The Boy From Kyiv

The Boy from Kyiv is the life story of Alexei Ratmansky, the most celebrated ballet choreographer of our time. Alexei Ratmansky is transforming ballet for the twenty-first century. An artist of daring imagination, the choreographer has created breathtakingly original works for the world’s most revered companies. He has fashioned a singular approach to balletic storytelling that bridges the space between narrative and abstraction and heightens ambiguity and surprise on the stage. He has boldly restored great centuries-old ballets to their former glory, combining archival research with his own choreographic genius to retrieve detail and color once lost to the ages. And above all, he is renowned for fusing the Western and Eastern ballet traditions, and for drawing on the visual arts, literature, music, film, and beyond with inspired vim, to forge a style that is vibrant, eclectic, and utterly new: one that promises to leave an indelible mark on this venerable art form. But before Ratmansky was the artistic director of the Bolshoi Ballet, the resident choreographer at American Ballet Theatre, the artist in residence at New York City Ballet, and generally, as The New Yorker has it, “the most sought-after man in ballet,” he was just a boy from Kyiv, sneaking into the ballet at night, concocting his own juvenile adaptations of novels and stories, and dreaming up new possibilities for bodies in motion. In The Boy from Kyiv, the first biography of this groundbreaking artist, the celebrated dance writer Marina Harss takes us behind the curtain to reveal Ratmansky’s fascinating life, from his Soviet boyhood through his globe-spanning career. Over a decade in the making, this biography arrives at a pivotal moment in Ratmansky’s journey, one that has seen him painfully and publicly break ties with Russia, the country in which he made his name, in solidarity with his native Ukraine, and take on a new challenge at the storied New York City Ballet. Told with the lyricism, drama, and verve that befit its subject, The Boy from Kyiv is a riveting account of this major artist’s ascent to the peaks of his field, a mesmerizing study of creativity in action, and a triumphant testament to ballet’s enduring vitality.

`Modernism in Kyiv restores the multicultural city of Kyiv to its rightful position as a major player in the dialogue and cross-pollination of ideas occurring between important modernist figures in centres such as Paris, New York, London, and Vienna. Engaging and highly readable, this collection is impressive in its scope, depth, and breadth.' The study of modernism has been largely focused on Western cultural centres such as Paris, Vienna, London, and New York. Extravagantly illustrated with over 300 photos and reproductions, Modernism in Kyiv demonstrates that the Ukrainian capital was a major centre of performing and visual arts as well as literary and cultural activity. While arguing that Kyiv's modernist impulse is most prominently displayed in the experimental work of Les Kurbas, one of the masters of the early Soviet stage, the contributors also examine the history of the city and the artistic production of diverse groups including Ukrainians, Russians, Jews, and Poles. Until now a silent presence in Western accounts of the cultural topography of modernism, multicultural Kyiv is here revealed in its historical, intellectual, and artistic complexity. Excerpts taken from the works of artists, writers, and critics as well as the numerous illustrations help give life to the exciting creativity of this period. The first book-length examination of this subject, Modernism in Kyiv is a breakthrough accomplishment that will become a standard volume in the field.

Before, during, and after World War II, Maria Savchyn Pyskir served in the Ukrainian Underground resistance. Her dramatic and poignant memoir tells of her recruitment into underground service at age 14, her participation in resistance activities during the War, her bittersweet marriage to revolutionary leader “Orlan,” her struggle against Stalinist forces, and her captures by and escapes from the KGB. In the 1950s when she escaped to the West, she began these memoirs, which were not published in Ukrainian until after the fall of the Soviet Union. Their appearance in Ukrainian caused a sensation, as she remains the only survivor of the Ukrainian Insurgent Army (UPA) to have told her tale, now offered in English. Pyskir, whose escape came at the cost of her husband, children, and family, recreates in her memoir an astonishing account of her experiences as a Ukrainian partisan, a woman, a wife, a mother, and an outcast from her own land. The book contains maps, many of the author’s own photographs, and a foreword by John A. Armstrong.

Підручник створений для набуття навичок усної англ. мови і читання літератури за фахом в оригіналі. Його структура складається з текстів, запитань, діалогів, фрагментів ювілейних видань усіх музичних академій України у перекладі Є.Г.Чечель, висвітлюються постаті видатних музикантів, педагогів, виконавців національного та світового значення, наводяться оригінальні тексти про живопис, скульптуру, театр, підготовлені Н.П.Чечель. Для студентів і аспірантів вищих навчальних закладів культури.

