The Boy From Seville

Manuel Nuñez’s life changes forever on the day his parents trust him enough to reveal a secret; they are Jews. Brought up as a Christian during the Spanish Inquisition of the 17th century, Manuel is surprised, but proud when he learns of his family’s true heritage. Manuel’s family must observe their Jewish traditions in secret, for if they are discovered they will be punished – or worse. Manuel’s safety is further threatened when he falls in love with Violante, the sister of a suspected witch. Being with Violante gives Manuel joy, but also brings him and his family even closer to the Inquisitors.

A sumptuous novel inspired by one of history’s most intriguing forgotten chapters—the arrival of Japanese Samurai on the shores of Europe. In 1614, twenty-two Samurai warriors and a group of tradesmen from Japan sailed to Spain, where they initiated one of the most intriguing cultural exchanges in history. They were received with pomp and circumstance, first by King Philip III and later by Pope Paul V. They were the first Japanese to visit Europe and they caused a sensation. They remained for two years and then most of the party returned to Japan; however, six of the Samurai stayed behind, settling in a small fishing village close to Sanlúcar de Barrameda, where their descendants live to this day. Healey imbues this tale of the meeting of East and West with uncommon emotional and intellectual intensity and a rich sense of place. He explores the dueling mentalities of two cultures through a singular romance; the sophisticated, restrained warrior culture of Japan and the baroque sensibilities of Renaissance Spain, dark and obsessed with ethnic cleansing. What one culture lives with absolute normality is experienced as exotic from the outsider’s eye. Everyone is seen as strange at first and then—with growing familiarity—is revealed as being more similar than originally perceived, but with the added value of enduring idiosyncrasies. The story told in this novel is an essential and timeless one about the discoveries and conflicts that arise from the forging of relationships across borders, both geographical and cultural.

This book charts season 2003/04, as Celtic went on a quest to regain the Scottish Premier League title that had been lost in the cruelest of circumstances. From the pre-season games in Sweden, England and the United States of America, to a Champions League campaign which would see Celtic come within minutes of reaching the knockout stages before ultimately dropping into the UEFA Cup where they would record arguably one of their greatest European results in a generation.Through a record breaking league run, a domestic double, and a series of victories over their Glasgow rivals, read how Celtic put themselves back on top - before bidding a final farewell to their talismanic striker from Sweden, Henrik Larsson.Through every match of the 2003/04 season, as well as the comings and goings between matches, relive the many highs of a terrific period of Celtic's history through the eyes of the people who were there - players, managers, and supporters alike.

Volume two of Isidore of Seville's Etymologies, books XI-XX plus Index of Latin words.

Since 1959, Derek Walcott has directed and written for the Trinidad Theatre Workshop. The Joker of Seville, a comedy based on Tirso de Molina's El Burlador de Sevilla, was commissioned by England's Royal Shakespeare Company. Walcott's sensitivity to the pacing, meter, and lyricism of the original makes his first attempt at adaptation an extraordinary accomplishment. O Babylon! brings life the Rastafarian sect in Jamaica, which grew during Marcus Garvey's exile to that country and has recently been popularized through the lyrics of reggae music. Mr. Walcott's plays have been produced by the New York Shakespeare Festival, the Mark Taper Forum in Los Angeles, and the Negro Ensemble Company. Dream on Monkey Mountain, the title play of his earlier collection, won the Obie Award for a Distringuished Foreign Play when produced in New York in 1971. It was deemed "a masterpiece" by Edith Oliver in The New Yorker. "Dream on Monkey Mountain," she wrote, "is a poem in dramatic form or a drama in poetry, and poetry is rare in the modern theatre. Every line of it plays....there is a sound psychological basis for every action and emotion."