The Collected Supernatural And Weird Fiction Of Hugh Walpole Volume 3

The final volume of the collected strange fiction of a literary master Sir Hugh Walpole was one of the most popular and prolific British authors of the first half of the 20th century. After the publication of his first novel, 'The Wooden Horse', in 1909 he produced one significant work each year including the acclaimed 'Herries' series. Born in New Zealand in 1884, the son of an Anglican clergyman, Walpole was committed to becoming a writer and encouraged in his ambition by Henry James and Arnold Bennett. A. C. Benson was also a mentor and early influence upon his writing. Despite his acknowledged talent as a storyteller, Walpole's work has been largely ignored since his death in 1941, in part because he was savagely lampooned by Somerset Maugham's fictional characterisation of him in 'Cakes & Ale'. Walpole, in keeping with many of his contemporaries, wrote in several genres of fiction and among his thirty-six novels, five volumes of short stories and two plays are historical, juvenile and even detective stories. His associations with A. C. Benson, Henry James, H. G. Wells and the fact that Horace Walpole (author of the first gothic novel, 'The Castle of Otranto') and Richard Harris Barham (author of the 'Ingoldsby Legends') were both among his ancestors surely stimulated his taste for gothic and macabre fiction. In fact, during the 1930s Walpole edited two well received anthologies of 'creepy stories' in which some of his own material appeared. His own literary excursions into the world of the ghostly and bizarre, which remain highly regarded by aficionados of supernatural fiction, include several novels and a substantial number of short stories all of which are included in this three volume Leonaur collected edition. Included in this final volume are the novel 'Portrait of a Man with Red Hair' and fifteen short stories of the strange and unusual including 'The Clocks', 'The Silver Mask', 'Major Wilbrahim', 'Field with Five Trees' and 'Tarnhelm'. Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

The first volume of the works of a literary master of strange fiction Sir Hugh Walpole was one of the most popular and prolific British authors of the first half of the 20th century. After the publication of his first novel, 'The Wooden Horse', in 1909 he produced one significant work each year including the acclaimed 'Herries' series. Born in New Zealand in 1884, the son of an Anglican clergyman, Walpole was committed to becoming a writer and encouraged in his ambition by Henry James and Arnold Bennett. A. C. Benson was also a mentor and early influence upon his writing. Despite his acknowledged talent as a storyteller, Walpole's work has been largely ignored since his death in 1941, in part because he was savagely lampooned by Somerset Maugham's fictional characterisation of him in 'Cakes & Ale'. Walpole, in keeping with many of his contemporaries, wrote in several genres of fiction and among his thirty-six novels, five volumes of short stories and two plays are historical, juvenile and even detective stories. His associations with A. C. Benson, Henry James, H. G. Wells and the fact that Horace Walpole (author of the first gothic novel, 'The Castle of Otranto') and Richard Harris Barham (author of the 'Ingoldsby Legends') were both among his ancestors surely stimulated his taste for gothic and macabre fiction. In fact, during the 1930s Walpole edited two well received anthologies of 'creepy stories' in which some of his own material appeared. His own literary excursions into the world of the ghostly and bizarre, which remain highly regarded by aficionados of supernatural fiction, include several novels and a substantial number of short stories all of which are included in this three volume Leonaur collected edition. Included in this first volume are the novel 'The Old Ladies' and fifteen short stories of the strange and unusual including 'The White Cat', 'Lizzie Rand', 'Mrs. Porter and Miss Allen', 'The Tiger' and 'The Twisted Inn'. Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

The second volume of Hugh Walpole's collected strange fiction Sir Hugh Walpole was one of the most popular and prolific British authors of the first half of the 20th century. After the publication of his first novel, 'The Wooden Horse', in 1909 he produced one significant work each year including the acclaimed 'Herries' series. Born in New Zealand in 1884, the son of an Anglican clergyman, Walpole was committed to becoming a writer and encouraged in his ambition by Henry James and Arnold Bennett. A. C. Benson was also a mentor and early influence upon his writing. Despite his acknowledged talent as a storyteller, Walpole's work has been largely ignored since his death in 1941, in part because he was savagely lampooned by Somerset Maugham's fictional characterisation of him in 'Cakes & Ale'. Walpole, in keeping with many of his contemporaries, wrote in several genres of fiction and among his thirty-six novels, five volumes of short stories and two plays are historical, juvenile and even detective stories. His associations with A. C. Benson, Henry James, H. G. Wells and the fact that Horace Walpole (author of the first gothic novel, 'The Castle of Otranto') and Richard Harris Barham (author of the 'Ingoldsby Legends') were both among his ancestors surely stimulated his taste for gothic and macabre fiction. In fact, during the 1930s Walpole edited two well received anthologies of 'creepy stories' in which some of his own material appeared. His own literary excursions into the world of the ghostly and bizarre, which remain highly regarded by aficionados of supernatural fiction, include several novels and a substantial number of short stories all of which are included in this three volume Leonaur collected edition. Included in this second volume are the novel 'The Killer and the Slain' and thirteen short stories of the strange and unusual including 'Seashore Macabre. A Moment's Experience', 'The Staircase', 'Miss Morganhurst', 'The Snow' and 'The Faithful Servant'. Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

