The Best Of One Act Play Depot

MEATLOAF IN THE MOONLIGHT by David Gallic. Every family has skeletons in their closet. These skeletons are coming out to play. CLAP ON, CLAP OFF by Aiden Levy. A sexually frustrated adolescent tries to lose his virginity to his wholesome girlfriend when his grandmother leaves for a Mensa trip and entrusts him to water her plants. ANYONE, ANYWHERE by Amanda Fleming. Love can happen to anyone, anywhere. BABE, INC. by Rosemary Zibart. In the year 2108, men can order robotic women as mates, but due to a snafu in the system, a real woman gets substituted for a robotic Babe to accompany a man to his mothers funeral. The results are a little haywire. PEAR by Carol Paik. Husband and wife grapple with the incessant problem of what to do about dinner. Other plays include: THE PARKING LOT by Holly Hunt, BLUE STREAK by Carston Turner, STEEL OR PRETZELS by Mara Gilbert, JUMP by Josh Sohn, DAILY SOUNDS by Jay Prasad, FREE COUNTRY by Steve Monarque, THE SEED by David Pumo, and THIS BASEMENT by Bethann Snow.

FOOTHOLD by Patrick J. Lennon. A goofy Mary Poppins-ish nurse treats a shy man with an ingrown toenail and a broken heart. WRITERS RETREAT by Samantha Ciavarella. Things get messy when youre the subject of your own story. Two friends/lovers/writers realize quickly that they cannot have their cake and eat it too. A SONG A DAY KEEPS THE DOCTOR AWAY by Freddy Valle. A play about an ailment so embarrassing, you wouldnt tell your Mom about it. Say Aahhh. WHERES THE REST OF ME? By David E. Tolchinsky. A screenwriter wrestles with his relationship to Spalding Gray, his psychiatrist father and the classic movie, Kings Row. A dark and funny journey through movies, monologues and mental illness. KIDS THESE DAYS by Rachel Robyn Wagner. Like the Brady Bunch . . . Only with drugs, alcohol, sex, and most of all honesty. HOPELESS, IRRESISTIBLE by Keaton Weiss. Two strangers meet at a mysterious train station in an ambiguous afterlife. Other plays include: HOMECARE by Phoebe Farber, THE EXIT INTERVIEW by Betsy Kagen & MK Walsh, PAULA'S VISITOR by Keith Filangieri and ABRAMOVIC by Kory French. As middle America continues with its economic struggles, a MOMA visiting Midwestern twenty-something tries to understand the monetary value of high-art, grounding his friend in the process.

The Sea Side Strangler is on the loose in Beach Point, where fifteen-year-old Cathy Banks is spending the summer with her aunt (who happens to be mystery writer Roberta McCabe). Although thrilled to be away from her psychotic, divorcing parents, with no cell phone or internet access, Cathy is positive that her summer is going to be wretched. Just when she begins to make friends, and even finds a crush to drool over, her new friend Lauren vanishes. When a body surfaces in Beach Point Bay, Cathy is forces to face the question: Has the Sea Side Strangler struck again?

Fraud and manipulation in prediction markets are systematic results of incentive incompatibility, which, if present, have to be detected and balanced. ""Manipulations in Prediction Markets"" gives a critical insight into manipulations that are most likely to occur in prediction markets. In a general approach the book discusses the issue of incentives in markets and the breakdown of the incentive system. On this basis a new way of detecting irregular trading behaviour is introduced.