The Betrayal Of The Duchess

Fighting to reclaim the French crown for the Bourbons, the duchesse de Berry faces betrayal at the hands of one of her closest advisors in this dramatic history of power and revolution. The year was 1832, a cholera pandemic raged, and the French royal family was in exile, driven out by yet another revolution. From a drafty Scottish castle, the duchesse de Berry -- the mother of the eleven-year-old heir to the throne -- hatched a plot to restore the Bourbon dynasty. For months, she commanded a guerilla army and evaded capture by disguising herself as a man. But soon she was betrayed by her trusted advisor, Simon Deutz, the son of France's Chief Rabbi. The betrayal became a cause célèbre for Bourbon loyalists and ignited a firestorm of hate against France's Jews. By blaming an entire people for the actions of a single man, the duchess's supporters set the terms for the century of antisemitism that followed. Brimming with intrigue and lush detail, The Betrayal of the Duchess is the riveting story of a high-spirited woman, the charming but volatile young man who double-crossed her, and the birth of one of the modern world's most deadly forms of hatred. !--EndFragment--

The third book in Sarah MacLean's witty and romantic Scandal & Scoundrel series featuring a ravishing heroine and the man, desperately in love, who now has to make amends. The one woman he will never forget… Malcolm Bevingstoke, Duke of Haven, has lived the last three years in self-imposed solitude, paying the price for a mistake he can never reverse and a love he lost forever. The dukedom does not wait, however, and Haven requires an heir, which means he must find himself a wife by summer’s end. There is only one problem—he already has one. The one man she will never forgive… After years in exile, Seraphina, Duchess of Haven, returns to London with a single goal—to reclaim the life she left and find happiness, unencumbered by the man who broke her heart. Haven offers her a deal; Sera can have her freedom, just as soon as she finds her replacement…which requires her to spend the summer in close quarters with the husband she does not want, but somehow cannot resist. A love that neither can deny… The duke has a single summer to woo his wife and convince her that, despite their broken past, he can give her forever, making every day the Day of the Duchess.

Love and marriage don't have to be strangers... Gambling. Carousing. Flirting. Charlotte, Duchess of Rutherford, will do anything to escape her painful marriage and force her husband to divorce her. But when Phillip, Duke of Rutherford, promises a divorce if Charlotte will help him become a better husband for another woman, she wonders if she really wants to lose him...

The extraordinary story behind A Very British Scandal, starring Claire Foy and Paul Bettany ?Margaret was debutante of the year, the beautiful fairy-tale heiress immortalised in Cole Porter's 'You're The Top' - who ended up penniless and ostracised from her own family. Legal actions coloured her life - her divorce from the Duke of Argyll was one of the longest, costliest and most notorious in British legal history. Her diaries, and photographs of her with an anonymous naked man, were used in evidence. This sparkling biography draws on exclusive interviews with the late Duchess to lift the lid off her extraordinary story, and her scandalous lifestyle. The Duchess Who Dared is a fascinating chronicle of a complex, charming and surprisingly modern woman.

"Love is for peasants," Eleanor said. "We make alliances. And I intend to make a very good one." Beautiful and brilliant, Eleanor is the daughter of the duke of Aquitaine, whose glittering court is the twelfth-century birthplace of courtly love. For all of the duke's boasts that Eleanor has the brains of a man and the soul of a warrior, everyone knows that a girl of fifteen cannot possibly hold the richest dukedom in France. Everyone, that is, except for her dying father, who insists on leaving Eleanor his most valuable provinces—and making her prey to the first baron who rides in to kidnap her. In order to safeguard her lands and her life, Eleanor devises a scheme to marry the heir to the throne of France. But she must learn to be careful what she wishes for. Eleanor's alliance to Louis VII may be a dazzling one, but her husband is a cautious man, originally intended for the priesthood, whose wit and courage do not always match Eleanor's own; and she ultimately finds herself seeking an even greater match with Henry II of England. Sweeping from the courts of Paris to the perils of the Crusades, Duchess of Aquitaine gloriously illuminates the life of one of the most powerful, resourceful, and fascinating women in all of history.

Struggling to make sense of the Revolution of 1789, the French in the nineteenth century increasingly turned to visual forms of historical representation in a variety of media. Maurice Samuels shows how new kinds of popular entertainment introduced during and after the Revolution transformed the past into a spectacle. The wax display (in which visitors circulated amid life-size statues of historical figures), the phantasmagoria show (in which images of historical personages were projected onto smoke or invisible screens), and the panorama (in which spectators viewed giant circular canvases depicting historical scenes) employed new optical technologies to entice crowds of spectators. Such entertainments, Samuels asserts, provided bourgeois audiences with an illusion of mastery over the past, allowing them to picture their new role as historical agents.Samuels demonstrates how the spectacular mode of historical representation pervaded historiography, drama, and the novel during the Romantic period. He then argues that the early Realist fiction of Balzac and Stendhal emerged as a critique of the spectacular historical imagination. By investigating how postrevolutionary France envisioned the past, Samuels illuminates a vital moment in the cultural history of modernity.

The ducal court of Cosimo I de' Medici in sixteenth-century Florence was one of absolutist, rule-bound order. Portraiture especially served the dynastic pretensions of the absolutist ruler, Duke Cosimo and his consort, Eleonora di Toledo, and was part of a Herculean programme of propaganda to establish legitimacy and prestige for the new sixteenth-century Florentine court. In this engaging and original study, Gabrielle Langdon analyses selected portraits of women by Jacopo Pontormo, Agnolo Bronzino, Alessandro Allori, and other masters. She defines their function as works of art, as dynastic declarations, and as encoded documents of court culture and propaganda, illuminating Cosimo's conscious fashioning of his court portraiture in imitation of the great courts of Europe. Langdon explores the use of portraiture as a vehicle to express Medici political policy, such as with Cosimo's Hapsburg and Papal alliances in his bid to be made Grand Duke with hegemony over rival Italian princes. Stories from archives, letters, diaries, chronicles, and secret ambassadorial briefs, open up a world of fascinating, personalities, personal triumphs, human frailty, rumour, intrigue, and appalling tragedies. Lavishly illustrated, Medici Women: Portraits of Power, Love and Betrayal in the Court of Duke Cosimo I is an indispensable work for anyone with a passion for Italian renaissance history, art, and court culture.