The Collected Supernatural And Weird Fiction Of Mrs J H Riddell

Eight fantastic tales of the ghostly and bizarre Aficionados of supernatural fiction are aware that its golden age was during the later Victorian and Edwardian eras. There was a huge public appetite for spine chilling tales and many magazines published their ideal form-the short story. This created opportunities for many writers to produce supernatural fiction. Among the huge number of stories published, some were exceptionally good and these came from the pens of those who became recognised masters of the form. Popular authors were often incredibly prolific and an individual writer's canon of supernatural fiction could be substantial. Almost every commercially minded writer wrote some supernatural fiction and many of the finest exponents of the craft were women. While Mrs. J. H. Riddell had much in common with her peers, she was highly regarded by some of the genres severest critics including the 'grand-master' himself, M. R. James. Charlotte Cowan was born in Ireland in 1832, the daughter of the High Sheriff of Antrim. She moved to London in 1855 and shortly thereafter married the civil engineer Joseph Hadley Riddell. As was often the practice at the time she subsequently wrote under her formal married name. Besides her career as a writer she was also a publisher, being part owner of the highly regarded literary periodical 'The St. Jame's Magazine.' This comprehensive Leonaur collection of Charlotte Riddell's strange stories comprises three substantial volumes to captivate both enthusiasts and collectors. This third and final volume of the Leonaur collected supernatural and weird fiction of Charlotte Riddell includes two novels 'The Disappearance of Jeremiah Redworth' and the well known 'The Uninhabited House' together with two novelettes, 'Diarmid Chittock's Story' and 'The Open Door.' Also included are five short stories, 'Walnut-Tree House, ' 'The Last Squire of Ennismore, ' 'Why Dr. Cray Left Southam, ' 'The Old House in Vauxhall Walk' and 'Conn Kilrea.' Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

A second collection of superb Victorian ghostly fiction Aficionados of supernatural fiction are aware that its golden age was during the later Victorian and Edwardian eras. There was a huge public appetite for spine chilling tales and many magazines published their ideal form-the short story. This created opportunities for many writers to produce supernatural fiction. Among the huge number of stories published, some were exceptionally good and these came from the pens of those who became recognised masters of the form. Popular authors were often incredibly prolific and an individual writer's canon of supernatural fiction could be substantial. Almost every commercially minded writer wrote some supernatural fiction and many of the finest exponents of the craft were women. While Mrs. J. H. Riddell had much in common with her peers, she was highly regarded by some of the genres severest critics including the 'grand-master' himself, M. R. James. Charlotte Cowan was born in Ireland in 1832, the daughter of the High Sheriff of Antrim. She moved to London in 1855 and shortly thereafter married the civil engineer Joseph Hadley Riddell. As was often the practice at the time she subsequently wrote under her formal married name. Besides her career as a writer she was also a publisher, being part owner of the highly regarded literary periodical 'The St. Jame's Magazine.' This comprehensive Leonaur collection of Charlotte Riddell's strange stories comprises three substantial volumes to captivate both enthusiasts and collectors. Volume two of this Leonaur collection of Mrs. Riddell's spooky tales includes the novel 'The Nun's Curse' and two short stories 'Sandy the Tinker' and 'A Strange Christmas Game.' Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

A stunning collection from a mistress of the chilling Aficionados of supernatural fiction are aware that its golden age was during the later Victorian and Edwardian eras. There was a huge public appetite for spine chilling tales and many magazines published their ideal form-the short story. This created opportunities for many writers to produce supernatural fiction. Among the huge number of stories published, some were exceptionally good and these came from the pens of those who became recognised masters of the form. Popular authors were often incredibly prolific and an individual writer's canon of supernatural fiction could be substantial. Almost every commercially minded writer wrote some supernatural fiction and many of the finest exponents of the craft were women. While Mrs. J. H. Riddell had much in common with her peers, she was highly regarded by some of the genres severest critics including the 'grand-master' himself, M. R. James. Charlotte Cowan was born in Ireland in 1832, the daughter of the High Sheriff of Antrim. She moved to London in 1855 and shortly thereafter married the civil engineer Joseph Hadley Riddell. As was often the practice at the time she subsequently wrote under her formal married name. Besides her career as a writer she was also a publisher, being part owner of the highly regarded literary periodical 'The St. Jame's Magazine.' This comprehensive Leonaur collection of Charlotte Riddell's strange stories comprises three substantial volumes to captivate both enthusiasts and collectors. In volume one readers will discover two novels, the well known 'The Haunted River' and 'The Haunted House at Latchford.' Also included are three novelettes, 'Nut Bush Farm, ' 'A Terrible Vengeance' and 'Old Mrs. Jones' plus two short stories, 'Hertford O'Donnell's Warning' and 'Forewarned, Forearmed.' Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket.

'Moving, his candle was instantly extinguished, and in the very moment of being left in the darkness he saw, standing in the doorway, a woman, resembling her who had haunted his dream overnight. He rushed with outstretched hands to seize her, but clutched only air.' Night Shivers presents a treasure trove of the stories of Mrs J. H. Riddell, one of the greatest Victorian writers of ghost stories. These tales, many of which have been out of print for years, take the reader on fearful journeys into the gloomy haunts of old neglected houses, into a world of prophetic dreams, out onto the wild terrain of Ireland to encounter a frightful banshee and even down into Hell itself.In these fourteen short stories and one novella, The Uninhabited House, there is the distillation of the best and most effective of Riddell's spine-tingling supernatural fiction.

Charlotte Riddell’s The Uninhabited House (1875) tells the story of River Hall and the secrets that are hidden behind its doors. Within this haunted house, Riddell combines the supernatural with Victorian anxieties over stolen inheritance, crime, greed, and class mobility. This new Broadview Edition includes a detailed biography of Charlotte Riddell and illustrations from the original appearance of the novella in Routledge’s Magazine; it also includes Riddell’s ghost story “The Open Door” (1882), which serves as a useful companion text for The Uninhabited House. The contextual material in the edition highlights Victorian cultural, historical, and literary influences on Riddell’s text, including women’s contributions to the ghost story, print culture, and the development of supernatural fiction; the link between ghost stories and the holidays; and the haunted house, ghost hunting, and popular beliefs about ghosts in the Victorian era.

A collection of short ghost stories by Victorian writer Charlotte Riddell. Includes: Walnut-Tree House, The Open Door, Nut Bush Farm, Sandy the Tinker, and Old Mrs Jones. With their monstrous women and uncanny children, their tales of dissolution, greed and murder behind the facade of splendid houses, these stories will appeal to the modern aficionado of supernatural fiction.