The Collected Works Commissioned Biography Of Edward Perry Warren

Dva svazky přinášejí vědecké vydání děl Edwarda Perryho Warrena (z nichž žádné, s výjimkou jediného, dosud nebylo nově publikováno), doplněné o úvodní životopisné údaje, rozsáhlý poznámkový aparát, překlady, ilustrace a přílohy. Poprvé zde může čtenář slyšet Warrenův hlas v jeho plné šíři – v jeho korespondenci a dalších textech, které tvoří jeho biografii nazvanou Edward Perry Warren: The Biography of a Connoisseur, v jeho konverzaci, zachycené v díle An Imaginary Conversation Osberta Burdetta, v jeho románu A Tale of Pausanian Love (který je zde vydán vůbec poprvé), v jeho sbírce The Wild Rose: A Volume of Poems, v jeho pohádce The Prince Who Did Not Exist, v jeho odborném článku The Scandal of the Museo di Villa Giulia, v jeho pamfletu Classical & American Education, v jeho převyprávění tří řeckých legend Alcmaeon, Hypermestra, Caeneus a konečně v jeho vrcholném díle, apologii A Defence of Uranian Love.

“Gajda’s chronicle reveals an enduring tension between principles of free speech and respect for individuals’ private lives. …just the sort of road map we could use right now.”—The Atlantic “Wry and fascinating…Gajda is a nimble storyteller [and] an insightful guide to a rich and textured history that gets easily caricatured, especially when a culture war is raging.”—The New York Times An urgent book for today's privacy wars, and essential reading on how the courts have--for centuries--often protected privileged men's rights at the cost of everyone else's. Should everyone have privacy in their personal lives? Can privacy exist in a public place? Is there a right to be left alone even in the United States? You may be startled to realize that the original framers were sensitive to the importance of privacy interests relating to sexuality and intimate life, but mostly just for powerful and privileged (and usually white) men. The battle between an individual’s right to privacy and the public’s right to know has been fought for centuries. The founders demanded privacy for all the wrong press-quashing reasons. Supreme Court jus­tice Louis Brandeis famously promoted First Amend­ment freedoms but argued strongly for privacy too; and presidents from Thomas Jefferson through Don­ald Trump confidently hid behind privacy despite intense public interest in their lives. Today privacy seems simultaneously under siege and surging. And that’s doubly dangerous, as legal expert Amy Gajda argues. Too little privacy leaves ordinary people vulnerable to those who deal in and publish soul-crushing secrets. Too much means the famous and infamous can cloak themselves in secrecy and dodge accountability. Seek and Hide carries us from the very start, when privacy concepts first entered American law and society, to now, when the law al­lows a Silicon Valley titan to destroy a media site like Gawker out of spite. Muckraker Upton Sinclair, like Nellie Bly before him, pushed the envelope of privacy and propriety and then became a privacy advocate when journalists used the same techniques against him. By the early 2000s we were on our way to today’s full-blown crisis in the digital age, worrying that smartphones, webcams, basement publishers, and the forever internet had erased the right to privacy completely.

Kniha se zabývá texty z anglicky psaných literatur, které svým způsobem zpochybňují fiktivní, osobní či akademické žánrové konvence ve vztahu k literární auto/biografii, a spíše upozorňují na mnohoznačnost způsobů psaní o životě a konstruování subjektivity. Každá ze čtyř kapitol zkoumá specifický typ transgresivní auto/biografie: pastorální biografii v dílech Petera Ackroyda, Johna Bergera a Paula Cartera; kolaborativní auto/biografie domorodých obyvatel v Austrálii v textech Kima Scotta a Hazel Brown a Rity a Jackie Hugginsových; beletrizované autobiografie A. Newmana a Forresta Reeda; a bioregionální biografie Emily Carrové a Emmy Bell Milesové.

