The Collected Poetry Of Robinson Jeffers Vol 5

This final volume of the first comprehensive edition of all of Robinson Jeffers's completed poems, both published and unpublished, consists of commentary: various procedural explanations and textual evidence for the edition's texts, transcriptions of working notes for the poems and of alternate and discarded passages, a chronology of Jeffers's career, appendixes, and indexes.

Robinson Jeffers (1887-1962) is not only the greatest poet that California (and indeed the American West) has produced but a major poet of the twentieth century who occupies a prominent place in the tradition of American prophetic poetry. Jeffers consciously set himself apart from the poetry of his generation--by physical isolation at his home in Carmel, by his unusual poetic form, and by his stance as an "anti-modernist." Yet his work represents a profound, and profoundly original, artistic response to problems that shaped modernist poetry and that still perplex poets today; how to reconcile scientific and artistic discourses and modes of vision; how to connect present-day experience to myths perceived as lying at the origins of human culture; how to renew the poetic language and how (or whether) to present art's claim to moral, spiritual, or epistemological seriousness within representations of modern phenomena. For Jeffers, as for no other important modern American poet, there has never been a collected poems, not even a truly representative selected poems--the current Selected Poetry, first published in 1938, contains no work from the last three volumes published during Jeffers' lifetime or from his posthumous volume. Now, for the first time, all of Jeffers' completed poems, both published and unpublished, are presented in a single, comprehensive, and textually authoritative edition. The first three volumes of this four-volume work, will present chronologically all of Jeffers' published work from 1920 to 1963. The present volume consists of poems published between 1920 and 1928, and includes some of his greatest and best-known poems--Tamar,Roan Stallion,The Women at Point Sur, and Cawdor--as well as a recently discovered long poem, "Home." There is also an Editorial Note and a General Introduction.

The first three volumes of this four-volume work will present chronologically all of Jeffers' published work from 1920 to 1963. Jeffers' publishers sometimes adjusted his punctuation, presumably to bring the poems' punctuation into accord with grammatical convention. The texts for this edition revert to Jeffers' own preferences, insofar as the best methods of modern textual editing can reveal them.

This volume is in three parts. Part I (1903-1920) includes Jeffers’s earliest poetry and poems that were never published or were recently rediscovered. Part II (1920-1948) gathers all Jeffers’s major prose works. Part III (1910-1962) is mostly material that Jeffers never published, and apparently never tried to publish. The book design is by Adrian Wilson in a 7 1/2 by 10 inch format.

The first three volumes of this four-volume work will present chronologically all of Jeffers' published work from 1920 to 1963. Jeffers' publishers sometimes adjusted his punctuation, presumably to bring the poems' punctuation into accord with grammatical convention. The texts for this edition revert to Jeffers' own preferences, insofar as the best methods of modern textual editing can reveal them.

This is the definitive selection of Jeffers poetry. His narrative poetry shares a greatness with the best poets of the ages. The poems included here range from Roan Stallion and Cawdor from the twenties to his last poems in the late fifties. If you are going to have one book of Jeffers, and if you are interested at all in 20th century American poetry you must have at least one, this is the one. Jeffers wrote a lot of beautiful shorter poems, but to really feel his passion it is necessary to become immersed in the longer narratives and this book contains a selection of the best!

v. 1. 1890-1930. 2009.