The Book Of Gothic Tales

Bringing together the work of such writers as Edgar Allan Poe, Nathaniel Hawthorne, Arthur Conan Doyle, Eudora Welty, Thomas Hardy, William Faulkner, Isak Dinesen, and Joyce Carol Oates, The Oxford Book of Gothic Tales presents 37 sinister and unsettling tales for all lovers of ghost stories, fantasy, and horror.

'There was a rumour, too, that he was a devil-worshipper, or something of that sort, and also that he had the evil eye...' Arthur Conan Doyle was the greatest genre writer Britain has ever produced. Throughout a long writing career, he drew on his own medical background, his travels, and his increasing interest in spiritualism and the occult to produce a spectacular array of Gothic stories. Many of Doyle's writings are recognized as the very greatest tales of terror. They range from hauntings in the polar wasteland to evil surgeons and malevolent jungle landscapes. This collection brings together over thirty of Conan Doyle's best "Gothic Tales," in a scholarly edition for the first time. Darryl Jones's introduction discusses the contradictions in Conan Doyle's very public life - as a medical doctor who became obsessed with the spirit world, or a British imperialist drawn to support Irish Home Rule - and shows the ways in which these found articulation in that most anxious of all literary forms, the Gothic.

What haunts our hearts today may haunt us in the hereafter . . . In future-Edo Japan, two lovers cross paths after fifty years apart. A drone-stream influencer is stalked by a spectre her online audience can't see. Trans vampires' lives intertwine in cyber-goth Paris. A non-binary chaplain serving a haunted space station becomes enamoured with the ship's AI. And the treachery and passion of a gestalt alien mind reaches critical mass for the explorer who discovered it.With stories spanning time, galaxies, and spirits, Gothic Tales of Haunted Futures features 17 original stories, casting the indelible themes of gothic romance forward in time, to imagined futures and tomorrow's afterlives.Featuring all-original comics, curated by award-winning author and editor S.M. Beiko.

This anthology revitalises the stale gothic romance genre with stories span-ning across centuries and the world. A Sioux woman returns from the grave seeking true love. A young boy and his ghostly boyfriend dodge American soldiers and landmines in 1970s Vi-etnam. A young mother in slavery faces demons on the eve of liberation in 1800s Jamaica. A Brazilian writer-in-exile discovers his sanctuary's dark secrets - and the burning touch of a ghostly lord.

'He was a man of fairly firm fibre, but there was something in this sudden, uncontrollable shriek of horror which chilled his blood and pringled in his skin. Coming in such a place and at such an hour, it brought a thousand fantastic possibilities into his head...' The Victorian fin de siècle: the era of Decadence, The Yellow Book, the New Woman, the scandalous Oscar Wilde, the Empire on which the sun never set. This heady brew was caught nowhere better than in the revival of the Gothic tale in the late Victorian age, where the undead walked and evil curses, foul murder, doomed inheritance and sexual menace played on the stretched nerves of the new mass readerships. This anthology collects together some of the most famous examples of the Gothic tale in the 1890s, with stories by Arthur Conan Doyle, Vernon Lee, Henry James and Arthur Machen, as well as some lesser known yet superbly chilling tales from the era. The introduction explores the many reasons for the Gothic revival, and how it spoke to the anxieties of the moment. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

NEW YORK TIMES BESTSELLER • “It’s Lovecraft meets the Brontës in Latin America, and after a slow-burn start Mexican Gothic gets seriously weird.”—The Guardian IN DEVELOPMENT AS A HULU ORIGINAL LIMITED SERIES PRODUCED BY KELLY RIPA AND MARK CONSUELOS • ONE OF TIME’S 100 BEST MYSTERY AND THRILLER BOOKS OF ALL TIME • WINNER OF THE LOCUS AWARD • NOMINATED FOR THE BRAM STOKER AWARD ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, Vanity Fair, NPR, The Washington Post, Tordotcom, Marie Claire, Vox, Mashable, Men’s Health, Library Journal, Book Riot, LibraryReads An isolated mansion. A chillingly charismatic aristocrat. And a brave socialite drawn to expose their treacherous secrets. . . . From the author of Gods of Jade and Shadow comes “a terrifying twist on classic gothic horror” (Kirkus Reviews) set in glamorous 1950s Mexico. After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region. Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemi’s dreams with visions of blood and doom. Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness. And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind. “It’s as if a supernatural power compels us to turn the pages of the gripping Mexican Gothic.”—The Washington Post “Mexican Gothic is the perfect summer horror read, and marks Moreno-Garcia with her hypnotic and engaging prose as one of the genre’s most exciting talents.”—Nerdist “A period thriller as rich in suspense as it is in lush ’50s atmosphere.”—Entertainment Weekly

In 1798, a prospectus appeared for The Lady's Monthly Museum, a bold new project which - in contrast to the predominance of men's magazines at the time - would be edited by a "Society of Ladies" and would include wholesome entertainment exclusively intended for young women. But with the inclusion of the Gothic tale "Schabraco" in its second issue, the magazine attracted immediate controversy and letters questioning the publication's morality and suitability for young ladies. Despite - or perhaps because of - the outcry surrounding "Schabraco," the magazine went on to be an extremely popular and significant outlet of Gothic fiction for the next thirty years. Though the Gothic novels of Ann Radcliffe, Matthew Lewis, and their contemporaries have attracted considerable interest among readers and scholars in recent years, the vast output of Gothic fiction that appeared in popular magazines like The Lady's Monthly Museum has been almost entirely ignored, probably because of lack of access to these rare texts. Now for the first time, editor Dr. Jennie MacDonald has collected the best Gothic texts from this important periodical, including novelettes, stories, fragments, poems and drama, enabling readers to discover at last a wealth of lost Gothic material. Also included are a scholarly introduction and annotations, as well as reproductions of engravings that accompanied the original publication of these tales.