The Brush And The Pen

A scintillating glimpse into the lives of acclaimed writers and artists and their inspiring, often surprising convergences, from the author of Monsieur Proust's Library With the wit and penetration well known to readers of Anka Muhlstein’s work, The Pen and the Brush revisits the delights of the French novel. This time she focuses on late 19th- and 20th-century writers--Balzac, Zola, Proust, Huysmans, and Maupassant--through the lens of their passionate involvement with the fine arts. She delves into the crucial role that painters play as characters in their novels, which she pairs with an exploration of the profound influence that painting exercised on the novelists' techniques, offering an intimate view of the intertwined worlds of painters and writers at the time. Muhlstein's deftly chosen vignettes bring to life a portrait of the nineteenth century's tight-knit artistic community, where Cézanne and Zola befriended each other as boys and Balzac yearned for the approval of Delacroix. She leads the reader on a journey of spontaneous discovery as she explores how a great painting can open a mind and spark creative fire.

French symbolist artist Odilon Redon (1840–1916) seemed to thrive at the intersection of literature and art. Known as “the painter-writer,” he drew on the works of Poe, Baudelaire, Flaubert, and Mallarmé for his subject matter. And yet he concluded that visual art has nothing to do with literature. Examining this apparent contradiction, The Brush and the Pen transforms the way we understand Redon’s career and brings to life the interaction between writers and artists in fin-de-siècle Paris. Dario Gamboni tracks Redon’s evolution from collaboration with the writers of symbolism and decadence to a defense of the autonomy of the visual arts. He argues that Redon’s conversion was the symptom of a mounting crisis in the relationship between artists and writers, provoked at the turn of the century by the growing power of art criticism that foreshadowed the modernist separation of the arts into intractable fields. In addition to being a distinguished study of this provocative artist, The Brush and the Pen offers a critical reappraisal of the interaction of art, writing, criticism, and government institutions in late nineteenth-century France.

Create beautiful hand lettering with the first book dedicated entirely to the use and mastery of modern brush pens. Drawing gorgeous letters, words and phrases with a brush pen doesn’t have to be difficult! Brush Pen Lettering will show you how to create your own unique style. To help you on your lettering journey, this comprehensive how-to guide includes: • DIY projects • Tips and Tricks • Color Photographs • Inspiring Ideas • Step-by-step instructions • Practice exercises

The Art of Brush Lettering offers a meditative approach to learning all the facets of lettering with brush pens.

Practice your brush pen lettering til you’re perfect with expert drills, tips, and exercises. If you want to take your hand lettering to the next level, you need to practice, practice, practice. But merely writing the same letter over and over often leads to repeating the same mistake instead of improving your skill. Packed with expert drills, tips and exercises, Brush Pen Lettering Practice Book provides the smart coaching and blank workspace to make your daily practice easier, more efficient and more fun. It’s the ideal way to speed you on your way to creating gorgeous lettering styles. The perfect companion to author Grace Song’s Brush Pen Lettering, this handy workbook features helpful practice pages with guided lines, hints and even specific letter form combinations for many popular words, including: • Congratulations • Greetings • Wedding • Happy Birthday

Reading was so important to Marcel Proust that it sometimes seems he was unable to create a personage without a book in hand. Everybody in his work reads: servants and masters, children and parents, artists and physicians. The more sophisticated characters find it natural to speak in quotations. Proust made literary taste a means of defining personalities and gave literature an actual role to play in his novels. In this wonderfully entertaining book, scholar and biographer Anka Muhlstein, the author of Balzac’s Omelette, draws out these themes in Proust's work and life, thus providing not only a friendly introduction to the momentous In Search of Lost Time, but also exciting highlights of some of the finest work in French literature.

A complete and authoritative manual for beginners and professionals alike.

2021 Reprint of the 1961 Edition. Copiously Illustrated. Facsimile of the original edition and not reproduced with Optical Recognition Software. Arthur L. Guptill's Drawing With Pen and Ink has been a landmark in the literature of ink technique for many years. The volume has gone through many printings and reached many thousands of students. It has been out of print for a number of years because the plates had become worn, and a sharp reprint was no longer possible. Originally published in 1928, this 1961 printing has been edited to reflect the changes in taste and interest that transpired between 1928 & 1961. A number of chapters have been combined; several, covered in other books, have been dropped; two, The Pen Combined with Other Mediums and Pen and Ink in Illustration, have been entirely rewritten; and a short concluding chapter has been added. The greater part of Arthur Guptill's explanatory drawings as well as a good many examples of work by other artists have been retained. To this has been added almost a hundred examples of newer work. In short, this is a new and updated edition of this classic work.