The Collected Works Of Gerard Manley Hopkins

This volume brings together for the first time two lesser-known aspects of Gerard Manley Hopkins's creative drive: his sketches and drawings and his musical compositions. The drawings are presented with a full introduction and annotations. The musical compositions feature as both manuscript facsimiles and new transcriptions.

This volume, the latest in Oxford's edition of The Collected Works of Gerard Manley Hopkins, presents Hopkins at his most private and self-considering: there are mundane memoranda about neckties to purchase or letters to write, but also exacting revisions of poems. There are entries of quiet rapture, his attention caught by the unexpected sight of a bluebell or "some delicate flying shafted ashes...between which the sun sent straight bright slenderish panes of silver sunbeams down the slant towards the eye." Paintings, sculptures, and works of literature are stringently assessed, his aesthetic principles freely exercised. There are also nightmares relived; undergraduate "sins" unsparingly recorded; "signs" of heavenly mercy carefully noted; small acts of "kindness" from others, both unexpected and restorative, gratefully acknowledged. Like most diarists, Hopkins was committed to life-writing practices not simply to itemize his daily activities, but to explore the possibilities of textual "selving." The space of the page was the opportunity, incitement, and necessity of reporting what had been seen, what had been felt, what had been feared, in order both to memorialize the experiences and to make possible subsequent re-readings. Thus, the diaries and notebooks are a summary of the present and an investment in-even a prediction of-future responses. The entries extend from September 1863, during his second term at Oxford, until February 1875, while studying theology as a Jesuit in his beloved Wales, and from February 1884 until July 1885, while Hopkins was living at a "third remove" in Dublin, Ireland as a Classics Professor at University College and Fellow of the Royal University of Ireland.

"This volume, the latest in Oxford's edition of The Collected Works of Gerard Manley Hopkins, presents Hopkins at his most private and self-considering: there are mundane memoranda about neckties to purchase or letters to write, but also exacting revisions of poems. There are entries of quiet rapture, his attention caught by the unexpected sight of a bluebell or 'some delicate flying shafted ashes...between which the sun sent straight bright slenderish panes of silver sunbeams down the slant towards the eye.' Paintings, sculptures, and works of literature are stringently assessed, his aesthetic principles freely exercised. There are also nightmares relived; undergraduate 'sins' unsparingly recorded; 'signs' of heavenly mercy carefully noted; small acts of 'kindness' from others, both unexpected and restorative, gratefully acknowledged. Like most diarists, Hopkins was committed to life-writing practices not simply to itemize his daily activities, but to explore the possibilities of textual 'selving.' The space of the page was the opportunity, incitement, and necessity of reporting what had been seen, what had been felt, what had been feared, in order both to memorialize the experiences and to make possible subsequent re-readings. Thus, the diaries and notebooks are a summary of the present and an investment in-even a prediction of-future responses. The entries extend from September 1863, during his second term at Oxford, until February 1875, while studying theology as a Jesuit in his beloved Wales, and from February 1884 until July 1885, while Hopkins was living at a 'third remove' in Dublin, Ireland as a Classics Professor at University College and Fellow of the Royal University of Ireland."--

Featuring the set of essays that Gerard Manley Hopkins composed while studying at Oxford, this collection includes topics ranging from the ethics of Plato and Aristotle to questions of political economy and voting rights. This volume offers an introduction that situates historically Hopkins's academic and creative efforts.

Jesuit priest Gerard Manley Hopkins created verse that combined material sensuousness with asceticism. This anthology features all of his mature work, including the well-known elegy, "The Wreck of the Deutschland."

Hopkins's letters are his secular confessional and, if we wish to understand the man and his poetry, they cannot be ignored. For this edition the letters have been re-transcribed from their original manuscripts and are presented in chronological order with all deletions and corrections included, accompanied by scrupulous annotation.

This long-awaited complete edition of the poetry offers the most up-to-date guidance available. Headnotes to each poem include a wealth of quotations from Hopkins's letters, journals, and other writings.

Collection of poems by Hopkins, nearly all first published after his death, by UK poet laureate Robert Bridges, whom no one today has heard of -- go figure.