The Best Of Johnny Cash

(Guitar Recorded Versions). 17 classics from the Man in Black transcribed note for note with tab, including: Big River * A Boy Named Sue * Cry, Cry, Cry * Daddy Sang Bass * Folsom Prison Blues * The Highwayman * I Walk the Line * Ring of Fire * Tennessee Flat Top Box * There You Go * and more.

'Johnny Cash ... Every man could relate to him, no man could be him, and only one man could get inside his head - Robert Hilburn' BONO People don't just listen to Johnny Cash: they believe in him. But no one has told the Man in Black's full story, until now. In Johnny Cash: The Life, Robert Hilburn conveys the unvarnished truth about a musical icon, whose colourful career stretched from his days at Sun Records with Elvis Presley and Jerry Lee Lewis to his remarkable, brave and deeply moving 'Hurt' video, aged sixty-nine. As music critic for the Los Angeles Times, Hilburn knew Cash well throughout his life: he was the only music journalist at the legendary Folsom Prison concert in 1968, and he interviewed Cash and his wife June Carter for the final time just months before their deaths in 2003. Hilburn's rich reporting shows the remarkable highs and deep lows that followed and haunted Cash in equal measure. A man of great faith and humbling addiction, Cash aimed for more than another hit for the jukebox; he wanted his music to lift people's spirits. Drawing upon his personal experience with Cash and a trove of never-before-seen material from the singer's inner circle, Hilburn creates an utterly compelling, deeply human portrait of one of the most iconic figures in modern popular culture - not only a towering figure in country music, but also a seminal influence in rock, whose personal life was far more troubled, and whose musical and lyrical artistry much more profound, than even his most devoted fans ever realised.

A candid and moving memoir from the critically acclaimed singer and songwriter For thirty years as a musician, Rosanne Cash has enjoyed both critical and commercial success, releasing a series of albums that are as notable for their lyrical intelligence as for their musical excellence. Now, in her memoir, Cash writes compellingly about her upbringing in Southern California as the child of country legend Johnny Cash, and of her relationships with her mother and her famous stepmother, June Carter Cash. In her account of her development as an artist she shares memories of a hilarious stint as a twenty-year-old working for Columbia Records in London, recording her own first album on a German label, working her way to success, her marriage to Rodney Crowell, a union that made them Nashville's premier couple, her relationship with the country music establishment, taking a new direction in her music and leaving Nashville to move to New York. As well as motherhood, dealing with the deaths of her parents, in part through music, the process of songwriting, and the fulfillment she has found with her current husband and musical collaborator, John Leventhal. Cash has written an unconventional and compelling memoir that, in the tradition of M. F. K. Fisher's The Gastronomical Me and Frank Conroy's Stop-Time, is a series of linked pieces that combine to form a luminous and brilliant whole.

In 1992, Johnny Cash was battered and bruised. In constant pain through heart problems, broken bones and the aftermath of a second bout of drug addiction, his career wasn’t in much better shape than his body. One of his last singles for CBS, before they dumped him in 1986 after nearly 30 years, had been ‘The Chicken In Black’ – in the video for which he appeared as a superhero fowl, dressed in cape, yellow shirt and tights. At the age of 60, all the signs were that Cash was ready for the museum. In fact, he was building one. Already an exhibit in the Country Music Hall of Fame, when he wasn’t playing small, shabby venues like Roadie’s Roadhouse, Mississauga, Ontario or Butlins Southcoast World in Bognor Regis, he was preparing to open the Cash Country theme park in Branson, Missouri. Cut to a little under two years later. December 1993. Cash is playing the Viper Rooms on Sunset Boulevard in front of 150 of the hippest people in America. He is introduced by Johnny Depp; the audience includes Sean Penn, Juliette Lewis and assorted Red Hot Chilli Peppers. They cheer him to the rafters for the full ninety minutes. His big bass baritone gets a whole song to itself on Zooropa, the new U2 album, while he has just completed recording his landmark American Recordings, made with Midas-like hip-hop and metal producer Rick Rubin. He won a Grammy for that and a fistful more for his four other American Recordings albums. He played an unforgettable Glastonbury set in 1994 and was feted by one and all, from Nick Cave and Bono to Trent Reznor and Joe Strummer. From thereon until his death in 2003 (and beyond), Cash was the epitome of hip. Big Daddy cool. What happened? The Resurrection Of Johnny Cash tells the story of perhaps the most remarkable turnaround in musical history. As well as acknowledging Cash’s drug, drink and religious travails in the fifties and sixties, the book digs much deeper, focusing on a lesser known but no less remarkable period of his life: the inglorious fall post-1970 and the almost biblical rebirth in his later years. Homing in on the ten-year period between 1986 and 1995, The Resurrection Of Johnny Cash tells in detail the story of Cash’s humiliating fall from grace and his unprecedented revival; his struggle with a cruel variety of illnesses; his ongoing battles with addiction; his search to find direction in his career; his eventual rebirth as both an artist and a man; and his hugely influential legacy.

