The Bold Italicized Words

HOW do spirit beings get your attention? How do they make a point, especially in written form? The same way we do-with BOLD and italicized words! This study guide features all words found in the English translation of The Urantia Book, that have been used with emphasis. We find a word or two at the beginning of each paper that was made boldface for style purposes, but many others have been printed as all caps within paragraphs-apparently intended to introduce new words, or to call attention to some words being "redefined" (in the author's opinion). In addition, many, many instances of italicized words are scattered throughout the book-perhaps just to add a little extra authority where needed, or to impress us of the importance of the concept, and in many cases-to clear up historic confusion. After perusing the papers, it was still a mystery to us WHY some words were all caps and others were italicized, and why some lists were emphasized and others were not. "The BOLD & ITALICIZED Words" is a complete guide to, and an in-depth study aid for serious students of "The Urantia Book" to peruse well over 2300 instances of these special words, and phrases. The BIG mystery is what word was emphasized the most by the spiritual authors? We will help you find the answer to that question! ...and NO, the answer is not "suddenly!"

"A high-speed thriller. . . . The pages turn rapidly with well-orchestrated suspense." - The New York Times "If Stephen Hawking and Stephen King wrote a novel together, you'd get The Flicker Men. Brilliant, disturbing, and beautifully told." -Hugh Howey, New York Times bestselling author of the Wool series A quantum physicist shocks the world with a startling experiment, igniting a struggle between science and theology, free will and fate, and antagonizing forces not known to exist Eric Argus is a washout. His prodigious early work clouded his reputation and strained his sanity. But an old friend gives him another chance, an opportunity to step back into the light. With three months to produce new research, Eric replicates the paradoxical double-slit experiment to see for himself the mysterious dual nature of light and matter. A simple but unprecedented inference blooms into a staggering discovery about human consciousness and the structure of the universe. His findings are celebrated and condemned in equal measure. But no one can predict where the truth will lead. And as Eric seeks to understand the unfolding revelations, he must evade shadowy pursuers who believe he knows entirely too much already.

“The reading is something like archeology, sifting the layers that have built up over the years to find the source of a familiar voice . . . Left Out in the Rain shows us the footsteps in the wet meadow grass.” —Los Angeles Times “A fascinating case study and verse autobiography of a man who long ago staked his claim as one of America’s finest poets.” —Boston Herald When Gary Snyder was in his twenties working as a forester and logger, one of the old loggers told him, “If you’re gonna work these woods, don’t want nothing that can’t be left out in the rain.” Borrowing the phrase, Left Out in the Rain charts the journeys of the poet from 1947 to 1985. From the mountains and shores of the Pacific Northwest to the city streets of San Francisco, New York, and Kyoto, Snyder’s reflections are as much about the human experience as they are about the environment that encompasses it. Sensual, sardonic, meditative, epigrammatic, formalist—whatever the subject, tone, or structure, these poems all bear the indelible stamp of a master. A villanelle for Finnish folklore, riffs on the neo–formalist poems trendy in the 1950s, a sestina on the philosophical dilemmas of anthropology and linguistics, a transformation of the third century BC Daoist essay “Discourse on Swords” into a satire on contemporary warlike administrations and governments—the experiments in this collection place Snyder among the most diverse of contemporary poets. Left Out in the Rain means to include items carefully chosen to outlast the elements and remain useful for years. In his new preface to this edition, Snyder notes, “This complicated gathering of many poems, tight and loose together is like an understory ecosystem of the Old Growth. It needs rain.” On the wooded coast, eating oysters Looking off toward China and Japan “If you’re gonna work these woods Don’t want nothing That can’t be left out in the rain—”

"Originally released to great acclaim in 2010, Typography for Lawyers was the first guide to the essentials of typography aimed specifically at lawyers. Author Matthew Butterick, an attorney and Harvard-trained typographer, dispelled the myth that legal documents are incompatible with excellent typography. Butterick explained how to get professional results with the tools you already have quickly and easily. Revised and updated & the second edition includes: new topics such as email, footnotes, alternate figures, and OpenType features; avice for presentations, contracts, grids of numbers, and court opinions; technical tips covering the newest versions of Word and WordPerfect for Windows and OS X; new font recommendations, including two that are free; new essays on the font copyrights, screen-reading considerations, and typographic disputes that have reached the courts; a refreshed layout, featuring type features designed by the author."--from Amazon.com website.

Word basics for simple documents -- Creating longer and more complex documents -- Sharing documents and collaborating with other people -- Customizing Word with macros and other tools -- Word help and beyond.

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