The Characters Of Theophrastos The Mimes Of Herodas The Tablet Of Kebes 1909

First published in 1909, in an era of receding interest in Classical authors, this volume aimed to encourage a renewed interest in the Classics through shared emotion, humanity and the everyday. Attributing the disinterest to a lack of familiarity and a public difficulty for empathising with antiquity, Clark believed literature of the day owed a great deal to the Classical authors, and that its techniques could only be fully understood through their example. He chose Theophrastos, a philosopher and sketch artist, Herodas, a writer of mimes, and the Thebes tablet, a dialogue, with the hope that they would demonstrate how vividly changeless the nature of men and women can be. These translations were designed to be popular and readable, with nothing obscure for the light reader, in order to encourage rediscovery of literature’s Classical roots.

Originating from a study of the people's attitude in the first thirty years of the nineteenth century toward the classics, English Translations from the Greek by Finley Melville Kendall Foster lists the significant translations published during those years. In order to have the necessary material for a close study of the original list, extensive research was conducted for around fifty years. The result of these discoveries is embodied in the list of translations that make up this book's contents. Foster hopes to educate people about and make them familiar with the various kinds of Greek literature that have been popular at different times during the last four hundred and thirty years. He has in no way attempted to discuss the standards or the benchmarks of a good translation, the reason being that the making of an English version of a Greek original presents difficulties little distinct from those of translation from any other language into English.

What is the value of fictions, metaphors, figures and scenarios in adjudication? This book develops three models to help answer that question: inquiry, artefacts and imagination. Legal language, it is argued, contains artefacts – forms that signal their own artifice and call upon us to do things with them. To imagine, in turn, is to enter a distinctive epistemic frame where we temporarily suspend certain epistemic norms and commitments and participate actively along a spectrum of affective, sensory and kinesic involvement. The book argues that artefacts and related processes of imagination are valuable insofar as they enable inquiry in adjudication, ie the social (interactive and collective) process of making insight into what values, vulnerabilities and interests might be at stake in a case and in similar cases in the future. Artefacts of Legal Inquiry is structured in two parts, with the first offering an account of the three models of inquiry, artefacts and imagination, and the second examining four case studies (fictions, metaphors, figures and scenarios). Drawing on a broad range of theoretical traditions – including philosophy of imagination and emotion, the theory and history of rhetoric, and the cognitive humanities – this book offers an interdisciplinary defence of the importance of artefactual language and imagination in adjudication.

Vols. for 1898-1968 include a directory of publishers.