He was the "Man in Black," a country music legend, and the quintessential American troubadour. He was an icon of rugged individualism who had been to hell and back, telling the tale as never before. In his unforgettable autobiography, Johnny Cash tells the truth about the highs and lows, the struggles and hard-won triumphs, and the people who shaped him. In his own words, Cash set the record straight -- and dispelled a few myths -- as he looked unsparingly at his remarkable life: from the joys of his boyhood in Dyess, Arkansas to superstardom in Nashville, Tennessee, the road of Cash's life has been anything but smooth. Cash writes of the thrill of playing with Elvis, the comfort of praying with Billy Graham; of his battles with addiction and of the devotion of his wife, June; of his gratitude for life, and of his thoughts on what the afterlife may bring. Here, too, are the friends of a lifetime, including Willie Nelson, Roy Orbison, Bob Dylan, and Kris Kristofferson. As powerful and memorable as one of his classic songs, Cash is filled with the candor, wit, and wisdom of a man who truly "walked the line."

This title offers a superb investigation of what is arguably Johnny Cash's greatest album, focusing on his enduring mythology. When Johnny Cash signed to Rick Rubin's record label in 1993, he was a country music legend who, like his fellow Highwaymen Willie, Waylon and Kris, remained a fondly regarded yet completely marginalized Nashville figure, unheard on the radio and unseen on the charts. Cash's odyssey from oldies act to folk hero pivots on his first American Recordings album, a document of almost unbearable solitude and directness. It is a singular record, an instance in which a musical giant has been granted a kind of midnight reprieve, a chance to regain and renew his legend. Tony Tost illuminates the ways in which American Recordings is the crossroads where cultural, spiritual and mythic archetypes come together in the figure of The Man in Black. Ultimately, this is a guidebook to myth and mystery, a means of apprehending the stark beauty of Cash's greatest record, the sound of a man alone and fighting for his soul, one song at a time.

(Easy Guitar). Easy arrangements with tab for 50 all-American country classics, including: Act Naturally * All My Ex's Live in Texas * Boot Scootin' Boogie * Crazy * Elvira * Faded Love * Folsom Prison Blues * For the Good Times * Friends in Low Places * Georgia on My Mind * Hey, Good Lookin' * King of the Road * Lucille * Rocky Top * Sixteen Tons * Take Me Home, Country Roads * There's a Tear in My Beer * You're the Reason God Made Oklahoma * Your Cheatin' Heart * and more.

There have been many books written about Johnny Cash, but The Man in Song is the first to examine Cash’s incredible life through the lens of the songs he wrote and recorded. Music journalist and historian John Alexander has drawn on decades of studying Cash’s music and life, from his difficult depression-era Arkansas childhood through his death in 2003, to tell a life story through songs familiar and obscure. In discovering why Cash wrote a given song or chose to record it, Alexander introduces readers anew to a man whose primary consideration of any song was the difference music makes in people’s lives, and not whether the song would become a hit. The hits came, of course. Johnny Cash sold more than fifty million albums in forty years, and he holds the distinction of being the only performer inducted into the Rock and Roll Hall of Fame, the Country Music Hall of Fame, the Songwriters Hall of Fame, and the Gospel Music Hall of Fame. The Man in Song connects treasured songs to an incredible life. It explores the intertwined experience and creativity of childhood trauma. It rifles through the discography of a life: Cash’s work with the Tennessee Two at Sam Phillips’s Sun Studios, the unique concept albums Cash recorded for Columbia Records, the spiritual songs, the albums recorded live at prisons, songs about the love of his life, June Carter Cash, songs about murder and death and addiction, songs about ramblers, and even silly songs. Appropriate for both serious country and folk music enthusiasts and those just learning about this musical legend, The Man in Song will appeal to a fan base spanning generations. Here is a biography for those who first heard “I Walk the Line” in 1956, a younger generation who discovered Cash through songs like his cover of Trent Reznor’s “Hurt,” and everyone in between.