The Cities Of Dead

The Cities of Dead: the highly anticipated third book in Alys Arden's spellbinding The Casquette Girls series. Old World witches collide with the French Quarter's strangest denizens, setting off events that could tear the fabric of the Natural and Supernatural worlds, and only the most elusive, mischievous Voodoo lwa hold the key to stopping it. As Adele struggles with her losses, Nicco's secrets draw her closer, but Isaac questions Nicco's motives and refuses to let go without a fight. While the coven works to make the streets safe from the Ghost Drinkers, Nicco's family of vampires is ready to break the Saint-Germain curse at all costs and settle a centuries-old feud. To save her loved ones and her cherished city, Adele must unearth New Orleans's best-kept Voodoo secret and piece together fragments of history from sixteenth-century Spain--even if it means discovering secrets she never wanted to know. If she fails, she may lose her magic forever.

In the early eighteenth century, a delegation of Iroquois visited Britain, exciting the imagination of the London crowds with images of the “feathered people” and warlike “Mohocks.” Today, performing in a popular Afrodiasporic tradition, “Mardi Gras Indians” or “Black Masking Indians” take to the streets of New Orleans at carnival time and for weeks thereafter, parading in handmade “suits” resplendent with beadwork and feathers. What do these seemingly disparate strands of culture share over three centuries and several thousand miles of ocean? Interweaving theatrical, musical, and ritual performance along the Atlantic rim from the eighteenth century to the present, Cities of the Dead explores a rich continuum of cultural exchange that imaginatively reinvents, recreates, and restores history. Joseph Roach reveals how performance can revise the unwritten past, comparing patterns of remembrance and forgetting in how communities forge their identities and imagine their futures. He examines the syncretic performance traditions of Europe, Africa, and the Americas in the urban sites of London and New Orleans, through social events ranging from burials to sacrifices, auctions to parades, encompassing traditions as diverse as Haitian Voudon and British funerals. Considering processes of substitution, or surrogation, as enacted in performance, Roach demonstrates the ways in which people and cultures fill the voids left by death and departure. The twenty-fifth anniversary edition of this classic work features a new preface reflecting on the relevance of its arguments to the politics of performance and performance in contemporary politics.

Exploring the history of Civil War commemorations from both sides of the color line, William Blair places the development of memorial holidays, Emancipation Day celebrations, and other remembrances in the context of Reconstruction politics and race relations in the South. His grassroots examination of these civic rituals demonstrates that the politics of commemoration remained far more contentious than has been previously acknowledged. Commemorations by ex-Confederates were intended at first to maintain a separate identity from the U.S. government, Blair argues, not as a vehicle for promoting sectional healing. The burial grounds of fallen heroes, known as Cities of the Dead, often became contested ground, especially for Confederate women who were opposed to Reconstruction. And until the turn of the century, African Americans used freedom celebrations to lobby for greater political power and tried to create a national holiday to recognize emancipation. Blair's analysis shows that some festive occasions that we celebrate even today have a divisive and sometimes violent past as various groups with conflicting political agendas attempted to define the meaning of the Civil War.

When a former PI is invited to a gathering of New Orleans chefs, murder is on the menu in this “well written, sharply observed” mystery (The New York Times). Sophisticated Boston Brahmin Michael Spraggue will never forget the flaky strawberry tarts Dora Levoyer made for him when he was a little boy. A French immigrant who has worked for Michael’s eccentric aunt Mary for decades, Dora has an old-world sensibility, an elegant palate, and a past that cannot be spoken of. Deserted by her husband long ago, she has fought hard to put him out of her mind. But when Dora is invited to a banquet held by the finest chefs in New Orleans, she sees a man who looks just like her missing spouse. Before she can confront him, he is found with a chef’s knife embedded in his heart—and every piece of evidence points to Dora as the killer. At his aunt Mary’s behest, Michael hops the first plane down to New Orleans—a mysterious city where the dead, like the living, have dangerous secrets. Cities of the Deadis the 4th book in the Michael Spraggue Mysteries, but you may enjoy reading the series in any order.

The author of "Stonecutter" presents the story of a teen girl who joins a rock band, only to find she is in fact the last piece of a tetrad that gives each member of the group a supernatural power.

Discusses how archeologists discover and uncover evidence of extinct civilizations.

Seventh-grader Molly has always been an outsider, even at New York City's elite Metropolitan Institute of Science and Technology, but that changes when she is recruited to join the Omegas, a secret group that polices and protects zombies.