The Book Of The Thousand Nights And One Night In Nine Volumes

The second volume of this accurate translation of the wonderful and enchanting tales of the Arabian nights.

The Book of the Thousand Nights and a Night (1885), subtitled A Plain and Literal Translation of the Arabian Nights Entertainments, is an English language translation of One Thousand and One Nights (the "Arabian Nights") - a collection of Middle Eastern and South Asian stories and folk tales compiled in Arabic during the Islamic Golden Age (8th−13th centuries) - by the British explorer and Arabist Richard Francis Burton (1821-1890). It stood as the only complete translation of the Macnaghten or Calcutta II edition (Egyptian recension) of the "Arabian Nights" until the Malcolm C. and Ursula Lyons translation in 2008.Burton's translation was one of two unabridged and unexpurgated English translations done in the 1880s; the first was by John Payne, under the title The Book of the Thousand Nights and One Night (1882-84, nine volumes). Burton's ten volume version was published almost immediately afterward with a slightly different title. This, along with the fact that Burton closely advised Payne and partially based his books on Payne's, led later to charges of plagiarism. Owing to the sexual imagery in the source texts (which Burton made a special study of, adding extensive footnotes and appendices on "Oriental" sexual mores)[2] and to the strict Victorian laws on obscene material, both translations were printed as private editions for subscribers only, rather than being published in the usual manner. Burton's original ten volumes were followed by a further six entitled The Supplemental Nights to the Thousand Nights and a Night (1886-88). Burton's 16 volumes, while boasting many prominent admirers, have been criticised for their "archaic language and extravagant idiom" and "obsessive focus on sexuality"; they have even been called an "eccentric ego-trip" and a "highly personal reworking of the text". His voluminous and obscurely detailed notes and appendices have been characterised as "obtrusive, kinky and highly personal".

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Arab world's greatest folk stories re-imagined by the acclaimed Lebanese novelist Hanan al-Shaykh, published to coincide with the world tour of a magnificent musical and theatrical production directed by Tim Supple

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.