This book investigates the wide-ranging connections between sculpture, sexuality, and history in Western culture from the eighteenth century to the present. Sculpture has offered a privileged site for the articulation of sexual experience and the formation of sexual knowledge. As historical objects, sculptures also draw attention to the different ways in which knowledge about sexuality is facilitated through an engagement with the past. Bringing together contributors from across disciplines, including art history, classics, film studies, gender studies, history, literary studies, museum studies, queer theory and reception studies, the volume presents original readings of sculptural art in relation to antiquarianism, aesthetics, collecting cultures, censorship and obscenity, psychoanalysis, sexology, and the experience and regulation of museum spaces. It examines how sculptural encounters were imagined and articulated in literature, painting, film and science. As a whole, the book opens up a new understanding of the ways in which sculptures, as real or imagined objects, have fundamentally shaped approaches to and receptions of the past in relation to sex, gender and sexuality. Chapters 8 and 10 of this book are available open access under a CC BY 4.0 license at link.springer.com.

While American gay fiction has received considerable scholarly attention, little has been given to developments in other English-speaking countries. This survey catalogs 254 novels and novellas by some 173 British, Irish and Commonwealth authors in which gay and bisexual male characters play a major role. Arranged chronologically from the appearance of the first gay protagonist in 1881, to works from the onset of the AIDS epidemic in 1981, in-depth entries discuss each book's publication history, plot and significance for the construct of gay identity, along with a brief biography of its author. Including iconic works like Oscar Wilde's The Picture of Dorian Gray (1890) and E.M. Forster's Maurice, as well as lesser known but noteworthy novels such as Rose Macaulay's The Lee Shore (1912) and John Broderick's The Waking of Willie Ryan (1969), this volume--the first of its kind--enlarges our understanding of the development of gay fiction and provides an essential reading list.

Auguste Rodin (1840-1917) was not only the world’s greatest sculptor, known for such works as The Thinker, The Kiss, The Hand of God, and dozens of others, but also one of the most remarkable personalities of modern times: an artist who outraged contemporaries with his disturbingly unfinished monuments; a sensualist who shocked France with his scandalous relationships (among others, with Camille Claudel); and a friend to the most gifted writers and artists of his day. “A consistently absorbing story... Mr. Grunfeld is primarily concerned with setting out — insofar as they can be separated from the art — the facts of the sculptor’s life, and within his chosen limits he has written a rewarding and illuminating book.” — John Gross, The New York Times “An excellent job... will undoubtedly serve as an excellent biography of the artist.” — Benedict Read, The New York Times “Rodin finally has a biography worthy of his achievements.” — Washington Post Book World “Grunfeld’s rigorously researched and gracefully written biography of Rodin is, by far, the best in its field.” — Robert Taylor, Boston Globe “Rodin’s creative life is vividly recaptured [by Grunfeld]... No previous biography has so clearly placed him amid his colleagues and assorted friends — Victor Hugo, George Bernard Shaw, Rainer Maria Rilke, Marie Curie, James McNeill Whistler, Robert Louis Stevenson, Isadora Duncan, and many others. Nor has any placed him in the raking light of his vanity, many amours (an epic in itself) and the sexual instincts inseparable from his work.” — Cleveland Plain Dealer “Grunfeld has rescued Rodin from the twin mythic images of heroic, possessed demigod or sex-obsessed bohemian... This remarkably intimate portrait should win awards.” — Publishers Weekly “Grunfeld's book shines out. It is an excellent general biography... seamlessly written and almost un-put-downable. He skilfully covers not only Rodin's personal history but also his work and the world he lived in.” — Benedict Read, The Spectator “A vibrant biography of the great French sculptor... With all the naturalistic detail of Zola and the color of canvases by Monet, Grunfeld chronicles Rodin’s rocky career... That this exhaustive book is never dull is something of a feat... Grunfeld’s Rodin, modeled in high relief against his place and time, emerges not so much a statuary monument as a three-dimensional man.” — Kirkus Review “Well researched... A marvelous roster of personalities, politicians, writers, and artists of the time pass through the pages of the book, placing Rodin in the mainstream of the cultural life of the Third Republic.” — Gerald M. Ackerman, Los Angeles Times