The Book Of Laughter And Forgetting

"An absolutely dazzling entertainment. . . . Arousing on every level—political, erotic, intellectual, and above all, humorous." —Newsweek "The Book of Laughter and Forgetting calls itself a novel, although it is part fairy tale, part literary criticism, part political tract, part musicology, and part autobiography. It can call itself whatever it wants to, because the whole is genius." —New York Times Rich in its stories, characters, and imaginative range, The Book of Laughter and Forgetting is the novel that brought Milan Kundera his first big international success in the late 1970s. Like all his work, it is valuable for far more than its historical implications. In seven wonderfully integrated parts, different aspects of human existence are magnified and reduced, reordered and emphasized, newly examined, analyzed, and experienced.

“I can’t imagine reading this book without being challenged and instructed, amused, amazed and aroused, and ultimately delighted.” —John Simon, New York Times Book Review Milan Kundera’s brilliant collection of essays is a passionate defense of art in an era that, he argues, no longer values art or beauty. With the same dazzling mix of emotion and ideas that characterizes his bestselling novels, the internationally acclaimed author revisits the artists whose works help us better understand what it means to be human. Elegant, startlingly original, and provocative, Encounter combines many of the author’s signature themes with personal reflections and stories.

New York Times Bestseller "Inspired. . . . Kundera's most brilliantly imagined novel. . . . A book that entrances, beguiles and charms us from first page to last." — Cleveland Plain Dealer Milan Kundera's sixth novel springs from a casual gesture of a woman to her swimming instructor, a gesture that creates a character in the mind of a writer named Kundera. Like Flaubert's Emma or Tolstoy's Anna, Kundera's Agnès becomes an object of fascination, of indefinable longing. From that character springs a novel, a gesture of the imagination that both embodies and articulates Milan Kundera's supreme mastery of the novel and its purpose: to explore thoroughly the great themes of existence.

“Far more than a conventional novel. It is a meditation on life, on the erotic, on the nature of men and women and love . . . full of telling details, truths large and small, to which just about every reader will respond.” — People In The Unbearable Lightness of Being, Milan Kundera tells the story of two couples, a young woman in love with a man torn between his love for her and his incorrigible womanizing, and one of his mistresses and her humbly faithful lover. In a world in which lives are shaped by irrevocable choices and by fortuitous events, a world in which everything occurs but once, existence seems to lose its substance, its weight. Hence, we feel "the unbearable lightness of being" not only as the consequence of our pristine actions but also in the public sphere, and the two inevitably intertwine. This magnificent novel is a story of passion and politics, infidelity and ideas, and encompasses the extremes of comedy and tragedy, illuminating all aspects of human existence.

The Joke, Milan Kundera's first novel, gained him a huge following in his own country, and launched his worldwide literary reputation.'Kundera is the saddest, funniest and most lovable of authors.' The Times

“An elegant, personalized integration of anecdote, analysis, scholarship, memory and speculation. . . . Not since Henry James, perhaps, has a fiction writer examined the process of writing with such insight, authority and range of reference and allusion.” —Russell Banks, New York Times Book Review “A magic curtain, woven of legends, hung before the world. Cervantes sent Don Quixote journeying and tore through the curtain. The world opened before the knight-errant in all the comical nakedness of its prose.” In this thought-provoking, endlessly enlightening, and entertaining essay on the art of the novel, renowned author Milan Kundera suggests that “the curtain” represents a ready-made perception of the world that each of us has—a pre-interpreted world. The job of the novelist, he argues, is to rip through the curtain and reveal what it hides. Here an incomparable literary artist cleverly sketches out his personal view of the history and value of the novel in Western civilization. In doing so, he celebrates a prose form that possesses the unique ability to transcend national and language boundaries in order to reveal some previously unknown aspect of human existence.

In this coming-of-age thriller, a twelve-year-old boy's spark of courage to question the harmonious wooded commune he calls home may burn down more than just his own illusions. Lucien has everything he needs: a loving mama, a library full of books, and House of Earth, a private school nestled safely in the woods of upstate New York. It's where Lucien is taught the importance of living in harmony with nature and building a peaceful and sustainable future. But when his youthful curiosity draws him into town and to Gabrielle, a public-school student living a life wholly different from his own, Lucien's inquisitiveness about life beyond the commune and questions regarding the events of 9/11 threaten to unbalance everything he thought he knew. Slowly, things begin to change at House of Earth. The outside world is off limits. Security measures tighten. New rules are put in place, and anyone who violates them is asked to leave and never spoken of again. As forbidden questions pile up, Lucien's willingness to obey weakens. Continuing to meet Gabrielle in secret only reinforces his gnawing fear that something about his world is terribly wrong. Unable to remain silent any longer, Lucien will soon discover that looking for answers at House of Earth may be the most dangerous rule he can break.