind -- the camera, the day-to-day events and the sometimes unusual problems the crew encountered. It also provides in-depth information on the recordings of the songs used in each movie. Featuring a foreword by Richard Lester, director of the first two Beatles films, it gives an insider's point of view on these films that no other book has ever offered. Beatlemania has experienced a major resurgence. ABC's documentary on the band (which was re-broadcast in the fall of 1996), and the release of their two "new" singles generated tremendous fanfare. Two more double-CD sets of Beatles recordings have been released, and the Beatles are crawling all over the World Wide Web. Beatles at the Movies taps into this continuing interest, and will have tremendous appeal for movie fans and fans of the greatest rock 'n' roll band in history.

This concise yet comprehensive study explores the emblematic journey by four young men from Liverpool from the epicentre of teen-led youth culture to the experimentation of the counterculture and beyond. Beginning with the celebration of Britain’s own ‘youthquake’ in the joyous and genre-shifting A Hard Day’s Night (1964), the author delves into how the Beatles’ film work allows us to chart their subsequent musical maturation and retreat from the tribulations of stardom in Help!, their tentative attempts at improvised filming in the televised Magical Mystery Tour (1967), their acceptance of cartoon representations as leaders of the hippie counterculture in Yellow Submarine (1968), and the final implosion of their musical dynamic in the recording studios of Let It Be (1970). The book analyses how, as they grew with their fanbase, the Beatles’ films alternate stylistically between mimetic representation and allegorical interpretation, and switch narratively between fan-filled and welcoming worlds, to films relaying introspection and isolation. Offering an in-depth case study of the successes and failures of British youth culture in a volatile decade, The Beatles and Film is an engaging text for both scholars and general readers alike.

This book provides the production history and a contextual interpretation of The Beatles' movies (A Hard Day's Night, Help!, Yellow Submarine, Let It Be) and describes their ability to project the group's image at different stages in their career. It also includes a discussion of all of The Beatles' promotional films and videos, as well as their television cartoon series and the self-produced television special Magical Mystery Tour. Along with The Beatles' feature movies and promos, this analysis also contains documentaries, such as The Compleat Beatles and Anthology, as well as dramatizations of the band's history, such as Backbeat, The Hours and Times, and Two of Us.

The definitive, critical history of the Beatles on film Throughout the sixties, the Beatles were at the heart of the British pop explosion. They have been heralded as the most fundamental cultural force of the decade and as the central innovators of sixties music, fashion, style and social change. Much has been written about the Beatles' contribution to music and pop culture, but until now, one aspect of the group's history has been largely overlooked -- their movies. Between 1964 and 1970, film was central to the Beatles' career, as a means of promoting and disseminating their music, as a source of revenue, and as a way of projecting the group's ever-changing images, attitudes and musical styles. The Beatles Movies is the first critical history of the Beatles' films, and the first to place them within the wider context of British film history. Extensively researched using historical and contemporary sources including original interviews and previously unseen footage, the book also includes rare pictures from the Apple archive and a full filmography and soundtrack discography. This is a book no fan or student of British cinema should miss. -- The first ever comprehensive study of the Beatles' five feature films -- Includes stunning exclusive photos from the Apple archive

“More fun to read than the movie was to watch... a scene-stealing book.” — The Washington Post An Entertainment Weekly "Must List" selection Caddyshack is one of the most beloved comedies of all time, a classic snobs vs. slobs story of working class kids and the white collar buffoons that make them haul their golf bags in the hot summer sun. It has sex, drugs and one very memorable candy bar, but the movie we all know and love didn’t start out that way, and everyone who made it certainly didn’t have the word “classic” in mind as the cameras were rolling. In Caddyshack:The Making of a Hollywood Cinderella Story film critic for Entertainment Weekly Chris Nashawaty goes behind the scenes of the iconic film, chronicling the rise of comedy’s greatest deranged minds as they form The National Lampoon, turn the entertainment industry on its head, and ultimately blow up both a golf course and popular culture as we know it. Caddyshack is at once an eye-opening narrative about one of the most interesting, surreal, and dramatic film productions there’s ever been, and a rich portrait of the biggest, and most revolutionary names in Hollywood. So, it’s got that going for it...which is nice.

This is the second volume of the widely acclaimed Art of the Cut book published in 2017. This follow-up text expands on its predecessor with wisdom from more than 360 interviews with the world’s best editors (including nearly every Oscar winner from the last 30 years). Because editing is a highly subjective art form, and one that is critical to the success of motion picture storytelling, it requires side-by-side comparisons of the many techniques and solutions used by a wide range of editors from around the world. That is why this book compares and contrasts methodologies from a wide array of diverse voices and organizes that information so that it is easily digested and understood. There is no one way to approach editorial problems, so this book allows readers to see multiple solutions from multiple editors. The interviews contained within are carefully curated into topics that are most important to film editors and those who aspire to become film editors. The questions asked, and the organization of the book, are not merely an academic or theoretical view of the art of editing but rather the practical advice and methodologies of actual working film and TV editors, bringing benefits to both students and professional readers. The book is supplemented by a collection of downloadable online exclusive chapters, which cover additional topics ranging from Choosing the Project to VFX. In addition to the supplementary chapters, access to the full-color, full-resolution images printed in the book—and other exclusive images—is included.

This book is meant as a companion volume to The Beatles Film & TV Chronicle 1961-1970 and covers the first ten years of the solo careers of the individual Beatles from 1971 to 1980. It is the indispensable reference book for every serious Beatles video collector, with several years worth of research and investigation into the massive amount of film material held in archives around the world. The book includes details on over 100 hours worth of solo material, with many items covered for the very first time, and is fully illustrated with over one hundred and eighty thumbnail images (b/w) taken from a variety of film sources. As a bonus, the book also includes a chapter of updates regarding recently discovered and new information about films of The Beatles as a group during the years from 1961 to 1970. Through the years the author has been consulted for several Beatles film and book projects, including the 2011 Martin Scorsese documentary: George Harrison - Living in the Material World.