The Best Of Colonial Brisbane

Packed inside this unique collection on colonial Brisbane are no less than 22 essays by historian Rod Fisher. Most were published as scattered articles in various formats over 25 years, 3 have never seen the light of day and all are brought up to date. While stepping through the years from 1842-1901 and sometimes further as a continuum, they are grouped under 5 main themes. ‘Occupation’ deals with early settlement, employment and pursuits until the 1860s. That involves the lie of the land including the town, its old windmill, industry, photography, cultural associations and personnel. The next theme of ‘Alienation’ traverses the same years in exposing, as never before, the aboriginal experience and ethnic mix, while taking the formation of the New Church until the early 1880s as an instance of sectarianism. The ‘Separation’ section concerns several historical oversights about 1859: the time-lag in acknowledging Brisbane as the colonial capital; rediscovery of the original proclamation of Queensland; recognition of the role of its prime public servant; and ongoing history of the first colonial flag; as well as the visual means used by a sojourning artist to promote Brisbane’s new-found status in 1864-66. Then ‘Personation’ portrays the rise and fall of 4 ‘representative men’ from early colonial years to the end of the era: an Anglican brewer turned public servant and teacher; English Swedenborgian artist, musician and naturalist; Scottish Presbyterian novelist, merchant and planter; and Irish Catholic building contractor – not forgetting their supportive and long-suffering wives. Going back from the late 1880s to the 1840s and then forward into the next century, the final theme of ‘Location’ examines the iniquities of urban Frogs Hollow, origins of rustic Bulimba, trends in old South Brisbane, controversies of North Brisbane Cemetery later Lang Park, perceptions of Brisbane River and sad saga of Moreton Bay.

Governance and Public Space in the Australian City is a rich and evocative examination of the production and use of public spaces in Australian cities in the late-nineteenth and early-twentieth centuries. Using Brisbane as a case study, it demonstrates the way public spaces were constructed, contested, and controlled in attempts to create ‘ideal’ city spaces. This construction of space is considered not just in the literal and material sense but also as a product of aspirational and imaginative processes of city-building by municipal authorities and citizens. This book is as much about people as it is about cities – uncovering the manner in which perceived models of ideal urban citizenship were reflected in the production and ordering of city spaces. This book challenges common narratives that situate public spaces as universal or equalising aspects of the urban sphere. Exploring three distinct types of public space – the streets, slums, and parks – the book questions how urban spaces functioned, alongside how they were intended to function. In so doing, Governance and Public Space in the Australian City situates public spaces as products of manipulation and regulation at odds with broader concepts of individual liberty and the ‘rights’ of people to public space. It will be illuminating reading for scholars and students of urban history and Australian history.

1864 was a tough year for the fledgling town of Brisbane as two devastating fires swept through its commercial hub. This book is the first comprehensive historical record of both the ordinary and well-known citizens of the early settlement city who survived the fire’s ravages to lay the foundations of Australia’s third biggest city.

Like putting old wine into new bottles, this collection of 7 papers by historian Rod Fisher offers a goodly drop for anyone thirsting for the history and heritage of the Brisbane region. They were originally written from 1991-2010, only a couple having seen the light of day. That was because they were mostly commissioned at greater length – and dealt with specific issues: 1. How ‘midnight demolitions’ of the old Bellevue Hotel, Cloudland Ballroom and Commonwealth Bank brought about the 1st protective heritage legislation in Qld. 2. To what extent the oral testimony of continuity and descent of the Turrbal people around Brisbane was matched by the historical record. 3. How Yeronga Memorial Pk evolved physically and spatially since the early days and by what means. 4. What steps and actions caused Lang Pk to change from a public space to a venue primarily for a single spectator sport. 5. How to write the contextual history for a thematic study exhibition on the Brisbane River which would draw upon the disparate collections of 6 mostly non-river institutions. 6. How the whole region of SE Qld developed thematically and materially, including Brisbane, Ipswich, Toowoomba, both coasts, major islands, many valleys and various ranges. 7. Whether heritage theory and practice should be focussed more sustainably on the character of a locality, as tested on the Killarney Estate. Having been revised as necessary and collected together, these papers are a boon for everyone interested in those aspects, places, buildings, events, related persons – and much more. If you happen to be a glutton for research, these chapters also show the way. That includes discerning patterns, analysing records, exploring buildings, interpreting parks, assessing heritage, examining localities, investigating regions and structuring narratives. Among the many historical sources are municipal records, reserve files, parliamentary papers, state yearbooks, municipal handbooks, heritage reports, judicial records, newspapers, maps, pictures, graves – and of course the actual places and people themselves. Here we see the applied historian at work. The other tie that binds all of this together is the author’s conviction that history must speak for itself, so that only when familiar with the evidence ought we evaluate, interpret and shape it in our own image. This also applies to cultural heritage, which comprises all of those tangible and intangible things we want to retain for ourselves and the next generation. As that is but one type of historical evidence, there is a dynamic reciprocity between the two. What this book really shows is how history becomes heritage through establishing its significance – unless heritage becomes history first!

