The Chosen Folks

An exploration of Jewish history in the Lone Star State, from the Jews who fled the Spanish Inquisition to contemporary Jewish communities. Texas has one of the largest Jewish populations in the South and West, comprising an often-overlooked vestige of the Diaspora. The Chosen Folks brings this rich aspect of the past to light, going beyond single biographies and photographic histories to explore the full evolution of the Jewish experience in Texas. Drawing on previously unpublished archival materials and synthesizing earlier research, Bryan Edward Stone begins with the crypto-Jews who fled the Spanish Inquisition in the late sixteenth century and then discusses the unique Texas-Jewish communities that flourished far from the acknowledged centers of Jewish history and culture. The effects of this peripheral identity are explored in depth, from the days when geographic distance created physical divides to the redefinitions of “frontier” that marked the twentieth century. The rise of the Ku Klux Klan, the creation of Israel in the wake of the Holocaust, and the civil rights movement are covered as well, raising provocative questions about the attributes that enabled Texas Jews to forge a distinctive identity on the national and world stage. Brimming with memorable narratives, The Chosen Folks brings to life a cast of vibrant pioneers. “Stone is gifted thinker and storyteller. His book on the history of Texas Jewry integrates the collective scholarship and memoirs of generations of writers into a cohesive account with a strong interpretive message.” —Hollace Ava Weiner, editor of Lone Stars of David: The Jews of Texas and Jewish Stars in Texas: Rabbis and Their Work “A significant addition to the growing canon of Texas Jewish history. . . . What separates [Stone’s] work from other accounts of Texas Jewry, and indeed other regional studies of American Jewish life, is a strong overarching narrative grounded in the power of the frontier.” —Marcie Cohen Ferris, American Jewish History “The Chosen Folks deserves widespread appeal. Those interested in Jewish studies, Texas history, and immigration will certainly find it a useful analysis. What’s more, those concerned with the frontier—where Jewish, Texan, immigrant, and other identities intertwine, influence, and define each other—will especially benefit.” —Scott M. Langston, Great Plains Quarterly

From the streets of Atlanta to the alleys of Jerusalem, Chosen People is an international legal drama where hidden motives thrive, the risk of death is real, and the search for truth has many faces. During a terrorist attack near the Western Wall in Jerusalem, a courageous mother sacrifices her life to save her four-year-old daughter, leaving behind a grieving husband and a motherless child. Hana Abboud, a Christian Arab Israeli lawyer trained at Hebrew University, typically uses her language skills to represent international clients for an Atlanta law firm. When her boss is contacted by Jakob Brodsky, a young Jewish lawyer pursuing a lawsuit on behalf of the woman’s family under the US Anti-Terrorism laws, he calls on Hana’s expertise to take point on the case. After careful prayer, she joins forces with Jakob, and they quickly realize the need to bring in a third member for their team, an Arab investigator named Daud Hasan, based in Israel. As the case evolves, this team of investigators will uncover truths that will forever change their understanding of justice, heritage, and what it means to be chosen for a greater purpose. First of the Chosen People novels (Chosen People, Promised Land) Christian fiction set in the USA and in Israel Full-length novel (over 120,000 words)

An exploration of how American Jewish thinkers grapple with the notion of being the isolated “Chosen People” in a nation that is a melting pot. What does it mean to be a Jew in America? What opportunities and what threats does the great melting pot represent for a group that has traditionally defined itself as “a people that must dwell alone?” Although for centuries the notion of “The Chosen People” sustained Jewish identity, America, by offering Jewish immigrants an unprecedented degree of participation in the larger society, threatened to erode their Jewish identity and sense of separateness. Arnold M. Eisen charts the attempts of American Jewish thinkers to adapt the notion of chosenness to an American context. Through an examination of sermons, essays, debates, prayer-book revisions, and theological literature, Eisen traces the ways in which American rabbis and theologians—Reconstructionist, Conservative, and Orthodox thinkers—effected a compromise between exclusivity and participation that allowed Jews to adapt to American life while simultaneously enhancing Jewish tradition and identity. “This is a book of extraordinary quality and importance. In tracing the encounter of Jews (the chosen people) and America (the chosen nation) . . . Eisen has given the American Jewish community a new understanding of itself.” —American Jewish Archives “One of the most significant books on American Jewish thought written in recent years.” —Choice

