The City In Maps Urban Mapping To 1900 Illustr 1 Publ

Introduction: the earliest town plans -- The medieval city -- Braun & Hogenberg and after: the towns of the seventeenth century -- Early plans in the British Isles -- The baroque city: the town plans of the eighteenth century -- Industry and Empire: the town plans of the nineteenth century -- Medical and social mapping -- 'Fire and sword'.

This text provides an analysis of 18th-century urban culture and local historical scholarship. The author shows how a sense of the past was crucial not only in instilling civic pride and shaping a sense of community, but also in informing contests for power and influence in the local community.

Editor's NoteIntroduction by David Buisseret1: Mapping the Chinese City: The Image and the Reality Nancy Shatzman Steinhardt2: Mapping the City: Ptolemy's Geography in the Renaissance Naomi Miller3: Urbs and Civitas in Sixteenth- and Seventeenth-Century Spain Richard L. Kagan4: Military Architecture and Cartography in the Design of the Early Modern City Martha Pollak5: Modeling Cities in Early Modern Europe David Buisseret6: The Plan of Chicago by Daniel H. Burnham and Edward H. Bennett: Cartographic and Historical Perspectives Gerald A. DanzerContributors Index Copyright © Libri GmbH. All rights reserved.

The book presents and discusses a large corpus of Jewish maps of the Holy Land that were drawn by Jewish scholars from the 11th to the 20th century, and thus fills a significant lacuna both in the history of cartography and in Jewish studies. The maps depict the biblical borders of the Holy Land, the allotments of the tribes, and the forty years of wanderings in the desert. Most of these maps are in Hebrew although there are several in Yiddish, Ladino and in European languages. The book focuses on four aspects: it presents an up-to-date corpus of known maps of various types and genres; it suggests a classification of these maps according to their source, shape and content; it presents and analyses the main topics that were depicted in the maps; and it puts the maps in their historical and cultural contexts, both within the Jewish world and the sphere of European cartography of their time. The book is an innovative contribution to the fields of history of cartography and Jewish studies. It is written for both professional readers and the general public. The Hebrew edition (2014), won the Izhak Ben-Zvi Prize.

Great Britain and Ireland enjoy a rich cartographic heritage, yet historians have not made full use of early maps in their writings and research. This is partly due to a lack of information about exactly which maps are available. With the publication of this volume from the Royal Historical Society, we now have a comprehensive guide to the early maps of Great Britain. The book is divided into two parts: part one describes the history and purpose of maps in a series of short essays on the early mapping of the British Isles; part two comprises a guide to the collections, national and regional. Now available from Cambridge University Press, this volume provides an essential reference tool for anyone requiring to access maps of the British Isles dating back to the medieval period and beyond.

From the first vistas provided by flight in balloons in the eighteenth century to the most recent sensing operations performed by military drones, the history of aerial imagery has marked the transformation of how people perceived their world, better understood their past, and imagined their future. In Aerial Aftermaths Caren Kaplan traces this cultural history, showing how aerial views operate as a form of world-making tied to the times and places of war. Kaplan’s investigation of the aerial arts of war—painting, photography, and digital imaging—range from England's surveys of Scotland following the defeat of the 1746 Jacobite rebellion and early twentieth-century photographic mapping of Iraq to images taken in the immediate aftermath of 9/11. Throughout, Kaplan foregrounds aerial imagery's importance to modern visual culture and its ability to enforce colonial power, demonstrating both the destructive force and the potential for political connection that come with viewing from above.