This volume showcases academic research into the rich diversity of music in Australia from colonial times to the present. Starting with an overview of developments during the past 50 years, the contributions discuss Western and non-western genres (opera, film, dance, choral, chamber); the history of music-making in particular cosmopolitan and regional centres (Canberra, Brisbane, the Hunter Valley, Alice Springs); old, new, and experimental compositions; and a variety of performers and ensembles active at particular points in time. In addition, cultural tropes and music as social practice are also explored, providing a rich tapestry of music and music-making in the country. The volume thus serves as a model for representing and approaching multicultural musical societies in an inclusive and comprehensive manner.

In a single timely tome, Rod Fisher packs a lot of what’s known about the history of the timbered house in Qld – the sum of research, writing and practice over 4 decades. While breaking new ground on its origin and development, the first 4 chapters concern several key themes: 1. the evolution of a Vernacular class of housing in the north of Australia: from aboriginal to modern day, comprising a series of styles and the means of identifying each one by era and attribute 2. the historical context to traditional housing: using census data and contemporary testimony to amplify its configuration which reflects cyclical condition, personal choice and social acceptance 3. the human dimension to the main varieties of habitat and its environment: specifically the pros and cons of observers and occupants of the day followed by resolution of their discrepancies 4 whether Brisbane was in any way different from the rest of the state: examining which varieties made the greatest imprint, from elite and multiple types to the predominant gabled, hipped, pyramidal and later multi-gabled dwellings of the Vernacular tradition The next couple of chapters are casestudies illustrating those aspects, particularly the evolution of traditional housing and the impact of historical change. Though set in Brisbane they reflect larger issues: 5. the early inner suburb of Petrie Terrace: which exhibits not only changes in timbered housing over time, but also the effect of road improvement, shopping centre diversion, stadium development, building renovation and gentrification more generally 6. a timbered dwelling of nearby Bowen Hills: which, being modified several times in its lifetime and finally removed elsewhere, demonstrates change, as well as the influence of the locale and the impact of transportation improvements on housing and community At the same time, this volume serves as a guide and reference, partly by information, advice and example, but more specifically by means of the handy classification of Vernacular styles in the 1st chapter, and ultimately by instructions for researching any house in Qld: 7. a step-by-step guide to historical investigation and exposition: using a dwelling in Annerley/Tarragindi as the example That practical purpose is reinforced in the final 3 chapters by a Supplement of related material, Glossary of requisite terms and Bibliography of relevant sources on both the history and heritage of timbered housing – plus plentiful illustrations of course. As there hasn’t been a work on this intriguing subject for a long time – nor anything ever like this one – it will serve general readers, professionals, researchers, writers and academics on the one hand, and owners, occupants, renovators, restorers and vendors on the other, whether in Brisbane, Qld or elsewhere in Australia. To all and sundry, its core message is conveyed by one of Joni Mitchell’s bygone ballads: Don’t it always seem to go That you don’t know what you’ve got ‘Till it’s gone They paved paradise And put up a parking lot

This study evolved from the author’s examination of a series of sketches undertaken by a young Englishman during his sojourn in Brisbane, the seat of government of the newly created Colony of Queensland. Initial research revealed a somewhat hazy outline of his ancestry and early life, until an independent researcher in the UK, preparing a photographic study of his subsequent built legacy, discovered a key piece of the jigsaw. This book is the culmination of the author’s subsequent research, carried out in three corners of the globe, which now shines a definitive light on the lineage of Richard Harding Watt. He was a wealthy business man and developer of a number of distinctive heritage listed buildings in Knutsford, perhaps best known as the model for Elizabeth Gaskell’s novel Cranford.

Edward and Eliza Lord came to Moreton Bay in 1844, arriving as the remote convict outpost was opened up for free settlement. Members of Lancashire merchant families, they had invested their inheritances in NSW lands and a Sydney merchant firm, just before the drought and crash of 1841. They moved north to rebuild their fortunes, settling at Kangaroo Point before moving to the Darling Downs to start new commercial interests. Although financial success continued to elude them, the Lord family contributed to the settlement of colonial Queensland. Edward and Eliza’s great-great-grand-daughter, Janet Spillman, explores the way Queensland moulded the Lord family’s lives, and the way family members contributed to the colony’s development.