The Black Anzacs

After their retreat from Gallipoli, and recuperation in Egypt, among the first AIF troops to be posted to the Western Front were the ANZACs of the 26th & 28th Battalions/ 7th Brigade. Two months after their arrival, volunteers were selected to engage the Germans in a night-time trench raid. This unique book covers the story of the AIFs first action in Europe in June 1916 and the 73 soldiers involved. It tells the story of that raid and of each of the 73 soldiers who were subsequently dubbed ?The Black ANZACs? by the newspapers of the day. The raid was an action of firsts:

‘A century ago we got it wrong. We sent thousands of young Australians on a military operation that was barely more than a disaster. It’s right that a hundred years later we should feel strongly about that. But have we got our remembrance right? What lessons haven’t we learned about war, and what might be the cost of our Anzac obsession?’ Defence analyst and former army officer James Brown believes that Australia is expending too much time, money and emotion on the Anzac legend, and that today’s soldiers are suffering for it. Vividly evoking the war in Afghanistan, Brown reveals the experience of the modern soldier. He looks closely at the companies and clubs that trade on the Anzac story. He shows that Australians spend a lot more time looking after dead warriors than those who are alive. We focus on a cult of remembrance, instead of understanding a new world of soldiering and strategy. And we make it impossible to criticise the Australian Defence Force, even when it makes the same mistakes over and over. None of this is good for our soldiers or our ability to deal with a changing world. With respect and passion, Brown shines a new light on Anzac’s long shadow and calls for change. "Bold, original, challenging - James Brown tackles the burgenoning Anzac industry and asks Australians to re-examine how we think about the military and modern-day service." - Leigh Sales "The best book yet written, not just on Australia's Afghan war, but on war itself and the creator/destroyer myth of Anzac." - John Birmingham James Brown is a former Australian Army officer, who commanded a cavalry troop in Southern Iraq, served on the Australian taskforce headquarters in Baghdad, and was attached to Special Forces in Afghanistan. Today he is the Military Fellow at the Lowy Institute for International Policy where he works on strategic military issues and defence policy. He also chairs the NSW Government’s Contemporary Veterans Forum. He lives in Sydney.

One hundred years ago, in 1914, a bullet from an assassin's gun in Sarajevo sparked a war that ignited the globe. Patriotic young men all over the world lined up to join the fight -- including hundreds of Indigenous Australians. Shunned and downtrodden in their own country -- and in fact banned by their own government from serving in the military -- Aboriginal men stepped up to enlist. Undaunted, these bold souls took up arms to defend the free world in its time of greatest need. For them, facing the horror of war on a Gallipoli beach was an escape from the shackles of racism at home, at a time when Aboriginal people stood by, segregated, unable to vote, unable to act as their children were ripped from them. When the survivors came back from the war, there was no heroes' welcome - just a shrug, and a return to drudgery and oppression. Black Diggers is the story of these men -- a story of honour and sacrifice that has been covered up and almost forgotten. Written by Tom Wright and originally directed by Wesley Enoch, Black Diggers is the culmination of painstaking research into the lives and deaths of the thousand or so Indigenous soldiers who fought for the British Commonwealth in World War I. Grand in scale and scope, it draws from in-depth interviews with the families of Black Diggers who heard the call to arms from all over Australia, as well as conversations with veterans, historians and academics. Young men will step from the blank pages of history to share their compelling stories -- and after the curtain falls, we will finally remember them.

First published eight years ago to enthusiastic reviews and critical acclaim, this classic celebrated readable scholarship is now available in ebook. Telling the story of the mounted riflemen in Sinai and Palestine, Devil’s on Horses uses the soldiers’ original letters and diaries to describe the crucial battles against the Ottoman Turkish Forces. The horses play a major part in the story, but of the thousands of faithful animals involved, only one would ever return home. By then the war was over and the Turkish Empire had been destroyed. The Anzac soldiers and their horses had played a vital role in securing the victory.

