The Book Of Genesis Illustrated

Four years in the making, a graphic translation of the first book of the Bible uses actual word-for-word text as a basis for its dramatic presentations and includes intricately detailed depictions of the stories of Adam and Eve, Noah's ark, and more.

Reproduction of the original: The Book of Genesis by Marcus Dods

From Genesis to the Book of Daniel, this ebook recounts 35 stories from the Old Testament in a modern and inviting way, combining spirited illustrations with spare, eloquent prose. Acclaimed illustrator Serge Bloch expertly captures the many scenes in these beloved tales, conveying extraordinary breadth of emotion and action in his seemingly simple drawings. Biblical expert Frédéric Boyer and poet and translator Cole Swensen contribute accessible and enlightening text, further illuminating the stories with notes on their history and symbolism. Full of contemporary resonance, here are universal stories of love, anger, betrayal, faith, and courage—revealed in a way that encourages readers of all ages and faiths to engage with them anew.

The idiosyncratic master Chester Brown continues his thoughts on sex work “The Bible is Chester Brown’s holy harlot. He plumbs the mysteries of her depths while she schools him in the ways of love. Like all of Chester’s work, Mary Wept Over the Feet of Jesus is confounding, yet addictive, instantly re-readable, and expands with revelations in his hundred pages of notes. A work of passion, research, and elegant clarity. My new favourite.”—Craig Thompson, author of Blankets and Habibi “Chester Brown is both God’s and the devil’s gift to the world.”—David Henry Sterry, author of Hos, Hookers, Call Girls and Rent Boys “Chester’s work never fails to surprise and delight me. Since I always enjoy mythic and legendary tales of harlots, I knew I would like Mary Wept Over the Feet of Jesus, but I was pleased and impressed by the way he used all these stories to illustrate a larger theme about humanity’s relationship to Divinity and the role my profession plays in that relationship. Chester shows that spirituality and sexuality, which are so often depicted in our culture as opposed to one another, are actually deeply intertwined.”—Maggie McNeill, author of The Honest Courtesan The iconoclastic and bestselling cartoonist of Paying for It: A comic-strip memoir about being a john and Louis Riel returns and with a polemical interpretation of the Bible that will be one of the most controversial and talked-about graphic novels of 2016. Mary Wept Over the Feet of Jesus is the retelling in comics form of nine biblical stories that present Chester Brown's fascinating and startling thesis about biblical representations of prostitution. Brown weaves a connecting line between Bathsheba, Ruth, Rahab, Tamar, Mary of Bethany, and the Virgin Mother. He reassesses the Christian moral code by examining the cultural implications of the Bible's representations of sex work. Mary Wept Over the Feet of Jesus is a fitting follow-up to Brown's sui generis graphic memoir Paying for It, which was reviewed twice in The New York Times and hailed by sex workers for Brown's advocacy for the decriminalization and normalization of prostitution. Brown approaches the Bible as he did the life of Louis Riel, making these stories compellingly readable and utterly pertinent to a modern audience. In classic Chester Brown fashion, he provides extensive handwritten endnotes that delve into the biblical lore that informs Mary Wept Over the Feet of Jesus.

Featuring R. Crumb’s most outrageous sexual comics, Bible of Filth is possibly the dirtiest book around. One of America’s most celebrated cartoonists, Crumb helped define cartoon and punk subcultures of the 1960s and 1970s with comic strips like Fritz the Cat, Mr. Natural, and Keep on Truckin’. The open sexuality of his work, paired with frequent self-deprecation and a free, almost stream-of-consciousness style, has made Crumb into a global voice and a renowned contemporary artist. Originally published in France in 1986 by Futuropolis, the first edition of Bible of Filth was never distributed in the United States because of its graphic sexual content, which included some of Crumb’s most explicit comics from underground magazines such as Snatch, Jiz, Zap, XYZ, Big Ass, and Uneeda. This revised and expanded English edition, published by David Zwirner Books, contains all the original pieces from the 1986 volume, with over one hundred pages of additional material. Organized chronologically, there are comics from 1968 to 1986 that were omitted from the first edition and an entirely new selection of work from after 1986. Printed on bible paper and bound in leather, with gold debossing and edging, this volume looks and feels like a traditional bible, with no outward suggestion of what it contains. This revised and expanded Bible of Filth is the perfect introduction for newcomers, while retaining its status as an important collector’s item for Crumb enthusiasts around the world.

A collection of cartoonist Crumb's work, ranging from his earliest comics published in the mid sixties, to work completed in the nineties with his comentaries interspersed thoughout the book.

This volume is about the book itself, as shaped and made by medieval scribes and as conditioned by the cultural understandings that were present in the world where those scribes lived. Questions relating to the provenance, compilation, script, function, and use - both medieval and modern - of manuscripts are raised and are resolved in a fresh manner. A number of different literary genres and types are explored, ranging from devotional materials (e.g. psalters, sermons, and illustrated gospel books) to texts of a more worldly orientation. A number of plates illustrate the work of particular scribes. While some beautiful codices are showcased, the emphasis falls on plain books written in English, including the Vercelli Book, the Exeter Book, and the Blickling Homilies. Analyses of the history of palaeography and the theoryof editing raise the point that whatever we know from old books is conditioned by the tools used to study them.