NOW A NEW YORK TIMES, LOS ANGELES TIMES, USA TODAY AND GREAT LAKES INDEPENDENT BOOKSELLER ASSOCIATION BESTSELLER New York Times bestselling author, Malcolm Nance, offers a chilling warning on a clear, present and existential threat to our democracy... our fellow Americans “Malcolm Nance is one of the great unsung national security geniuses of the modern era." —Rachel Maddow To varying degrees, as many as 74 million Americans have expressed hostility towards American democracy. Their radicalization is increasingly visible in our day to day life: in neighbor’s or family member’s open discussion of bizarre conspiracy theories, reveling in the fantasy of mass murdering the liberals they believe are drinking the blood of children. These are the results of the deranged series of lies stoked by former President Donald Trump, made worse by the global pandemic. The first steps of an American fracture were predicted by Malcolm Nance months before the January 6, 2021 insurrection, heralding the start of a generational terror threat greater than either al-Qaeda or the Islamic State. Nance calls this growing unrest the Trump Insurgency in the United States or TITUS. The post-2020 election urge to return to a place of “normalcy”—to forget—is the worst response we can have. American militiamen, terrorists, and radicalized political activists are already armed in mass numbers and regularly missed in the media; principally because Trump’s most loyal and violent foot soldiers benefit from the ultimate privilege—being white. They Want to Kill Americans is the first detailed look into the heart of the active Trump-led insurgency, setting the stage for a second nation-wide rebellion on American soil. This is a chilling and deeply researched early warning to the nation from a counterterrorism intelligence professional: America is primed for a possible explosive wave of terrorist attacks and armed confrontations that aim to bring about a Donald Trump led dictatorship.

After a long flight, Sandra and Albert Upeslacis step out of the aircraft and look upon Ukraine, a country with a rich heritage and culture that is, in the year 2000, still working to shake off the ghosts of Soviet occupation. A five-week stay lies ahead for the couple, and if all goes to plan, they will not be returning to Canada alone—through the many hurdles of international adoption, a young boy waits for them, unaware that soon, his family will find him. Son from Ukraine is the heartwarming true story of Sandra Upeslacis’s international adoption of her son. It shows in stunning detail the international adoption process, Ukraine at the turn of the century, and the cultural, linguistic, and bureaucratic realities of a post-Soviet country. This book is a must-read for anyone interested in international adoption and the history of Ukraine. Shining above every difficulty, however, is the story of love and a family taking its first tender steps into togetherness.

A classic David & Goliath tale, complete with colorful heroes, cold-hearted villains, and nail-biting games—with the hockey rink serving as an arena for a nation’s resistance. During the height of the Cold War, a group of small-town young men would lead their underdog hockey team from the little country of Czechoslovakia against the Soviet Union, the juggernaut in their sport. As they battled on the ice, the young players would keep their people’s quest for freedom alive, and forge a way to fight back against the authoritarian forces that sought to crush them. From the sudden invasion of Czechoslovakia by an armada of tanks and 500,000 Warsaw Pact soldiers, to a hockey victory over the Soviets that inspired half a million furious citizens to take to the streets in an attempt to destroy all representations that they could find of their occupiers, Freedom to Win tells a story that ranges from iconic moments in history to courageous individual stories. We will witness the fearless escape by three brothers who make up the core of the national team. We will experience thrilling world championship games. We will watch as one brave player takes a stand and leads ten thousand people in a tear-filled rendition of the Czechoslovak national anthem amid chants of “freedom!” while a revolution rages in the streets of Prague. And we will cheer as the team takes on its nemesis one last time with the Olympic gold medal at stake. At the heart of Freedom to Win is the story of the Holíks, a Czechoslovak family whose resistance to the Communists embodied the deepest desires of the people of their country. Faced with life under the cruel and arbitrary regime that had stolen their family butcher shop, the Holík boys became national hockey icons and inspirations to their people. Filled with heart-pounding moments on the ice and unforgettable slices of history, Freedom to Win is the ultimate tale of why sports truly matter.

ReSounding Poverty: Romani Music and Development Aid engages with global scholarship on development, poverty, and applied research. It addresses the role of non-governmental organizations (NGOs) within postsocialist neoliberal processes and analyzes the economic structures within which Romani musics circulate. Specifically, ReSounding Poverty offers a micro ethnography of economic networks that impact the daily lives of Romani musicians on the borders of the former Soviet Union and the European Union. It argues that the development aid allotted to provide economic assistance to Romani communities, when analyzed from the perspective of the performance arts, continues to marginalize the poorest among them. Through their structure and programming, NGOs choose which segments of the population are the most vulnerable and in the greatest need of assistance. Drawing on ethnographic research in development contexts, ReSounding Poverty asks who speaks for whom within the Romani rights movement today. Framing the critique of development aid in musical terms, it engages with Romani marginalization and economic deprivation through a closer listening to vocal inflections, physical vocalizations of health and disease, and emotional affect. ReSounding Poverty brings us into the back rooms of saman, mud and straw brick, houses not visited by media reporters and politicians, amplifying the cultural expressions of the Romani poor, silenced in the business of development.