The Charm Of Gilded Age Romances

"Victor de Cardillac had remained motionless so long that, in the gathering darkness, he seemed but a carved stone figure on the bridge. He was leaning forward, arms folded on the top of the parapet, gazing steadily at the swirling water below, which at last became invisible save for the quivering reflection of yellow lights from the windows of the palaces on either bank." (Cardillac)_x000D_ This unique collection includes: Tekla: A Romance of Love and War_x000D_ A Woman Intervenes_x000D_ The O'Ruddy, A Romance (with Stephen Crane)_x000D_ The Measure of the Rule_x000D_ Lady Eleanor: Lawbreaker_x000D_ Cardillac_x000D_ A Chicago Princess_x000D_ Over the Border: A Romance_x000D_ The Victors: A Romance of Yesterday, Morning and This Afternoon_x000D_ One Day's Courtship_x000D_ Literary Article - "Canadian literature"_x000D_ Robert Barr (1849–1912) was a Scottish-Canadian short story writer and novelist, born in Glasgow, Scotland. His famous detective character Eugéne Valmont, fashioned after Sherlock Holmes, is said to be the inspiration behind Agatha Christie's Hercule Poirot._x000D_

The reconciliation of North and South following the Civil War depended as much on cultural imagination as on the politics of Reconstruction. Drawing on a wide range of sources, Nina Silber documents the transformation from hostile sectionalism to sentimental reunion rhetoric. Northern culture created a notion of reconciliation that romanticized and feminized southern society. In tourist accounts, novels, minstrel shows, and popular magazines, northerners contributed to a mythic and nostalgic picture of the South that served to counter their anxieties regarding the breakdown of class and gender roles in Gilded Age America. Indeed, for many Yankees, the ultimate symbol of the reunion process, and one that served to reinforce Victorian values as well as northern hegemony, was the marriage of a northern man and a southern woman. Southern men also were represented as affirming traditional gender roles. As northern men wrestled with their nation's increasingly global and aggressive foreign policy, the military virtues extolled in Confederate legend became more admired than reviled. By the 1890s, concludes Silber, northern whites had accepted not only a newly resplendent image of Dixie but also a sentimentalized view of postwar reunion.

They are sworn enemies… Theodore Prescott the Third, one of Manhattan’s Rogues of Millionaire Row, has really done it this time. The only way to survive his most recent, unspeakably outrageous scandal is marry someone respectable. Someone sensible. Someone like Daisy Swann. Of all the girls in Gilded Age Manhattan, it had to be her. Pretending to be lovers... Daisy Swann has plans and they do not involve a loveless marriage with anyone. But when a devastating family secret threatens to destroy her standing in society, suddenly a fake engagement with Theo is just the thing to make all her dreams come true. And now it’s time to kiss and make up… Daisy Swann aspires to sell cosmetics that she has created, but this brainy scientist needs a smooth talking charmer’s flair for words and eye for beauty to make it a success. Before long, Daisy and Theo are trading kisses. And secrets. And discovering that despite appearances, they might be the perfect couple after all.

Willow Dupré never thought she would have to marry, but with her father's unexpected retirement from running the prosperous Dupré sugar refinery, she is forced into a different future. The shareholders are unwilling to allow a female to take over the company without a man at her side, so her parents devise a plan--find Willow a spokesman king in order for her to become queen of the business empire. Willow is presented with thirty potential suitors from the families of New York society's elite group called the Four Hundred. She has six months to court the group and is told to to eliminate men each month to narrow her beaus until she chooses one to marry, ending the competition with a wedding. Willow reluctantly agrees, knowing she must do what is best for the business. She doesn't expect to find anything other than a proxy . . . until she meets a gentleman who captures her attention, and she must discover for herself if his motives are pure.

A young university student, Grace Durland, has been called home from her studies for family reasons. The story opens as she is travelling by train to her home in Indianapolis and somewhat looking forward to what might lie ahead.

The Romance of Regionalism in the Work of F. Scott and Zelda Fitzgerald: The South Side of Paradise explores resonances of "Southernness" in works by American culture’s leading literary couple. At the height of their fame, F. Scott and Zelda Fitzgerald dramatized their relationship as a romance of regionalism, as the charming tale of a Northern man wooing a Southern belle. Their writing exposes deeper sectional conflicts, however: from the seemingly unexorcisable fixation with the Civil War and the historical revisionism of the Lost Cause to popular culture’s depiction of the South as an artistically deprived, economically broken backwater, the couple challenged early twentieth-century stereotypes of life below the Mason-Dixon line. From their most famous efforts (The Great Gatsby and Save Me the Waltz) to their more overlooked and obscure (Scott’s 1932 story “Family in the Wind,” Zelda’s “The Iceberg,” published in 1918 before she even met her husband), Scott and Zelda returned obsessively to the challenges of defining Southern identity in a country in which “going south” meant decay and dissolution. Contributors to this volume tackle a range of Southern topics, including belle culture, the picturesque and the Gothic, Confederate commemoration and race relations, and regional reconciliation. As the collection demonstrates, the Fitzgeralds’ fortuitous meeting in Montgomery, Alabama, in 1918 sparked a Southern renascence in miniature.