The Blondes

A breakout novel for a young writer whose last book was shortlisted for the Trillium Prize alongside Anne Michaels and Margaret Atwood, and whom the Toronto Star called a "force of nature." Hazel Hayes is a grad student living in New York City. As the novel opens, she learns she is pregnant (from an affair with her married professor) at an apocalyptically bad time: random but deadly attacks on passers-by, all by blonde women, are terrorizing New Yorkers. Soon it becomes clear that the attacks are symptoms of a strange illness that is transforming blondes--whether CEOs, flight attendants, skateboarders or accountants--into rabid killers. Hazel, vulnerable because of her pregnancy, decides to flee the city--but finds that the epidemic has spread and that the world outside New York is even stranger than she imagined. She sets out on a trip across a paralyzed America to find the one woman--perhaps blonde, perhaps not--who might be able to help her. Emily Schultz's beautifully realized novel is a mix of satire, thriller, and serious literary work. With echoes of Blindness and The Handmaid's Tale amplified by a biting satiric wit, The Blondes is at once an examination of the complex relationships between women, and a merciless but giddily enjoyable portrait of what happens in a world where beauty is--literally--deadly.

Seminar paper from the year 2001 in the subject American Studies - Culture and Applied Geography, grade: 2,0 (B), LMU Munich (American Studies Institute), course: Hauptseminar: Women, Sexuality and Popular Culture in Twentieth Century America, 18 entries in the bibliography, language: English, abstract: Thesis Statement: Hitchcock’s Blondes were a formation of the director’s own creative vision, the image of women in film during the Monroe Era did not influence him in his depiction of women Without question, Alfred Hitchcock is considered one of the most important and most influential film directors of the Twentieth Century. Throughout his career, which lasted more than 50 years, he directed over 50 feature films, many of which are now considered classics. Interestingly, he directed his most critically acclaimed movies during the relatively short life and career of one distinctive actress: Marilyn Monroe. It is a striking fact, however, that Marilyn Monroe never starred in a Hitchcock film, although it seems that her blond hair and her star-status would have made her the perfect ‘Hitchcock Blonde’. In this paper I will attempt to compare Hitchcock’s female characters during the Monroe Era with the image of women in film and how they differed from each other. For this purpose, it is necessary to first take a closer look at Marilyn Monroe and the image she embodied as well as women’s role in general during that period. In addition, Hitchcock’s background, education and attitude towards his leading ladies must also be examined. In my analysis I will focus on three films by Hitchcock: Vertigo (1958), North By Northwest (1959) and The Birds (1963). I chose these films in particular because they not only show a certain progression in Hitchcock’s work in the way he treats and presents his female characters, but also because these films were highly successful. Granted Hitchcock’s rich body of work has been analyzed under various points of view by many scholars, I have not been able to locate a work solely concerned with the female characters in his films during the Monroe Era. But before turning to Alfred Hitchcock and some of his works, it is important to circumscribe the period we are looking at by focusing on the life, career and image of Marilyn Monroe.

A rich collection of verse by an essential American poet. In these poems Zaran's language is as evocative and cunning as it is tender. Lisa infuses each line with passion. Unashamed to be brutally honest, Lisa writes about love as if she were standing naked.

In this fascinating book, the Nobel Prize-winning scientist Konrad Bloch muses on various aspects of biochemistry, explaining the chemical basis for many biological phenomena. Drawing on his own experiences as well as on colorful anecdotes about the work of other scientists, Bloch presents a new way of looking at the world and a revealing glimpse into the ways that scientific discoveries are made and problems are solved. Bloch begins with a charming essay on why--despite the fact that peroxide had not yet been invented--there are so many blonde women in Italian Renaissance paintings. He then considers, among other topics, some important biochemical processes that were discovered because of contamination; the importance of trial and error in biochemical research; the explanation of lactose intolerance in adults and practices for avoiding it; why the choice of animal models is important for medical research (and how the author injected himself with extracts of the tubercle bacilli to study the pathology of tuberculosis); and why the exotic nine-banded armadillo has unique potential for use in many areas of medical and biological investigations. He concludes with thoughts on biochemistry's origin and future.

In Beyond Blonde, Sophie’s world has exploded. Papa has left to try and get sober, and her first love, Luke, has left to marry the mother of his baby. Mama is functioning on auto-pilot, and even Sophie’s refuge in basketball is threatened, since the new assistant coach, David Wayne, seems to hate the sight of her. Life is further complicated by her sixteen-year-old body betraying her at every turn. Into this confusing breach step Sophie’s brilliant Blondes and the ever-audacious Aunties, helping her to battle back with heart and humour.

Writer, comedienne, and full-time Blonde, Selena Coppock offers up adventures, misadventures, and golden-hued nuggets of wisdom in a laugh-out-loud anthem for those of us who really do have more fun. . . . The modern blonde is savvy, wise, confident, capable, and not afraid to laugh at herself when the occasion calls for it. She knows who she is and is prepared to subvert all stereotypes (although she's not above wielding her golden tresses to her advantage), and knows how to be both classy and a little brassy. In the way only a Boston-bred New Yorker who once won "Best Hair" in her high school graduating class could, Coppock doles out tongue-in-cheek advice about avoiding hair disasters, the consequences of dating a man who cares a little too much about his own hair product, and so much more in an outrageous essay collection that will have even the staunchest of raven-haired beauties considering a trip to the nearest salon.

"There are three and only three rules for shoplifting," Francie instructed me. From the very first day Val meets the outrageously blond Francie, she realizes that Francie has the gutsy courage and determination Val has always envied. But Francie sees something in Val too—something that Val's never noticed. "You've got that sneaky thing about you," she says. "I bet you have a dark past." And just like that, the blonde and the brunette become partners in crime. Thanks to Francie, Val is suddenly taking risks, taking charge, and taking what she deserves. But as the stakes get higher, Francie and Val find themselves more and more tangled in a thrilling web of love, lies, and shoplifting. Soon it becomes clear that the darkest secrets have yet to be discovered. . . .