The British Schools Of Psychoanalysis

This is a collection of the works of the Independent Group of psychoanalysts in Britain includes contributions to the theory of object relations, counter-transference, early environment, regression and female sexuality.

Arguably the most informative and readable account of the development of British independent psychoanalysis, Eric Rayner’s The Independent Mind in British Psychoanalysis offers a coherent account of the core concepts that influence the clinical practice. Covering the main themes and theorists with rigour and clarity, it has rightly found a central place on the reading lists of psychoanalytic and psychotherapy trainings, both in the UK and worldwide. Republished with a new foreword from Maurice Whelan, the book begins with a philosophical and historical background, describing the establishment of the ‘Middle Group’ (later called the Independents) following the controversial discussions between the supporters of Melanie Klein and Anna Freud. The succeeding chapters detail the contributions by Independent psychoanalysts including Fairbairn, Balint, Rickman, Winnicott, Bowlby, and Khan, to themes such as emotions, object relations, sexuality, aggression, perversion, regression, symbolisation, creativity, art, and dreams. Rayner relays the ethos of the Independent psychoanalytic ‘mind’ as tolerant, creative and respectful, with an understanding of the developmental roots of pathology in early relationships and with balanced thinking about the impact of the real environment as well as the internal world on a person’s character. Providing a thorough exploration of the development of thinking within the tradition of the British Independent school of psychoanalysis, this book will be of great interest to psychoanalysts, psychotherapists, counsellors, social workers, students, and even non-clinicians interested in the history of psychoanalysis.

This text provides an analysis of psychoanalytical pluralism and a celebration of psychoanalytic convergence. Recently, various psychoanalytic perspectives have become increasingly integrated. Using clinical data, this book seeks to illustrate this process.

The constant and polymorphous development of the field of psychoanalysis since its inception has led to the evolution of a wide variety of psychoanalytic ‘schools’. In seeking to find common ground between them, Alberto Stefana examines the history of countertransference, a concept which has developed from its origins as an apparent obstacle, to become an essential tool for analysis, and which has undergone profound changes in definition and in clinical use. In History of Countertransference, Stefana follows the development of this concept over time, exploring a very precise trend which begins with the original notion put forward by Sigmund Freud and leads to the ideas of Melanie Klein and the British object relations school. The book explores the studies of specific psychoanalytic theorists and endeavours to bring to light how the input from each one may have been influenced by previous theories, by the personal history of the analyst, and by their historical-cultural context. By shedding light on how different psychoanalytic groups work with countertransference, Stefana helps the reader to understand the divergences that exist between them. This unique study of a key psychoanalytical concept will be essential reading for psychoanalysts in practice and in training, and academics and students of psychoanalytic studies and the history of psychology.

British Psychoanalysis: New Perspectives in the Independent Tradition is a new and extended edition of The British School of Psychoanalysis: The Independent Tradition, which explored the successes and failures of the early environment; transference and counter-transference in the psychoanalytic encounter; regression in the situation of treatment; and female sexuality. Published in the mid-1980s, it had an important influence on the development of psychoanalysis both in Great Britain and abroad, was translated into several languages and became a central textbook in academic and professional courses. This new, updated book includes not only many of the original papers, but also new chapters written for this volume by Hannah Browne, Josh Cohen, Steven Groarke, Gregorio Kohon, Rosine Perelberg and Megan Virtue. Addressing and reflecting on the four main themes of the first collection, the new papers discuss such subjects as: · a new focus on earliest infancy · new directions in Independent clinical thinking · the question of therapeutic regression . the centrality of sexual difference in Freud. They also highlight the connections between and the mutual influence of British and French psychoanalysis, now a critical subject in contemporary psychoanalytic debates. British Psychoanalysis: New Perspectives in the Independent Tradition will be important not only to psychoanalysts and psychoanalytic psychotherapists and the full spectrum of professionals involved in mental health. It will be of great value in psychotherapy and counselling training and an important resource for teaching and academic activities.

This book is a study of the early history of psychoanalysis in Britain. It examines the early development of psychoanalytic theories and techniques, provides a revisionist interpretation of their origins, and analyzes some of the first practitioners.

The classic, in-depth history of psychoanalysis, presenting over a hundred years of thought and theories Sigmund Freud's concepts have become a part of our psychological vocabulary: unconscious thoughts and feelings, conflict, the meaning of dreams, the sensuality of childhood. But psychoanalytic thinking has undergone an enormous expansion and transformation since Freud's death in 1939. With Freud and Beyond, Stephen A. Mitchell and Margaret J. Black make the full scope of twentieth century psychoanalytic thinking—from Harry Stack Sullivan to Jacques Lacan; D.W. Winnicott to Melanie Klein—available for the first time. Richly illustrated with case examples, this lively, jargon-free introduction makes modern psychoanalytic thought accessible at last.

'This is a book to which the attention of students of art theory and criticism, and all those interested in the important application of psychoanalysis to other fields of study, should be drawn. "Psychoanalytic Aesthetics" rethinks the classical account of the relation between art and madness, creativity and psychoneurosis, and the distinction between the primary and secondary processes. It covers a great deal of ground and reviews many psychoanalytic writers (predominantly of the British tradition) on aesthetics, as well as many of the aestheticians using a psychoanalytic background. It is well written and there is an impressive grasp of the many writers covered. More than this, the book is also a work of psychoanalytic scholarship, being a masterly overview of psychoanalytic schools of thought, and an in-depth study of the British object-relations schools. It amply achieves its overriding goal to demon! strate that the work of the British School presents a significant contribution to psychoanalytic aesthetics and criticism, updating Freud, Kris and the classical contributions to the field. It is therefore potentially a very useful source book for future scholars of both psychoanalysis and of aesthetics.' Robert D. Hinshelwood, Psychoanalyst and Professor, Centre for Psychoanalytic Studies, University of Essex