The Chosen People tells the history of the Jews from the conquest of Jersualem by Nebuchadnezzar of Babylon in 587 B.C.E. to the Second Jewish Revolt of C.E. 132. John Allegro bases his account on traditional texts — books of the Old Testament, Josephus, Philo Judaeus, Dio Cassius, and others — and sets out the complicated parade of plots, counter-plots, betrayals, and insurrections in a brisk and highly readable sequence. His main theme is how the conception of the Jewish nation as a divinely chosen race was planted as a political ambition among the exiled Jews. Bringing together old customs and stories, the idea was fired by the longing of the Babylonian Jews for their traditional homeland. Many of them grew prosperous outside Palestine, and their wealthy communities manipulated the wish for identity in the idea of an exclusive Judaism embodied as a political state and fighting for autonomy against local and imperial neighbors — more dream than fact. The author writes that “When the ‘new Judaism' came to be hammered out after the return from captivity, it was around these ancient customs and a historicized mythology that it was fashioned.” The religion was devised not, as popularly presented, by gift of the desert god Yahweh who had manifested himself in opposition to the Canaanite fertility god Baal but by reinterpreting the Sumerian idea of a life-giving god over many generations. For there was no fundamental opposition — the god-names originally meant the same. This second edition features a new introduction by James M. Donovan.

In this careful and provocative study, Chad Thornhill considers how Second Temple understandings of election influenced key Pauline texts with sensitivity to social, historical and literary factors. While Paul is able to move beyond ancient categories of a collective view of election, Thornhill shows how he also follows these patterns.

As studio bosses, directors, and actors, Jews have been heavily involved in film history and vitally involved in all aspects of film production. Yet Jewish characters have been represented onscreen in stereotypical and disturbing ways, while Jews have also helped to produce some of the most troubling stereotypes of people of color in Hollywood film history. In Hollywood's Chosen People: The Jewish Experience in American Cinema, leading scholars consider the complex relationship between Jews and the film industry, as Jews have helped to construct Hollywood's vision of the American dream and American collective identity and have in turn been shaped by those representations. Editors Daniel Bernardi, Murray Pomerance, and Hava Tirosh-Samuelson introduce the volume with an overview of the history of Jews in American popular culture and the American film industry. Multidisciplinary contributors go on to discuss topics such as early Jewish films and directors, institutionalized anti-Semitism, Jewish identity and gossip culture, and issues of Jewish performance on film. Contributors draw on a diverse sampling of films, from representations of the Holocaust on film to screen comedy; filmmakers and writers, including David Mamet, George Cukor, Sidney Lumet, Edward Sloman, and Steven Spielberg; and stars, like Barbra Streisand, Adam Sandler, and Ben Stiller. The Jewish experience in American cinema reveals much about the degree to which Jews have been integrated into and contribute to the making of American popular film culture. Scholars of Jewish studies, film studies, American history, and American culture as well as anyone interested in film history will find this volume fascinating reading.

"Einstein... Shylock... Rothschild... Trotsky... Jesus. The scientist and philosopher... the greedy money-lender and middle man... the impoverished immigrant... the elite of politics and high finance... the prophet... the revolutionary. All of these have been faces of the Jewish people over the centuries. They have inspired admiration, envy, suspicion, and hatred and overflowed with world-changing personages. The historian Yuri Slezkine claimed that the 20th century was nothing less than the 'Jewish century,' so indispensable were they in the creation of the modern world"--Cover, p. [4].

Maristella Botticini and Zvi Eckstein show that, contrary to previous explanations, this transformation was driven not by anti-Jewish persecution and legal restrictions, but rather by changes within Judaism itself after 70 CE--most importantly, the rise of a new norm that required every Jewish male to read and study the Torah and to send his sons to school. Over the next six centuries, those Jews who found the norms of Judaism too costly to obey converted to other religions, making world Jewry shrink. Later, when urbanization and commercial expansion in the newly established Muslim Caliphates increased the demand for occupations in which literacy was an advantage, the Jews found themselves literate in a world of almost universal illiteracy. From then forward, almost all Jews entered crafts and trade, and many of them began moving in search of business opportunities, creating a worldwide Diaspora in the process.