The Black Atlantic Reconsidered

Readers are often surprised to learn that black writing in Canada is over two centuries old. Ranging from letters, editorials, sermons, and slave narratives to contemporary novels, plays, poetry, and non-fiction, black Canadian writing represents a rich body of literary and cultural achievement. The Black Atlantic Reconsidered is the first comprehensive work to explore black Canadian literature from its beginnings to the present in the broader context of the black Atlantic world. Winfried Siemerling traces the evolution of black Canadian witnessing and writing from slave testimony in New France and the 1783 "Book of Negroes" through the work of contemporary black Canadian writers including George Elliott Clarke, Austin Clarke, Dionne Brand, David Chariandy, Wayde Compton, Esi Edugyan, Marlene NourbeSe Philip, and Lawrence Hill. Arguing that black writing in Canada is deeply imbricated in a historic transnational network, Siemerling explores the powerful presence of black Canadian history, slavery, and the Underground Railroad, and the black diaspora in the work of these authors. Individual chapters examine the literature that has emerged from Quebec, Nova Scotia, the Prairies, and British Columbia, with attention to writing in both English and French. A major survey of black writing and cultural production, The Black Atlantic Reconsidered brings into focus important works that shed light not only on Canada's literature and history, but on the transatlantic black diaspora and modernity.

Readers are often surprised to learn that black writing in Canada is over two centuries old. Ranging from letters, editorials, sermons, and slave narratives to contemporary novels, plays, poetry, and non-fiction, black Canadian writing represents a rich body of literary and cultural achievement. The Black Atlantic Reconsidered is the first comprehensive work to explore black Canadian literature from its beginnings to the present in the broader context of the black Atlantic world. Winfried Siemerling traces the evolution of black Canadian witnessing and writing from slave testimony in New France and the 1783 "Book of Negroes" through the work of contemporary black Canadian writers including George Elliott Clarke, Austin Clarke, Dionne Brand, David Chariandy, Wayde Compton, Esi Edugyan, Marlene NourbeSe Philip, and Lawrence Hill. Arguing that black writing in Canada is deeply imbricated in a historic transnational network, Siemerling explores the powerful presence of black Canadian history, slavery, and the Underground Railroad, and the black diaspora in the work of these authors. Individual chapters examine the literature that has emerged from Quebec, Nova Scotia, the Prairies, and British Columbia, with attention to writing in both English and French. A major survey of black writing and cultural production, The Black Atlantic Reconsidered brings into focus important works that shed light not only on Canada's literature and history, but on the transatlantic black diaspora and modernity.

A critical reexamination of Jean-Baptiste Carpeaux's bust Why Born Enslaved!, this book unpacks the sculpture's engagement with—and defiance of—an antislavery discourse. In this clear-eyed look at the Black figure in nineteenth-century sculpture, noted art historians and writers discuss how emerging categories of racial difference propagated by the scientific field of ethnography grew in popularity alongside a crescendo in cultural production in France during the Second Empire. By comparing Carpeaux's bust Why Born Enslaved! to works by his contemporaries on both sides of the Atlantic, as well as to objects by twenty‑first‑century artists Kara Walker and Kehinde Wiley, the authors touch on such key themes as the portrayal of Black enslavement and emancipation; the commodification of images of Black figures; the role of sculpture in generating the sympathies of its audiences; and the relevance of Carpeaux's sculpture to legacies of empire in the postcolonial present. The book also provides a chronology of events central to the histories of transatlantic slavery, abolition, colonialism, and empire.

In the last few decades Canadian and Québécois literatures have been catapulted onto the global stage, gaining international readership and recognition. Canada and Its Americas challenges the convention that study of this literature should be limited to its place within national borders, arguing that these works should be examined from the perspective of their place and influence within the Americas as a whole. The essays in this volume, a groundbreaking work in the burgeoning field of hemispheric American studies, expand the horizons of Canadian and Québécois literatures, suggest alternative approaches to models centred on the United States, and analyse the risks and benefits of hemispheric approaches to Canada and Quebec. Revealing the connections among a broad range of Canadian, Québécois, American, Caribbean, Latin American, and diasporic literatures, the contributors critique the neglect of Canadian works in Hemispheric studies and show how such writing can be successfully integrated into an emerging area of literary inquiry.

The history of lynching and mob violence has become a subject of considerable scholarly and public interest in recent years. Popular works by James Allen, Philip Dray, and Leon Litwack have stimulated new interest in the subject. A generation of new scholars, sparked by these works and earlier monographs, are in the process of both enriching and challenging the traditional narrative of lynching in the United States. This volume contains essays by ten scholars at the forefront of the movement to broaden and deepen our understanding of mob violence in the United States. These essays range from the Reconstruction to World War Two, analyze lynching in multiple regions of the United States, and employ a wide range of methodological approaches. The authors explore neglected topics such as: lynching in the Mid-Atlantic, lynching in Wisconsin, lynching photography, mob violence against southern white women, black lynch mobs, grassroots resistance to racial violence by African Americans, nineteenth century white southerners who opposed lynching, and the creation of 'lynching narratives' by southern white newspapers. This book was first published as a special issue of American Nineteenth Century History

During a time of significant demographic, geographic, and social transition, many women in early nineteenth-century Montreal turned to prostitution and brothel-keeping to feed, clothe, protect, and house themselves and their families. Beyond Brutal Passions is a close study of the women who were accused of marketing sex, their economic and social susceptibilities, and the strategies they employed to resist authority and assert their own agency. Referencing newspapers, parish registers, census returns, coroners' reports, city directories, documents of Catholic and Protestant institutions, police books, and court records, Mary Anne Poutanen reveals how these women confronted limited alternatives and how they fought against established authority in the pursuit of their livelihoods. She details these women’s lives not only as prostitutes but also as wives, mothers, sisters, and daughters who reconstructed the bonds of kinship and solidarity. An insightful history of prostitution, Beyond Brutal Passions explores the complicated relationships between women accused of prostitution and the society in which they lived and worked.

Fugitive Borders explores a new archive of 19th-century autobiographical writing by black authors in North America. For that purpose, Nele Sawallisch examines four different texts written by formerly enslaved men in the 1850s that emerged in or around the historical region of Canada West (now known as Ontario) and that defy the genre conventions of the classic slave narrative. Instead, these texts demonstrate originality in expressing complex, often ambivalent attitudes towards the so-called Canadian Promised Land and contribute to a form of textual community-building across national borders. In the context of emerging national discourses before Canada's Confederation in 1867, they offer alternatives to the hegemonic narrative of the white settler nation.

The Emancipation Proclamation, widely remembered as the heroic act that ended slavery, in fact freed slaves only in states in the rebellious South. True emancipation was accomplished over a longer period and by several means. Essays by eight distinguished contributors consider aspects of the president's decision making, as well as events beyond Washington, offering new insights on the consequences and legacies of freedom, the engagement of black Americans in their liberation, and the issues of citizenship and rights that were not decided by Lincoln's document. The essays portray emancipation as a product of many hands, best understood by considering all the actors, the place, and the time. The contributors are William A. Blair, Richard Carwardine, Paul Finkelman, Louis Gerteis, Steven Hahn, Stephanie McCurry, Mark E. Neely Jr., Michael Vorenberg, and Karen Fisher Younger.