The Cage Of Days

Prisons operate according to the clockwork logic of our criminal justice system: we punish people by making them “serve” time. The Cage of Days combines the perspectives of K. C. Carceral, a formerly incarcerated convict criminologist, and Michael G. Flaherty, a sociologist who studies temporal experience. Drawing from Carceral’s field notes, his interviews with fellow inmates, and convict memoirs, this book reveals what time does to prisoners and what prisoners do to time. Carceral and Flaherty consider the connection between the subjective dimensions of time and the existential circumstances of imprisonment. Convicts find that their experience of time has become deeply distorted by the rhythm and routines of prison and by how authorities ensure that an inmate’s time is under their control. They become obsessed with the passage of time and preoccupied with regaining temporal autonomy, creating elaborate strategies for modifying their perception of time. To escape the feeling that their lives lack forward momentum, prisoners devise distinctive ways to mark the passage of time, but these tactics can backfire by intensifying their awareness of temporality. Providing rich and nuanced analysis grounded in the distinctive voices of diverse prisoners, The Cage of Days examines how prisons regulate time and how prisoners resist the temporal regime.

"The Cage is a tightly written and clear-eyed narrative about one of the most disturbing human dramas of recent years. . . . A riveting, cautionary tale about the consequences of unchecked political power in a country at war. A must-read." —Jon Lee Anderson, New Yorker staff writer and author of The Fall of Baghdad In the closing days of the thirty-year Sri Lankan civil war, tens of thousands of civilians were killed, according to United Nations estimates, as government forces hemmed in the last remaining Tamil Tiger rebels on a tiny sand spit, dubbed "The Cage." Gordon Weiss, a journalist and UN spokesperson in Sri Lanka during the final years of the war, pulls back the curtain of government misinformation to tell the full story for the first time. Tracing the role of foreign influence as it converged with a history of radical Buddhism and ethnic conflict, The Cage is a harrowing portrait of an island paradise torn apart by war and the root causes and catastrophic consequences of a revolutionary uprising caught in the crossfire of international power jockeying. Gordon Weiss has lived in New York and worked in numerous conflict and natural disaster zones including the Congo, Uganda, Darfur, Bosnia, Afghanistan, Syria, and Haiti. Employed by the United Nations for over two decades, he continues to consult on war, extremism, peace building, and human rights.

Few twentieth-century artists have been as quotable as the ever-pithy composer, writer, philosopher and artist John Cage, and his aphorisms have become the mantras of fans the world over. "I have nothing to say/and I am saying it/and that is poetry as I know it" is just one of his most famous observations, regularly cited by artists and thinkers across all disciplines. Celebrating Cage's gift for playful, concise wisdom, and produced by the John Cage Trust under the guidance of its director, Laura Kuhn, the John Cage Book of Days is a 2010 pocket calendar that brings together the composer's words with noteworthy historical events in Cage's life, as well as tiny fragments drawn from his visual artworks. Bound in a soft cover that features one of his famous Ryoanji drawings, this Book of Days gathers all aspects of Cage's work into a volume that makes even the mundane task of managing a life pleasurable and fresh.

Set during Burma's military dictatorship of the mid—1990s, Karen Connelly’s exquisitely written and harshly realistic debut novel is a hymn to human resilience and love. In the sealed-off world of a vast Burmese prison known as the cage, Teza languishes in solitary confinement seven years into a twenty-year sentence. Arrested in 1988 for his involvement in mass protests, he is the nation’s most celebrated songwriter whose resonant words and powerful voice pose an ongoing threat to the state. Forced to catch lizards to supplement his meager rations, Teza finds emotional and spiritual sustenance through memories and Buddhist meditation. The tiniest creatures and things–a burrowing ant, a copper-coloured spider, a fragment of newspaper within a cheroot filter–help to connect him to life beyond the prison walls. Even in isolation, Teza has a profound influence on the people around him. His integrity and humour inspire Chit Naing, the senior jailer, to find the courage to follow his conscience despite the serious risks involved, while Teza’s very existence challenges the brutal authority of the junior jailer, perversely nicknamed Handsome. Sein Yun, a gem smuggler and prison fixer, is his most steady human contact, who finds delight in taking advantage of Teza by cleverly tempting him into Handsome's web with the most dangerous contraband of all: pen and paper. Lastly, there's Little Brother, an orphan raised in the jail, imprisoned by his own deprivation. Making his home in a tiny, corrugated-metal shack, Little Brother stays alive by killing rats and selling them to the inmates. As the political prisoner and the young boy forge a cautious friendship, we learn that both are prisoners of different orders; only one of them dreams of escape and only one of them achieves it. Barely able to speak, losing the battle of the flesh but winning the battle of the spirit, Teza knows he has the power to transfigure one small life, and to send a message of hope and resistance out of the cage. Shortlisted for both the Kiriyama Prize for Fiction and the IMPAC Dublin Literary Award, The Lizard Cage has received rave reviews nationally and internationally.

A teenage girl recounts the suffering and persecution of her family under the Nazis, in a Polish ghetto, during deportation, and in a concentration camp.

Daniel is one of the most feared cage fighters in Mixed Martial Arts, closing in on greatness until an injury ruins his career. Forced back to his rural hometown with his career derailed, he slips into the criminal underworld, moonlighting as muscle for a mid-level gangster he has known since childhood. Battling a cycle of rural poverty, Daniel and his wife Sarah struggle to secure a better life for their daughter, but in this violent and unpredictable world of back-country criminals and county cops, Daniel sparks a conflict that can only be settled in blood. Written in spare, muscular prose, In the Cage penetrates the heart of what it means to endure life in the underclass, revealing the small joys found there.

Kiva trades one cage for another when she leaves behind a deadly prison for a deceptive palace in this dark and dangerous sequel to The Prison Healer, which Sarah J. Maas called "a must-read." Kiva Meridan is a survivor. She survived not only Zalindov prison, but also the deadly Trial by Ordeal. Now Kiva's purpose goes beyond survival to vengeance. For the past ten years, her only goal was to reunite with her family and destroy the people responsible for ruining their lives. But now that she has escaped Zalindov, her mission has become more complicated than ever. As Kiva settles into her new life in the capital, she discovers she wasn't the only one who suffered while she was in Zalindov--her siblings and their beliefs have changed too. Soon it's not just her enemies she's keeping secrets from, but her own family as well. Outside the city walls, tensions are brewing from the rebels, along with whispers of a growing threat from the northern kingdoms. Kiva's allegiances are more important than ever, but she's beginning to question where they truly lie. To survive this time, she'll have to navigate a complicated web of lies before both sides of the battle turn against her and she loses everything.

One fifth of all correctional officers are women and this comparative analysis of men's and women's prisons identifies the factors that influence the gendering of the American workplace, a process that often leaves women in lower-paying jobs with less prestige and responsibility. [back cover].