The Best Of Fiona Kidman S Short Stories

An engrossing collection of short stories from one of New Zealand's most distinguished writers. Fiona Kidman first wrote short stories in the 1960s and has continued to publish them in books, magazines and journals ever since. Her style has evolved as she has explored different forms over the years, but her piercingly vivid realisations of everyday people have remained a characteristic of her striking work. This is a collection of the best of her stories from the first thirty years of her writing career, including many old favourites from her acclaimed collections, Mrs Dixon and Friend, Unsuitable Friends and The Foreign Woman. She has gone on to write many more prize-winning books - including further stories, poetry, novels and memoir - but these stories stand the test of time and are testament to the quality and lasting appeal of her work.

A collection of six compelling stories linked by a central issue in the lives of the main characters, the defining incident that shapes their futures. The disappearance of a brother; an illegitimate child born to a young girl; a traumatic court case; a woman caught between the deep friendship of two men; a lost lover; a betrayal. These are mostly stories about country women, whose children have grown up and moved away to the cities, while they have remained surrounded by tight communities and an enfolding countryside. The central story is of a woman who has a drifting sewing-machine in her body. Every time she thinks she has composed her life, she is reminded of something that happened in her past and feels as if the needle is 'passing through her heart'. 'She has a rare ability to capture a sense of place and time . . . [Her] stories remind me of Alice Monro.' - Booksellers News

A classic, prize-winning novel about an epic migration and a lone woman haunted by the past in frontier Waipu. In the 1850s, a group of settlers established a community at Waipu in the northern part of New Zealand. They were led there by a stern preacher, Norman McLeod. The community had followed him from Scotland in 1817 to found a settlement in Nova Scotia, then subsequently to New Zealand via Australia. Their incredible journeys actually happened, and in this winner of the New Zealand Book Awards, Fiona Kidman breathes life and contemporary relevance into the facts by creating a remarkable fictional story of three women entangled in the migrations - Isabella, her daughter Annie and granddaughter Maria. McLeod's harsh leadership meant that anyone who ran counter to him had to live a life of secrets. The 'secrets' encapsulated the spirit of these women in their varied reactions to McLeod's strict edicts and connect the past to the present and future. First published in 1987, this book has been in print ever since - a continual classic and perennial favourite.

Described as a 'beautiful writer' by The Times, Fiona Kidman brings us a sweeping saga of family ties, heartbreaks, and learning to live with the past. 'A universal and honest book' San Francisco Book Review When war widow Irene Sandle goes to work in New Zealand’s tobacco fields in 1952, she hopes to start a new, independent life for herself and her daughter – but the tragic repercussions of her decision will resonate long after Irene has gone. Each of Irene’s children carries the events of their childhood throughout their lives, played out against a backdrop of great change – new opportunities emerge for women, but social problems continue to hold many back. Headstrong Belinda becomes a successful filmmaker, but struggles to deal with her own family drama as her younger siblings are haunted by the past. A sweeping saga covering half a century, this is a powerful exploration of family ties and heartbreaks, and of learning to live with the past.

A novel of linked stories about a woman's search for identity beyond family ties, expectations and demands. Bethany Dixon is at the centre of a complex network of relationships. She is mother and stepmother, wife and ex, daughter-in-law, sister and lover. Earthy, generous, addicted to children and food, Bethany has yet to establish her place in the world. Peter, who has loved and left her, still perceives her as the central drama of his life. In fragments and snapshots, Bethany, Peter and their children see their lives revealed as twenty-five years pass in the blink of a shutter. They discover their separate identities from unlikely sources.

A bestselling and influential novel, this compulsive story examines women's changing lives. 'One thing she had learnt was that she and Leonie belonged to a breed of women who were indestructible. They were survivors.' Taking risks is something Harriet seems driven to do as she struggles to retain her identity as a woman in the face of opposing demands from society. Through her adolescence in rural New Zealand, two marriages and a television career, she steadfastly maintains her quest. But, in the end: What has she won? What had she lost? 'Tautly written, often poetic, and dramatic . . . a first-class novel.' - Sydney Morning Herald

Evocative, wry and thought-provoking, this is a rewarding journey with one of our finest writers. It is a little over a decade since Fiona Kidman wrote her last volume of memoir. But her story did not end on its last page; instead her life since has been busier than ever, filled with significant changes, new writing and fascinating journeys. From being a grandmother to becoming a widow, from the suitcase-existence of book festivals to researching the lives and deaths of Jean Batten and Albert Black, she has found herself in new territory and viewed the familiar with fresh eyes. She takes us to Paris and Pike River, to Banff, Belfast and Bangkok, searching for houses in Hanoi and Hawera, reliving her past in Waipu and creating new memories in Otago. These locations and experiences – among others – have shaped Fiona’s recent years, and in this lively book she shares the insights she has picked up along the way.

A serious but also blackly funny short story about old friendships, love and formaldehyde by one of New Zealand's most distinguished writers. Now middle-aged, the one-time teenage rebels live staid, safe lives, while their friend Jan, who had been the good one of their pack, is now locked up in prison. With Jan's mother just dead, there is no one to organise the funeral except for her two old class mates. They agree to help, but Jan's request for a special dress for the corpse leads to a moral dilemma.