This anthology of poetry is rich with emotion, vibrant with diversity and strong with sentiment. The poems tell stories everyone should read, to gain insights into the minds, hearts and souls of our warriors who have defended our great country, Australia. The editors, Warrant Officer Paul Barrett and Kerry B Collison have been most successful in setting out these captivating tales in a well blended mix of irony, humour and the horror of war, allowing the reader to empathise and identify with the authors. This collection is an important anthology. It captures the essence of the human spirit and the warriors behind the poems themselves. I commend this book for you to read. Lieutenant General P.J. Cosgrove, AC, MC, Chief of Army

This book offers a fresh account of the Anzac myth and the bittersweet emotional experience of Gallipoli tourists. Challenging the straightforward view of the Anzac obsession as a kind of nationalistic military Halloween, it shows how transnational developments in tourism and commemoration have created the conditions for a complex, dissonant emotional experience of sadness, humility, anger, pride and empathy among Anzac tourists. Drawing on the in-depth testimonies of travellers from Australia and New Zealand, McKay shines a new and more complex light on the history and cultural politics of the Anzac myth. As well as making a ground breaking, empirically-based intervention into the culture wars, this book offers new insights into the global memory boom and transnational developments in backpacker tourism, sports tourism and “dark” or “dissonant” tourism.

"Colour Blind tells the story of two wars affecting Australia a hundred years ago: World War I that everyone knows about, and the lesser known one, the battles that past generations of Aboriginal Australians faced. Not the British Invasion, but the struggle more than a century later when Aboriginal men who were willing to serve alongside non-Aboriginal Australians, their mates, were not seen as worthy of doing so. And the battle for ordinary citizen rights - such as joining the local RSL, of all things - went on long after the war ended. Discrimination such as this, on top of the horrors of war, could easily make this book a depressing read. But what eclipses the negativity and meanness of the way our First Australians were treated is their loyalty, their mateship and their guts, making this book a most enjoyable read from cover to cover. This book reminds us all of their marvelous contributions to Australia - lest we forget. As an Aussie who is equally grateful for my non-Aboriginal and my Aboriginal ancestry, reading of the lows as well as the highs of this nation's history gives me a better appreciation of what my Aboriginal forebears endured - and, more essentially, how they triumphed. Mr Willmott, I now eagerly await for the next book in this series." - Dr. Anthony Dillon, Postdoctoral Research Fellow, MTrainDev, Mpsych (Clin), BSc(Hons), PhD "Australian Aboriginals fighting a war for a country that didn't recognise them. Educating and entertaining are the two words I would use to describe the latesd book Colour Blind by GS Willmott. Mr Willmott has the knack to deliver interesting information about the battles of World War I as well as getting you involved in the human side of it. I enjoyed travelling on the journeys of our diggers and learning just how difficult it was for the indigenous people of Australia to not just fight but to enlist to fight for our country and get the recognition for their efforts that they so rightly deserved." - Kim Krarup, preview reader "Thank you for sending Colour Blind to me. Michael Bell our Indigenous Liaison Officer from our Military History Section read the book for me and did indicate that he is supportive of the story of Colour Blind." - Dr Brendon Nelson, Director Australian War Memorial "If you like your novels laced with a good dose of historical information and peopled with engaging characters who sound and behave like people of their time, you'll enjoy Colour Blind by Garry Willmott. Colour Blind follows several young men on their momentous journey through the Great War. There are horrors and discomforts galore, but the khaki-clad boys get by with courage, quips and a solid culture of mateship. We follow them every step of the way through the gruelling war years, and through the immediate aftermath. What makes Colour Blind unique in my reading is the inclusion of some indigenous boys who just want to do their bit like their mates. The difficulties they face are all down to red tape and the peculiar laws that deny them equal rights. Once they join up, they more than prove their mettle. So if courage and mateship and the quintessential true-blue character is your preference, read Colour Blind. If it doesn't bring a glow of equal parts indignation and pride to your heard... well you know what I mean." - Sally Odgers, author

This is the first in-depth and comparative study of the experience of colonial encounters for troops from the British Empire during the First World War. Drawing on a rich variety of textual and visual material, Anna Maguire explores new contact zones that materialised beyond the battlefield, on troopships, in ports, in military camps and hospitals, in cafes and city streets. She reveals how the colonial mobilisation of troops during the conflict prompted the emergence of spaces for interactions, fleeting moments or ongoing relationships. Through their personal experiences, she uncovers how men from New Zealand, South Africa and the West Indies viewed themselves and their identities during a time of global conflict, simultaneously asserting the strength of the existing colonial order and challenging its enactment, through contact, conflict and collaboration. In spaces away from the frontlines, Maguire uses these cultural encounters of colonial troops to offer a more intricate understanding of imperial power relations.