The third volume of a unique collection of bizarre tales from a master of the genre Richard Marsh was the pseudonym of British born author Richard Bernard Heldman (1857-1916). His most famous work of supernatural fiction, The Beetle, was published in 1897, the same year as Bram Stoker's tale of the vampire Count Dracula, and it is believed that initially Marsh's book, which also features a bizarre and sinister figure capable of 'shape shifting, ' was even more popular with readers than Stoker's. Today Marsh's book is still widely regarded as a classic of its genre. Although a prolific author who wrote in a number of genres including adventure fiction under his real name, Marsh is principally remembered as a writer of supernatural thrillers and his output in this field was prodigious. Most aficionados of the genre have heard of The Beetle, but this special Leonaur collection of the author's excursions into the other worldly and strange extends to six satisfyingly substantial volumes containing many tales that will be unfamiliar to modern readers. In volume three readers will find two novels, A Second Coming and A Duel, one novelette, 'The Strange Occurrences in Canterstone Jail, ' and three short stories of the strange and unusual. Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

Volume three-of four-of the ghostliest of Henry James' fiction Henry James was a notable American author who lived and worked in England for forty years of his life-becoming a nationalised British subject shortly before his death. He is especially remembered for his portrayal of Americans abroad and for the creativity and freedom he displayed within his diverse literary perspectives. His novels remain highly regarded and continually read. Among them are Washington Square, The Bostonians, The Ambassadors and others. In any list of James' notable achievements one title frequently appears first-just as in every list of the most highly regarded supernatural fiction a James work is also certain to appear. That story is, of course, the novella, 'The Turn of the Screw'-a tale of creeping supernatural threat, terror, polluted innocence and inevitable tragedy. It is a deserved classic of supernatural fiction and true to the nature of such things subordinates James's other work in the genre almost to obscurity. Predictably a prolific author who had both a talent for and an interest in the fiction of the bizarre and ghostly would be unlikely to venture into its shadowy realms but once. This special Leonaur collection of Henry James' supernatural fiction fills four substantial volumes for modern readers to relish. A veritable literary feast is in store for those who dare to venture within its pages. This penultimate volume-available in soft cover and cloth bound hardcover with dust jacket-leads off with the novella 'The Passionate Pilgrim.' Among the other tales are eight novelettes including 'The Ghostly Rental, ' 'The Next Time' and 'Nona Vincent' as well as the short story 'Collaboration.'

Hugh Walpole (1884-1941) was one of the most popular and prolific English authors of his time, best known for his historical fiction and novels for boys. But it was in the field of the macabre and supernatural that Walpole was at his best, and this collection of sixteen tales contains many of his finest, including the classic werewolf story 'Tarnhelm'; the oft-anthologized 'The Little Ghost'; 'The Snow', a chilling story of vengeance from beyond the grave; and perhaps the highlight of the collection, 'The Silver Mask', which one critic has called 'a masterpiece, a classic example of how a tale can be truly terrible and ghostly with no ghost and only the wispiest hint of the supernatural.'

The first volume of this comprehensive collection Wilkie Collins, author of 'The Moonstone' and 'The Woman in White' needs no introduction. He was considered the father of the detective story and his tales of mystery are well known and highly regarded. Collins also had a taste for the supernatural, the gothic and tales of terror, peculiarity and unease. All suited his style very well. This three volume Leonaur collection, available in softcover and hard cover with dustjacket, brings together what is, perhaps, an unprecedented collection of his writings in the supernatural and horror genres. This first volume contains the novel 'The Haunted Hotel' which combines mystery and the ghostly in the evocative setting of Venice, the novella 'Mad Monkton', and three novelettes and eight short stories including: 'Memoirs of an Adopted Son', 'My Black Mirror', 'Miss Jeromette and the Clergyman', 'Mr Percy and the Prophet', 'Nine O'Clock', 'The Siege of the Black Cottage', 'The Dream Woman', 'The Dead Hand', 'The Biter Bit', The Fatal Cradle' and 'The Dead Alive'.

Hugh Walpole (1884-1941) was one of the most popular and prolific English authors of his time, best known for his historical fiction and novels for boys. But it was in the field of the macabre and supernatural that Walpole was at his best, and this collection of sixteen tales contains many of his finest, including the classic werewolf story 'Tarnhelm'; the oft-anthologized 'The Little Ghost'; 'The Snow', a chilling story of vengeance from beyond the grave; and perhaps the highlight of the collection, 'The Silver Mask', which one critic has called 'a masterpiece, a classic example of how a tale can be truly terrible and ghostly with no ghost and only the wispiest hint of the supernatural.'