The Chinese Novel At The Turn Of The Century

This collection of essays reveals the dynamic role of the late Qing novel in the process of modernization of Chinese fiction. Substantial changes in various aspects of the Chinese novel at the turn of the century, demonstrated by structural analyses of several representative novels, suggest that the evolution of modern Chinese fiction was a more complex process than a simple imitation of Western literatures. The results challenge the scholarly consensus that modern Chinese fiction resulted from a radical change brought about by the May Fourth Movement in 1919. It is demonstrated rather that the transformation had already begun in the first decade of the twentieth century and that the conspicuous changes in Chinese fiction of the 1920s represent a culmination rather than a beginning of the modern evolutionary process. The book consists of nine studies which analyse the late Qing novel in its general and specific aspects. The introduction and first essay explain how social changes conditioned cultural and literary changes during the period and how the resultant new theory of fiction generated new concepts of a politically engaged novel. The two following studies develop a general statement of narrative structures and devices, derived from structural analyses of seven outstanding late Qing novels. The last six articles examine particular novels in detail, focusing on the specific fictional techniques which predominate in each. This is the first volume in a new series, Modern East Asian Studies.

Published within a few months of each other in 1906, "Stones in the Sea" by Fu Lin and "The Sea of Regret" by Wu Jianren take opposite sides in the heated turn-of-the-century debate over the place of romantic and sexual love and passion in Chinese life. "The Sea of Regret", which came to be the most popular short novel of this period, is a response to the less well-known but equally significant "Stones in the Sea". Taken together, this pair of novels provides a fascinating portrait of early twentieth-century China's struggle with its own cultural, ethical, and sexual redefinition. Patrick Hanan's masterful translation brings together these novels -- neither of which has before been available in any foreign language -- in a single volume, with a valuable introduction and notes. | "A tour de force in the art of translation. 'The Sea of Regret' is not only accurate, but, in the typical Hanan fashion, it is succinct and elegant as well. Impeccable work from an eminent scholar of Chinese fiction and a master of prose." --Lee Ou-fan Lee, UCLA | "These two short novels are especially interesting for their insights into the debate in educated circles concerning marriage, family, and the status of women. The chaos in China caused by the Boxer Rebellion of 1900 is also vividly rendered in both works. Readers will find not only intrinsic interest but also historical relevance in these early modern novels." --Michael S. Duke, University of British Columbia | Patrick Hanan is Victor S. Thomas Professor of Chinese Literature at Harvard University. He is the author of "The Chinese Vernacular Story" and "The Invention of Li Yu" and the translator of "The Carnal Prayer Mat" and "A Tower for the Summer Heat".

This book is an engagingly written critical genealogy of the idea of "love" in modern Chinese literature, thought, and popular culture. It examines a wide range of texts, including literary, historical, philosophical, anthropological, and popular cultural genres from the late imperial period to the beginning of the socialist era. It traces the process by which love became an all-pervasive subject of representation and discourse, as well as a common language in which modern notions of self, gender, family, sexuality, and nation were imagined and contested. Winner of the Association for Asian Studies 2009 Joseph Levenson Book Prize for the best English-language academic book on post-1900 China

Published within a few months of each other in 1906, "Stones in the Sea" by Fu Lin and "The Sea of Regret" by Wu Jianren take opposite sides in the heated turn-of-the-century debate over the place of romantic and sexual love and passion in Chinese life. "The Sea of Regret", which came to be the most popular short novel of this period, is a response to the less well-known but equally significant "Stones in the Sea". Taken together, this pair of novels provides a fascinating portrait of early twentieth-century China's struggle with its own cultural, ethical, and sexual redefinition. Patrick Hanan's masterful translation brings together these novels -- neither of which has before been available in any foreign language -- in a single volume, with a valuable introduction and notes. | "A tour de force in the art of translation. 'The Sea of Regret' is not only accurate, but, in the typical Hanan fashion, it is succinct and elegant as well. Impeccable work from an eminent scholar of Chinese fiction and a master of prose." --Lee Ou-fan Lee, UCLA | "These two short novels are especially interesting for their insights into the debate in educated circles concerning marriage, family, and the status of women. The chaos in China caused by the Boxer Rebellion of 1900 is also vividly rendered in both works. Readers will find not only intrinsic interest but also historical relevance in these early modern novels." --Michael S. Duke, University of British Columbia | Patrick Hanan is Victor S. Thomas Professor of Chinese Literature at Harvard University. He is the author of "The Chinese Vernacular Story" and "The Invention of Li Yu" and the translator of "The Carnal Prayer Mat" and "A Tower for the Summer Heat".

Comprehensive yet portable, this account of the development of Chinese literature from the very beginning up to the present brings the riches of this august literary tradition into focus for the general reader. Organized chronologically with thematic chapters interspersed, the fifty-five original chapters by leading specialists cover all genres and periods of poetry, prose, fiction, and drama, with a special focus on such subjects as popular culture, the impact of religion upon literature, the role of women, and relationships with non-Sinitic languages and peoples.

"Women entered the book trade in significant numbers in China during the late sixteenth century, when it became acceptable for women from “good families” to write poetry and seek to publish their collected poems. At about the same time, a boom in the publication of fiction began, and semiprofessional novelists emerged.This study begins with three case studies, each of which probes one facet of the relationship between women and fiction in the early nineteenth century. It examines in turn the prefaces written by four women for a novel about women; the activities of a woman editor and writer of fiction; and writings on fiction by three leading literary women. Building on these case studies, the second half of the book focuses on the many sequels to the Dream of the Red Chamber—one of which was demonstrably written by a woman—and the significance of this novel for women. As Ellen Widmer shows, by the end of the century, women were becoming increasingly involved in the novel as critical readers, writers, and editors. And if women and their relationship to fiction changed over the nineteenth century, the novel changed as well, not the least in its growing recognition of the importance of female readers."

"The political novel, which enjoyed a steep yet short rise to international renown between the 1830s and the 1910s, is primarily concerned with the nation’s political future. It offers a characterization of the present, a blueprint of the future, and the image of the heroes needed to get there. With the standing it gained during its meteoric rise, the political novel helped elevate the novel altogether to become the leading literary genre of the twentieth century worldwide.Focusing on its adaptation in the Chinese context, Catherine Vance Yeh traces the genre from Disraeli’s England through Europe and the United States to East Asia. Her study goes beyond comparative approaches and nation-state- and language-centered histories of literature to examine the intrinsic connections among literary works. Through detailed studies, especially of the Chinese exemplars, Yeh explores the tensions characteristic of transcultural processes: the dynamics through which a particular, and seemingly local, literary genre goes global; the ways in which such a globalized literary genre maintains its core features while assuming local identity and interacting with local audiences and political authorities; and the relationship between the politics of form and the role of politics in literary innovation."