The Black Gondolier

A collection of supernatural horror stories from the SFWA Grand Master and Hugo and Nebula Award–winning author of the Fafhrd and the Gray Mouser novels. Assembled here is a selection of Mr. Leiber's best horrific tales, many of which have been virtually unobtainable for decades. From the riveting “Spider Mansion” and “The Phantom Slayer” from Weird Tales to the more recent “Lie Still, Snow White” and “Black Has Its Charms” from rare, small‑press magazines, this collection provides an overview of Leiber’s fifty‑plus years as an acknowledged master of the weird tale. This edition was edited by John Pelan and Steve Savile.

"A pioneering work in the field of art history, The Image of the Black in Western Art is a comprehensive series of ten books which offers a lavishly illustrated history of the representations of people of African descent from antiquity to the present. Each book includes a series of essays by some of the most distinguished names in art history. Ranging from images of Pharaohs created by unknown hands almost 3,500 years ago to the works of the great masters of European and American art such as Bosch, Dürer, Mantegna, Rembrandt, Rubens, Watteau, Hogarth, Copley, and Goya to stunning new media creations by contemporary black artists, these books are generously illustrated with beautiful, moving, and often little-known images of black people. Black figures-queens and slaves, saints and soldiers, priests and prisoners, dancers and athletes, children and gods-are central to the visual imagination of Western civilization. Written in accessible language, the extensive and insightful commentaries on the illustrations by distinguished art historians make this series invaluable for the general reader and the specialist alike."--Résumé de l'éditeur.

The Black Stallion is the fastest horse in America and he and his jockey, Alec Ramsay, are training for a big race. Suddenly there comes a new challenger: Flame! An unproven racer, the Island Stallion can run like the wind and his jockey, Steve Duncan, knows that Flame will give the Black the race of his life. But what neither Steve nor Alec know, is that these two stallions have met before, and they hate each other.

Provides a new way of reading Western tragedy alongside texts from the postcolonial world so as to cross-illuminate each other.

The rich history of encounters prior to World War I between people from German-speaking parts of Europe and people of African descent has gone largely unnoticed in the historical literature-not least because Germany became a nation and engaged in colonization much later than other European nations. This volume presents intersections of Black and German history over eight centuries while mapping continuities and ruptures in Germans' perceptions of Blacks. Juxtaposing these intersections demonstrates that negative German perceptions of Blackness proceeded from nineteenth-century racial theories, and that earlier constructions of "race" were far more differentiated. The contributors present a wide range of Black–German encounters, from representations of Black saints in religious medieval art to Black Hessians fighting in the American Revolutionary War, from Cameroonian children being educated in Germany to African American agriculturalists in Germany's protectorate, Togoland. Each chapter probes individual and collective responses to these intercultural points of contact.