The Black King

BLOOD AGAINST BLOOD: The name of the ancient curse that protects members of the Black Family from murdering each other. But what if circumstances justify the death? What if a family member needs to die? Gift faces this dilemma. A powerful presence has taken over his sister Arianna's mind, and Arianna rules the Fey. If that presence takes over the Empire, the world will end. But something awful will happen if Gift harms his sister. The Black Throne itself complicates everything. Because the Throne, a living entity in its own right, wants Gift to rule, not Arianna. Does Gift do what's best for his family? For the Fey Empire? Or for himself? And how can he know what's best? The magic confuses, the Throne tempts, and his sister's mind seems gone. Gift must make the right choice or doom everyone-and everything.

"He stared at himself in the mirror, wondering how he'd managed to lose track of time. Complacency had managed to set in again. . . A decent job, warm home, food on the table, and a body to curl up next to at night; he'd made the mistake of getting comfortable. Comfort fooled him into thinking it was all good when it wasn't. Damn nightmares had a way of reminding him of that." Ever since he was fifteen, John King has been on the run from the ghosts of his past, always drifting, never settling down in one place or with one woman, though more than one has certainly made the offer of forever-after. But every time his memories of life back in Texas start to haunt him too deeply into the night, John realizes that it's time to move on. That is, until he rolls into Denver, Colorado, grooving to Marvin Gaye's "Let's Get It on," and meets Connie Rodgers, a woman who grew up on the mean streets and has the pain and the battle scars to prove it. And yet, she inspires him to think "If indeed there were a home for the perfect kiss, it would be on her lips." John is reluctant to admit that here is a woman who just may understand his very soul, even if she does have some baggage of her own. But both must face their pasts if they ever hope to be free to live and love. Filled with completely unforgettable characters, One Day I Saw a Black King is a stunningly powerful story that explores the power of the past over the present, the search for love and belonging and the healing gift of an extraordinary love.

In The Black Shoals Tiffany Lethabo King uses the shoal—an offshore geologic formation that is neither land nor sea—as metaphor, mode of critique, and methodology to theorize the encounter between Black studies and Native studies. King conceptualizes the shoal as a space where Black and Native literary traditions, politics, theory, critique, and art meet in productive, shifting, and contentious ways. These interactions, which often foreground Black and Native discourses of conquest and critiques of humanism, offer alternative insights into understanding how slavery, anti-Blackness, and Indigenous genocide structure white supremacy. Among texts and topics, King examines eighteenth-century British mappings of humanness, Nativeness, and Blackness; Black feminist depictions of Black and Native erotics; Black fungibility as a critique of discourses of labor exploitation; and Black art that rewrites conceptions of the human. In outlining the convergences and disjunctions between Black and Native thought and aesthetics, King identifies the potential to create new epistemologies, lines of critical inquiry, and creative practices.

Born into an African American sharecropping family in 1880s Kentucky, Jimmy Winkfield grew up loving horses. The large, powerful animals inspired little Jimmy to think big. Looking beyond his family's farm, he longed for a life riding on action-packed racetracks around the world. Like his hero, the great Isaac Murphy, Jimmy "Wink" Winkfield would stop at nothing to make it as a jockey. Though his path to success was wrought with obstacles both on the track and off, Wink faced each challenge with passion and a steadfast spirit. Along the way he carved out a lasting legacy as one of history's finest horsemen and the last African American ever to win the Kentucky Derby. The Last Black King of the Kentucky Derby brings to life a vivacious hero from a little-known chapter of American sports history. Readers are transported trackside to witness the heart-pounding story of a vibrant young man chasing down his dream.

Epic, powerful, and stunningly written, New York Times bestselling author Kristine Kathryn Rusch's The Black King concludes this thrilling saga of the Fey-for now. While Gift makes his way to Blue Isle, and Rugad's hold on Arianna's mind strengthens, Gift faces impossible choices. As the fight for his sister's soul rages to its thrilling conclusion, Kristine Kathryn Rusch's masterful storytelling demonstrates that salvation demands the ultimate sacrifice. From its fierce final battle to a decision that will change the world for generations to come, this epic masterpiece of the quest for power and the carnage left in its wake solidifies Rusch's place as the greatest storyteller of our time.

Son. Black. King is the book every young Black boy needs. It's full of affirmations to empower Black boys to understand their value and place in this world. It makes mention of the hard realities they will face, but does not let those realities define them. This is a particularly needed book for today's young Black boys as they grow into men in America. 

Dear Black King is for the Black Man centering on how far he has come, not how far he has to go. Dear Black King implores the King to rise above the dissonance. It is a tome that speaks to men with love through twenty-one days of affirmations. These affirmations empower, uplift, and reassure the Black Kings on a transformative journey amid their day-to-day struggles. Dear Black King aims to feed the Black man's soul with expressions of insight from real-world narratives and valuable methods to re-instill confidence in their lives as they take on the world and its unrealistic expectations. Dear Black King articulates to the Black Man their authority to step into their role and flourish. It is a call to empower and uplift the black man with encouragement and twenty-one days of daily verbal exercises. Dear Black King aspires that Black Men will continue to thrive and pour into others through this journey.