The Cambridge Companion To Performance Studies
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The Cambridge Companion to Performance Studies
Author | : Tracy C. Davis |
Publsiher | : Cambridge University Press |
Total Pages | : 135 |
Release | : 2008-11-13 |
Genre | : Drama |
ISBN | : 1139828185 |
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Since the turn of the century, Performance Studies has emerged as an increasingly vibrant discipline. Its concerns - embodiment, ethical research and social change - are held in common with many other fields, however a unique combination of methods and applications is used in exploration of the discipline. Bridging live art practices - theatre, performance art and dance - with technological media, and social sciences with humanities, it is truly hybrid and experimental in its techniques. This Companion brings together specially commissioned essays from leading scholars who reflect on their own experiences in Performance Studies and the possibilities this offers to representations of identity, self-and-other, and communities. Theories which have been absorbed into the field are applied to compelling topics in current academic, artistic and community settings. The collection is designed to reflect the diversity of outlooks and provide a guide for students as well as scholars seeking a perspective on research trends.
The Cambridge Companion to Performance Studies
Author | : Tracy C. Davis |
Publsiher | : Unknown |
Total Pages | : 135 |
Release | : 2012 |
Genre | : Electronic Book |
ISBN | : OCLC:1167601205 |
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The Cambridge Companion to Theatre and Science
Author | : Kirsten E. Shepherd-Barr |
Publsiher | : Cambridge University Press |
Total Pages | : 237 |
Release | : 2020-12-03 |
Genre | : Art |
ISBN | : 9781108476522 |
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The first ever companion to theatre and science brings together research on key topics, performances, and new areas of interest.
The Cambridge Companion to Theatre History
Author | : David Wiles,Christine Dymkowski |
Publsiher | : Cambridge University Press |
Total Pages | : 339 |
Release | : 2013 |
Genre | : Drama |
ISBN | : 9780521766364 |
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A wide-ranging set of essays that explain what theatre history is and why we need to engage with it.
The Cambridge Companion to the Circus
Author | : Gillian Arrighi,Jim Davis |
Publsiher | : Cambridge University Press |
Total Pages | : 329 |
Release | : 2021-07 |
Genre | : Art |
ISBN | : 9781108485166 |
Download The Cambridge Companion to the Circus Book in PDF, Epub and Kindle
An authoritative introduction to the specialised histories of the modern circus, its unique aesthetics, and its contemporary manifestations and scholarship, from its origins in commercial equestrian performance, to contemporary inflections of circus arts in major international festivals, educational environments, and social justice settings.
The Cambridge Companion to International Theatre Festivals
Author | : Ric Knowles |
Publsiher | : Cambridge University Press |
Total Pages | : 371 |
Release | : 2020-06-11 |
Genre | : Drama |
ISBN | : 9781108425483 |
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An up-to-date, contextualized assessment of the impact of the 'festivalization' of culture around the world.
The Cambridge Introduction to Performance Theory
Author | : Simon Shepherd |
Publsiher | : Cambridge University Press |
Total Pages | : 257 |
Release | : 2016-03-17 |
Genre | : Art |
ISBN | : 9781107039322 |
Download The Cambridge Introduction to Performance Theory Book in PDF, Epub and Kindle
This engaging account explains the meaning and origins of performance theory and why it has become so important.
The Cambridge Guide to Mixed Methods Research for Theatre and Performance Studies
Author | : Tracy C. Davis,Paul Rae |
Publsiher | : Cambridge University Press |
Total Pages | : 570 |
Release | : 2024-02-08 |
Genre | : Drama |
ISBN | : 9781009294911 |
Download The Cambridge Guide to Mixed Methods Research for Theatre and Performance Studies Book in PDF, Epub and Kindle
We often know performance when we see it – but how should we investigate it? And how should we interpret what we find out? This book demonstrates why and how mixed methods research is necessary for investigating and explaining performance and advancing new critical agendas in cultural study. The wide range of aesthetic forms, cultural meanings, and social functions found in theatre and performance globally invites a corresponding variety of research approaches. The essays in this volume model reflective consideration of the means, processes, and choices for conducting performance research that is historical, ethnographic, aesthetic, or computational. An international set of contributors address what is meant by planning or designing a research project, doing research (locating and collecting primary sources or resources), and the ensuing work of interpreting and communicating insights. Providing illuminating and necessary guidance, this volume is an essential resource for scholars and students of theatre, performance, and dance.