The Betrayal Of The Scorpion And Poet

This book delves into the Cold War mysteries surrounding the fates of two ships: the USS Scorpion, a nuclear-powered submarine that sank in 1968, and the SS Poet, a U.S.-flagged Merchant Marine vessel that sank in 1980. You will be shocked at the depths of the cover-ups involving the two maritime incidents.

This book is a compilation, in encyclopedic format, of the CIA's various fronts, proprietaries, and contractors/corporate partners since the agency's inception in 1947. The book ranges from "A" to "Z" -- Air America to Zapata Offshore.

This book effectively brings out the multivalence of the poetry of both Emily Dickinson and Sylvia Plath without sensationalizing either the writers or their work. Although it begins by selecting and demarcating various poems by the two authors thematically, it adopts a multi-pronged approach to the two writers that dissolves all water-tight compartments, and provides a holistic view of the issues raised through the poetry, and the similarities and differences in the approaches, of the two women.

The Northern Song poet He Zhu is best known for his lyrics (ci) but also produced shi poetry of subtlety, wit, and feeling. This study examines the latter as a response to the options available to a late-eleventh century writer in the pentametrical and heptametrical forms of Ancient Verse, Regulated Verse, and Quatrains. Numerous comparisons are made with Su Shi, Huang Tingjian, Du Fu, and other important writers. In a major advance over previous methodologies, the author uses a clear system of metrical notation to show how sound patterns reveal the poet's artistic and emotional intentions. This innovation and the author's other meticulous explorations of He Zhu's artistry allow us to experience Chinese poetry as never before. From the reader's report: "not just an excellent study of an individual poet but also a model of reading the language of classical Chinese poetry. [..] opens up a world of interpretive territory heretofore seldom explored."

A famous Soviet general who fought in the Battle of Moscow (1941/1942) and the siege of Leningrad (1941–1944), Andrey Vlasov (1901–1946) was captured by Nazi troops and then defected to the Third Reich. Supported by Nazi propaganda, he created a “Russian Liberation Committee” that later became the “Russian Liberation Army” (RLA). The RLA was a body of several hundred officers and several thousand troops who had defected from the USSR and served Nazi purposes on Soviet territory. Vlasov was arrested by Soviet troops in Czechoslovakia while trying to escape to the Western Front and was subsequently tried for treason and executed by Soviet authorities. In 2015, the Russian State Archive of Social and Political History (RGASPI) released three volumes of archives documenting the infamous “Vlasov Case,” the main instance of Soviet collaborationism with Nazi Germany. With this volume, which draws on the archives of Russia, Belarus, Germany, and the US, the English-speaking audience can now access the most important documents on this topic for the first time. The documents tell the story of Vlasov’s betrayal, from the moment he became a prisoner, to his service under the Nazis, and up through the trial in Moscow in 1946. Volume 1 is comprised of archival documents on Vlasov’s activities from 1942 to 1945. Volume 2 explores the Soviet investigations of Vlasov during the 1945–1946 trial.

The pen was as mighty as the musket during the American Revolution, as poets waged literary war against politicians, journalists, and each other. Drawing on hundreds of poems, Poetry Wars reconstructs the important public role of poetry in the early republic and examines the reciprocal relationship between political conflict and verse.

"From his earliest verses (the Latin verses written at Cambridge) to his first original English poem (the Infant ode), to his masterpiece (Lycidas) and its sad echo (Epitaphium Damonis), through his mature trilogy (Paradise Lost, Paradise Regained, and Samson Agonistes), Milton repeatedly seeks to explain why people die. Though Milton frequently changed his mind on important subjects, his fundamental view of death did not change. Milton throughout his life insists that death, both physical and spiritual, is caused by sin. In attempting to understand the significance of this belief, Death in Milton's Poetry will suggest some major re-evaluations of old assumptions." "This book is divided into two parts. The first part contains examples of death that support Milton's belief that death is caused by sin. The second part contains poems that focus on deaths that appear to violate this belief. Since Milton illustrates his belief in his mature works, Part 1 includes Paradise Lost, Paradise Regained, and Samson Agonistes. As the pattern of death emerges in these poems, the reader is able to see that Paradise Regained is as much about the death of Satan as it is about the life of Jesus and that Milton's drama focuses on an unregenerate Samson whose tragedy is his inability ever to reconcile with God." "The poems examined in Part 2 explain deaths that appear to violate Milton's, belief. In vindicating Milton's view of death, the Latin funeral elegies and "On the Death of a Fair Infant Dying of a Cough" form a pattern that culminates in Lycidas. Recognizing this pattern in Lycidas is indispensible to understanding the radical statement of Epitaphium Damonis, a poem that records Milton's temporary disillusionment with Christianity." "In addition to new insights into the individual poems, two patterns are highlighted. In Milton's earlier poems, readers usually have seen classicism as complementing Christianity. When Milton turns to death, however, he opposes classicism to Christianity, contrasting (except in the case of Epitaphium Damonis) the limited pagan gods of classicism with the providence of an omnipotent God. This antagonism is reinforced by another pattern that emerges in the poems. Though all sins tend to death, some sins are more fatal than others. In much of Milton's poetry, perhaps the most consistently fatal of sins was lust; and Milton frequently represents this lust as a characteristic of classicism."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Newberry Honour Award Winner & National Book Award Winner. Matt is six years old when he discovers that he is different from other children and other people. To most, Matt isn't considered a boy at all, but a beast, dirty and disgusting. But to El Patron, lord of a country called Opium, Matt is the guarantee of eternal life. El Patron loves Matt as he loves himself - for Matt is himself. They share the exact same DNA. As Matt struggles to understand his existence and what that existence truly means, he is threatened by a host of sinister and manipulating characters, from El Patron's power-hungry family to the brain-deadened eejits and mindless slaves that toil Opium's poppy fields. Surrounded by a dangerous army of bodyguards, escape is the only chance Matt has to survive. But even escape is no guarantee of freedom . . . because Matt is marked by his difference in ways that he doesn't even suspect. Praise for The House of Scorpions: 'It's a pleasure to read science fiction that's full of warm, strong characters... that doesn't rely on violence as the solution to complex problems of right and wrong. It's a pleasure to read.' Ursula K. LeGuin 'Fabulous' Diana Wynne Jones Also by Nancy Farmer: The Sea of Trolls Land of the Silver Apples The Islands of the Blessed The Lord of Opium