The Cambridge Companion To Xenophon

Introduces Xenophon's writings and their importance for Western culture, while explaining the main scholarly controversies.

Essays from a diverse group of experts providing a comprehensive guide to Socrates, the most famous Greek philosopher.

The Greek and Roman novels of Petronius, Apuleius, Longus, Heliodorus and others have been cherished for millennia, but never more so than now. The Cambridge Companion to the Greek and Roman Novel contains nineteen original essays by an international cast of experts in the field. The emphasis is upon the critical interpretation of the texts within historical settings, both in antiquity and in the later generations that have been and continue to be inspired by them. All the central issues of current scholarship are addressed: sexuality, cultural identity, class, religion, politics, narrative, style, readership and much more. Four sections cover cultural context of the novels, their contents, literary form, and their reception in classical antiquity and beyond. Each chapter includes guidance on further reading. This collection will be essential for scholars and students, as well as for others who want an up-to-date, accessible introduction into this exhilarating material.

A fully revised second edition of this multi-author account of Canadian literature, from Aboriginal writing to Margaret Atwood.

As a creative medium, ancient Greek tragedy has had an extraordinarily wide influence: many of the surviving plays are still part of the theatrical repertoire, and texts like Agamemnon, Antigone, and Medea have had a profound effect on Western culture. This Companion is not a conventional introductory textbook but an attempt, by seven distinguished scholars, to present the familiar corpus in the context of modern reading, criticism, and performance of Greek tragedy. There are three main emphases: on tragedy as an institution in the civic life of ancient Athens, on a range of different critical interpretations arising from fresh readings of the texts, and on changing patterns of reception, adaptation, and performance from antiquity to the present. Each chapter can be read independently, but each is linked with the others, and most examples are drawn from the same selection of plays.

In this book Professor Kronenberg shows that Xenophon's Oeconomicus, Varro's De Re Rustica and Virgil's Georgics are not simply works on farming but belong to a tradition of philosophical satire which uses allegory and irony to question the meaning of morality. These works metaphorically connect farming and its related arts to political life; but instead of presenting farming in its traditional guise as a positive symbol, they use it to model the deficiencies of the active life, which in turn is juxtaposed to a preferred contemplative way of life. Although these three texts are not usually treated together, this book convincingly connects them with an original and provocative interpretation of their allegorical use of farming. It also fills an important gap in our understanding of the literary influences on the Georgics by showing that it is shaped not just by its poetic predecessors but by philosophical dialogue.

This book provides a fresh and comprehensive account of this outstanding work, which remains among the most frequently read works of Greek philosophy, indeed of Classical antiquity in general.

This volume examines the issue of violence in Xenophon’s works, who lived in circumstances of war for many years. All the papers address issues of violence from different aspects. The exclusive focus on this issue is justified, since no previous detailed study exists on the subject. Most of the chapters focus on the Hellenica, because this work records more aspects of violence than the rest of his works. The volume is more concerned with examining violence in practice rather than the theory of violence, and violent practices are more frequently recorded in the Hellenica, which is the main historical work of Xenophon.This volume attempts to provide a comprehensive study of the subject of violence in Xenophon’s works and to demonstrate the coherence and consistency of his thought on it. This work aspires to be a contribution to classical scholarship since it attempts to: (1) shed further light on the literary character of Xenophon’s oeuvre; (2) offer new interpretation of passages and themes; and (3) put emphasis on passages that scholars have not pointed out and which offer important insights to the thought of Xenophon.