The Collected Letters Of George Gissing 1897 1899

For many years, the only Gissing letters available to the public were those in the modest selection of letters to his family published in 1927. In the following years a good number were published separately in such places as journals, memoirs, and sales catalogues, but like the single and small groups of unpublished letters scattered in libraries around the world, they remained in practical terms inaccessible. Even though in recent years small groups of letters to individual correspondents have come into print, the rapidly growing numbers of Gissing readers and scholars now feel the need for access to his letters in an edition comparable to those of his contemporary novelist friends, Thomas Hardy and Joseph Conrad. In this edition, all the Gissing letters that could be found, published and unpublished, have been brought together from all known sources: private and public collections, journals, newspapers, memoirs, biographies, and sales catalogues. The important advantage is not only that they have at last been brought together, but also that they are placed chronologically and given a uniform editorial context which provides a coherence lacking in letters separately published. A significant feature of this edition is that it also contains, whenever they are available, letters to Gissing which are of great help in recording his life during the times when his own letters have been lost or destroyed. With the recent publication of Gissing's diary, his commonplace book, and other smaller pieces, this edition becomes the final major publication of Gissing papers known to exist, and certainly the most significant record of his life, his mind, and his art. It will be of crucial importance to any future biographers, and of the greatest value to those who want to study Gissing's novels in relation to his life.

For many years, the only Gissing letters available to the public were those in the modest selection of letters to his family published in 1927. In the following years a good number were published separately in such places as journals, memoirs, and sales catalogues, but like the single and small groups of unpublished letters scattered in libraries around the world, they remained in practical terms inaccessible. Even though in recent years small groups of letters to individual correspondents have come into print, the rapidly growing numbers of Gissing readers and scholars now feel the need for access to his letters in an edition comparable to those of his contemporary novelist friends, Thomas Hardy and Joseph Conrad. In this edition, all the Gissing letters that could be found, published and unpublished, have been brought together from all known sources: private and public collections, journals, newspapers, memoirs, biographies, and sales catalogues. The important advantage is not only that they have at last been brought together, but also that they are placed chronologically and given a uniform editorial context which provides a coherence lacking in letters separately published. A significant feature of this edition is that it also contains, whenever they are available, letters to Gissing which are of great help in recording his life during the times when his own letters have been lost or destroyed. With the recent publication of Gissing's diary, his commonplace book, and other smaller pieces, this edition becomes the final major publication of Gissing papers known to exist, and certainly the most significant record of his life, his mind, and his art. It will be of crucial importance to any future biographers, and of the greatest value to those who want to study Gissing's novels in relation to his life.

The book takes its lead from academic Annamaria Pagliaro’s experience straddling Australia and Italy over a thirty-year period. As both former colleagues and collaborators of Pagliaro, we editors intend to open a kaleidoscope of perspectives on the international research landscape in the fields of Italian and Anglophone studies, starting from Pagliaro’s own contribution to the creation of relations between the two cultures in the period that saw her work transnationally as Director of the Monash University Prato Centre (2005-2008).

This book brings together theories of spatiality and mobility with a study of travel writing in the Victorian period to suggest that ‘idleness’ is an important but neglected condition of subjectivity in that era. Contrary to familiar stereotypes of ‘the Victorians’ as characterized by speed, work, and mechanized travel, this books asserts a counter-narrative in which certain writers embraced idleness in travel as a radical means to ‘re-subjectification’ and the assertion of a ‘late-Romantic’ sensibility. Attentive to the historical and literary continuities between ‘Romantic’ and ‘Victorian’, the book reconstructs the Victorian discourse on idleness. It draws on an interdisciplinary range of theorists and brings together a fresh selection of accounts viewed through the lens of cultural studies as well as accounts of publication history and author biography. Travel texts from different genres (by writers such as Anna Mary Howitt, Jerome K. Jerome and George Gissing) are brought together as representing the different facets of the spectrum of idleness in the Victorian context.

Nineteenth-century Britain was one of the birthplaces of modern vegetarianism in the west, and was to become a reform movement attracting thousands of people. From the Vegetarian Society's foundation in 1847, men, women and their families abandoned conventional diet for reasons as varied as self-advancement via personal thrift, dissatisfaction with medical orthodoxy, repugnance towards animal cruelty and the belief that carnivorism stimulated alcoholism and bellicosity. They joined in the pursuit of a more perfect society in which food reform combined with causes such as socialism and land reform. James Gregory provides an extensive exploration of the movement, with its often colourful and sometimes eccentric leaders and grass-roots supporters. He explores the rich culture of branch associations, competing national societies, proliferating restaurants and food stores and experiments in vegetarian farms and colonies. 'Of Victorians and Vegetarians' examines the wider significance of Victorian vegetarians, embracing concerns about gender and class, national identity, race and empire and religious authority. Vegetarianism embodied the Victorians' complicated response to modernity. While some vegetarians were averse to features of the industrial and urban world, other vegetarian entrepreneurs embraced technology in the creation of substitute foods and other commodities. Hostile, like the associated anti-vivisectionists and anti-vaccinationists, to a new 'priesthood' of scientists, vegetarians defended themselves through the new sciences of nutrition and chemistry. 'Of Victorians and Vegetarians' uncovers who the vegetarians were, how they attempted to convert their fellow Britons (and the world beyond) to their 'bloodless diet' and the response of contemporaries in a variety of media and genres. Through a close study of the vegetarian periodicals and organisational archives, extensive biographical research and a broader examination of texts relating to food, dietary reform and allied reform movements, James Gregory provides us with the first fascinating foray into the impact of vegetarianism on the Victorians. In doing so he gives revealing insights into the development of animal welfare, other contemporary reform movements and the histories of food and diet.

First published in 1897, H.G. Wells's alien invasion narrative The War of the Worlds was a landmark work of science fiction and one that continues to be adapted and referenced in the 21st century. Chronicling the novel's contexts, its origins and its many multi-media adaptations, this book is a complete biography of the life – and the afterlives – of The War of the Worlds. Exploring the original text's compelling sense of place and vivid recreation of Wells's Woking home and the concerns of fin-de-siécle Britain, the book goes on to chart the novel's immediate international impact. Starting with the initial serialisations in US newspapers, Peter Beck goes on to examine Orson Welles's legendary 1938 radio adaptation, TV and film adaptations from George Pal to Steven Spielberg, Jeff Wayne's rock opera and the numerous other works that have taken their inspiration from Wells's original. Drawing on new archival research, this is a comprehensive account of the continuing impact of The War of the Worlds.

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