The Biggs Book Of Organ Music

A top-selling organ music book. Edited and arranged by E. Power Biggs (1906-1977). Includes a biographical sketch of the very influential Mr. Biggs. Titles: * Adagio for the Glass Harmonica or Musical Glasses (W.A. Mozart) * All Glory Be To God On High (Festival Prelude for Organ) (J.S. Bach) * Andante from Concerto No. 3 in B-flat * Prelude on Ave Verum Corpus (W.A. Mozart) * A Christmas Pastorale from The Christmas Concerto (G. Valentini) * The Cuckoo (L.C. d’Aquin) * The Emperor’s Fanfare from Sixth Double Concerto (A. Soler) * The Faithful Shepherd (Pastorale) (George Frideric Handel)* The Fifers (F. Dandrieu) * Firework Music (Suite from the Music for the Royal Fireworks) (George Frideric Handel) * Fugue in C Major, The "Fanfare" Fugue (J.S. Bach) * God’s Time is the Best (Sinfonia to Cantata No. 106) (J.S. Bach) * I Stand at the Threshold (Sinfonia to Cantata No. 156) (J.S. Bach) * Jesu, Joy of Man’s Desiring (from Cantata No. 147) (J.S. Bach) * The Musical Clocks (from a Suite of Twelve Pieces) ( F.J. Haydn) * Offertoire for Easter (On the Melody "O Filii et Filiae") (F. Dandrieu) * Sheep May Safely Graze (In G) (From Cantata No. 208 -- The "Birthday Cantata") (J.S. Bach) * The Shepherds At The Manger (From the Piano Suite "The Christmas Tree) (F. Liszt) * Sinfonia, Chorale and Variation (From the Easter Cantata -- No. 4 -- "Christ Lay in Death’s Dark Prison) (J.S. Bach) * Slow Movement from Concerto in D Minor (A. Vivaldi/J.S. Bach) * A Solemn Prelude (From Cantata No. 21 -- "Sighing, Weeping, Sorrow, Need) (J.S. Bach) * The Trophy (F. Couperin)

Each part starts with a brief description of the political and religious climate of the period and the way such factors affected the compositions and the organ-building of the time.

Expertly arranged Organ music by Johann Sebastian Bach from the Kalmus Edition series. These pieces are from the Baroque era and were arranged for Christmas, Easter and Passion.

Richard Purvis-organist, choirmaster, and composer at historic Grace Cathedral-became a San Francisco legend and (along with Alexander Schreiner, E. Power Biggs, and Virgil Fox) a national celebrity who made mid-20th century American organ music popular with the masses through records, recitals, and the press. The only book of its kind, Richard Purvis, Organist of Grace is a major contribution to our understanding of the music, culture, and church politics of an era marked as much by social change as by a revolution in musical taste, technology, and compositional technique. Uniquely among his colleagues, Purvis was first and foremost a writer and performer of original music that thrilled church and concert audiences everywhere-a talent that won him more than one invitation to leave Grace to compose for Hollywood. (His closest ally at Grace described Purvis as writing "film music for the Episcopal church.") Child prodigy, conservatory virtuoso, prisoner of war-Purvis's early life reads like a movie. Then came his epic rise and fall at Grace, concertizing throughout the United States, and a teaching career that spawned a generation of organists who, like Purvis, were equally adept at playing theatre organs, unafraid to experiment-even with electronic organs-and trained to trust their ear, not just the page. Through scrupulous research and extensive interviews with those who knew Purvis best, James Welch captures the character, career, and legacy of "The Master of Grace" in the book that future scholars and readers will return to, again and again, as the Place Where it All Began in Purvis studies.Richard Purvis, Organist of Grace, 508 pages, is lavishly illustrated with never-before seen photos and a wealth of documents and interviews. It chronicles Purvis's early life in the Bay Area, his years at The Curtis Institute, his military service in World War II, and his tempestuous tenure at Grace Cathedral, where he made the stones sing and crowds cheer. The book includes detailed chapters about Purvis as composer, recitalist, and teacher; complete lists of his published (and unpublished) organ and choral works; the story of his strong interest in the theatre organ; and colorful anecdotes and reminiscences from those who knew him as a friend, teacher, and colleague. His legend continues-clarified, corrected, and completed-in this essential resource for organists, historians, and lovers of music.