The Brothers Karamazov Royal Collector S Edition Case Laminate Hardcover With Jacket

Fyodor three son's, the youthful Alyosha, the impetuous Dmitri, and the logical Ivan, are involved in several triangular love affairs. Throughout their encounters, the family is confronted with love, murder, and an exhilarating trial.

Rodion Raskolnikov kills an unscrupulous pawnbroker for her cash, defending his actions by arguing that with the pawnbroker's money he can perform good deeds to counterbalance the crime, while ridding the world of a vermin.

Notes from the Underground presents itself as an excerpt from the rambling memoirs of a bitter, isolated, unnamed narrator, who is a retired civil servant living in St. Petersburg. The first part of the story is told in monologue form, and attacks emerging Western philosophy. The second part of the book describes certain events that appear to be destroying and sometimes renewing the underground man, who acts as a first person, unreliable narrator and anti-hero. Notes from the Underground, is an 1864 novella by Fyodor Dostoevsky. Notes is considered by many to be one of the first existentialist novels. The narration by the Underground Man is laden with ideological allusions and complex conversations regarding the political climate of the time period. Using his fiction as a weapon of ideological discourse, Dostoevsky challenges the ideologies of his time, mainly nihilism and rational egoism. The seminal influence of the work has seen a wide impact on subsequent various works in the fields of philosophy, literature, and film. This case laminate collector's edition includes a Victorian inspired dust-jacket.

Prince Lev Nikolayevich Myshkin, a young man whose goodness, open-hearted simplicity and guilelessness lead many of the more worldly characters he encounters to mistakenly assume that he lacks intelligence and insight. As time passes, they begin to see the consequences of placing such a unique individual at the centre of the conflicts, desires, passions and egoism of worldly society, both for the man himself and for those with whom he becomes involved. The Idiot includes descriptions of some of Fyodor Dostoevsky's most intense personal ordeals, such as epilepsy and mock execution, and explores moral, spiritual and philosophical themes consequent upon them. The artistic method of conscientiously testing his central idea meant that Dostoevsky could not always predict where the plot was going as he was writing. His primary motivation in writing the novel was to subject his own highest ideal, that of true Christian love, to the crucible of contemporary Russian society. This case laminate collector's edition includes a Victorian inspired dust-jacket.

In September 1867, when Dostoevsky began work on what was to become The Idiot, he was living in Switzerland with his new wife Anna Grigoryevna, having left Russia in order to escape his creditors. They were living in extreme poverty, and constantly had to borrow money or pawn their possessions. They were evicted from their lodgings five times for non-payment of rent, and by the time the novel was finished in January 1869 they had moved between four different cities in Switzerland and Italy. During this time Dostoevsky periodically fell into the grip of his gambling addiction and lost what little money they had on the roulette tables. He was subject to regular and severe epileptic seizures, including one while Anna was going into labor with their daughter Sofia, delaying their ability to go for a midwife. The baby died aged only three months, and Dostoevsky blamed himself for the loss. Dostoevsky's notebooks of 1867 reveal deep uncertainty as to the direction he was taking with the novel. Detailed plot outlines and character sketches were made, but were quickly abandoned and replaced with new ones. In one early draft, the character who was to become Prince Myshkin is an evil man who commits a series of terrible crimes, including the rape of his adopted sister (Nastasya Filippovna), and who only arrives at goodness by way of his conversion through Christ. By the end of the year, however, a new premise had been firmly adopted. In a letter to Apollon Maykov, Dostoevsky explained that his own desperate circumstances had "forced" him to seize on an idea that he had considered for some time but had been afraid of, feeling himself to be artistically unready for it. This was the idea to "depict a completely beautiful human being". Rather than bring a man to goodness, he wanted to start with a man who was already a truly Christian soul, someone who is essentially innocent and deeply compassionate, and test him against the psychological, social and political complexities of the modern Russian world. It was not only a matter of how the good man responded to that world, but of how it responded to him. Devising a series of scandalous scenes, he would "examine each character's emotions and record what each would do in response to Myshkin and to the other characters." The difficulty with this approach was that he himself did not know in advance how the characters were going to respond, and thus he was unable to pre-plan the plot or structure of the novel. Nonetheless, in January 1868 the first chapters of The Idiot were sent off to The Russian Messenger.

Demons is an anti-nihilistic novel by Fyodor Dostoyevsky. It is the third of the four great novels written by Dostoyevsky after his return from Siberian exile, the others being Crime and Punishment, The Idiot and The Brothers Karamazov. Demons is a social and political satire, a psychological drama, and large scale tragedy.

Fyodor Pavlovich's takes no interest in his children, and lives at the expense of others. Fyodor three son's, the youthful Alyosha, the impetuous Dmitri, and the logical Ivan, are involved in several triangular love affairs. Throughout their encounters, the family is confronted with protestations of love, murder, and an exhilarating trial.

Dostoyevsky's towering reputation as one of the handful of thinkers who forged the modern sensibility has sometimes obscured the purely novelistic virtues-brilliant characterizations, flair for suspense and melodrama, instinctive theatricality-that made his work so immensely popular in nineteenth-century Russia. The Brothers Karamazov, his last and greatest novel, published just before his death in 1881, chronicles the bitter love-hate struggle between the outsized Fyodor Karamazov and his three very different sons. It is above all the story of a murder, told with hair-raising intellectual clarity and a feeling for the human condition unsurpassed in world literature. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.