The Clay People Colossus One Shot

A biracial boy in the Midwest uses a supernatural gift from his grandfather to push back against two older boys who are terrorizing him. In a tale inspired by the song “Colossus” by heavy metal band THE CLAY PEOPLE, intolerance, drug addiction, poverty, and boredom collide into a perfect storm of grisly revenge! THE CLAY PEOPLE is a rock band hailing from Albany, New York. The band’s self-titled debut album was released on Mercury/Slipdisc records; their furiously propulsive lead single “Awake” climbed the radio charts and launched the band into an international touring act with the likes of Disturbed, Staind, Clutch, Rob Zombie, Static-X, Stabbing Westward, and Filter. “Colossus” is from THE CLAY PEOPLE’s latest album, Demon Hero.

This second collection, complementing ASNEL Papers 9.1, covers a similar range of writers, topics, themes and issues, all focusing on present-day transcultural issues and their historical antecedents: TOPICS TREATED Preparing for post-apartheid in South African fiction; Maori culture and the New Historicism; Danish-New Zealand acculturation; linguistic approaches to 'void'; women's overcoming in Southern African writing; new post-apartheid approaches to literary studies; Afrikanerdom; postmodern psychoanalytic interpretations of Indian religion and identity; transcultural identity in the encounter with London: Malaysian, Nigerian, Pakistani; hypertextual postmodernism; fictionalized multiculturalism and female madness in Australian fiction; myopia and double vision in colonial Australia; Native-American fiction and poetry; Chinese-Canadian and Japanese-Canadian multiculturalism; the postcolonial city; African-American identity and postcolonial Africa; Johannesburg as locus of literary and dramatic creativity; theatre before and after apartheid; the black experience in England. WRITERS DISCUSSED Lalithambika Antherjanam; Ayi Kwei Armah; J.M. Coetzee; Tsitsi Dangarembga; Helen Darville; Lauris Edmond; Buchi Emecheta; Yvonne du Fresne; Hiromi Goto; Patricia Grace; Rodney Hall; Joy Harjo; Bessie Head; Gordon Henry Jr.; Christopher Hope; Ruth Prawer Jhabvala; Hanif Kureishi; Keri Hulme, Lee Kok Liang; Bill Manhire; Zakes Mda; Mike Nicol; Michael Ondaatje; Alan Paton; Ravinder Randhawa; Wendy Rose; Salman Rushdie; Sipho Sepamla; Atima Srivastava; Meera Syal; Marlene van Niekerk; Yvonne Vera; Fred Wah CRITICAL CONTRIBUTIONS BY Ken Arvidson; Thomas Bruckner; David Callahan; Eleonora Chiavetta; Marc Colavincenzo; Gordon Collier; John Douthwaite; Dorothy Driver; Claudia Duppe; Robert Fraser; Anne Fuchs; John Gamgee; D.C.R.A. Goonetilleke; Konrad Gross; Bernd Herzogenrath; Susanne Hilf; Clara A.B. Joseph; Jaroslav Ku nir; Chantal Kwast-Greff; M.Z. Malaba; Sigrun Meinig; Michael Meyer; Mike Nicol; Obododimma Oha; Vincent O'Sullivan; Judith Dell Panny; Mike Petry; Jochen Petzold; Norbert H. Platz; Malcolm Purkey; Stephanie Ravillon; Anne Holden Ronning; Richard Samin; Cecile Sandten; Nicole Schroder; Joseph Swann; Andre Viola; Christine Vogt-William; Bernard Wilson; Janet Wilson; Brian Worsfold. CREATIVE WRITING BY Katherine Gallagher; Peter Goldsworthy; Syd Harrex; Mike Nicol THE EDITORS: Geoffrey V. Davis and Peter H. Marsden teach at the Rhenish-Westphalian Technical University, Aachen; Benedicte Ledent and Marc Delrez teach at the University of Liege.

Sam Slick, a clock-peddler who accompanies a visiting English gentleman on an unforgettable tour of Nova Scotia, first appeared in the 'Novascotian' in 1835. His shrewd observations and witty commentaries addressed important contemporary issues, such as race, slavery and colonialism.

Henry John Kaiser (1882-1967) was an American industrialist known for his shipbuilding and construction projects, and for fostering modern American health care. Prior to World War II, Kaiser’s company was one of those that built the Hoover and Grand Coulee dams. He established the Kaiser Shipyards, which built Liberty ships during World War II, after which he formed Kaiser Aluminum and Kaiser Steel. Kaiser organized Kaiser Permanente health care for his workers and their families. He led the automobile companies Kaiser-Frazer and Kaiser Motors. Kaiser invested in real estate, later moving into television broadcasting. He established the Kaiser Family Foundation, a charitable organization. “Albert Heiner has written a captivating story of one of the strongest personalities ever to dominate the American scene and he has done it with skill. Henry J. Kaiser was quite as Heiner depicts him and as I knew him — an incredible business genius and fascinating personality.” — Norman Vincent Peale “Through a good portion of Henry J. Kaiser’s career, Al Heiner was there — as a public relations officer for Kaiser Steel, but also as an eye-witness to many of the events that make this biography such lively reading. He then supplemented these firsthand experiences with extensive research in the massive Kaiser Archives now on deposit at the Bancroft Library at Berkeley. This biography teems with vivid, frequently tumultuous anecdotes, each of them set- pieces of skilled narrative.” — Kevin Starr, Author and Historian “In the fifties, the moment I saw the pilot for the television show ‘The Maverick’ I said, ‘that’s Mr. Kaiser.’ I flew out to Hawaii and met with him, and when he saw the picture he flipped, because he saw himself as James Garner... The Maverick. In my opinion he was one of the great showmen of our day and he had fantastic foresight as to how to sell the Kaiser company. I agree with your appraisal of him as one of the great American pioneers.” — Leonard H. Goldenson, Retired Chairman, American Broadcasting Company “Henry J’s extraordinary life, his relish for work and the results of his dreams are fondly described with a particular warmth that could only be captured by an author who witnessed much of the saga.” — Gene Trefethen, Retired President, Kaiser Industries Corporation