The Colonizer Abroad

Looking at a diverse series of authors--Herman Melville, Richard Henry Dana, Jr., Mark Twain, Charles Warren Stoddard, and Jack London--"The Colonizer Abroad" claims that as the U.S. emerged as a colonial power in the nineteenth and twentieth centuries, the literature of the sea became a literature of imperialism. This book applies postcolonial theory to the travel writing of some of America's best-known authors, revealing the ways in which America's travel fiction and nonfiction have both reflected and shaped society.

Chapter Introduction -- chapter 1 Melville's Typee and the Development of the American Colonial Imagination -- chapter 2 The Colonizing Voice in Cuba: Richard Henry Dana, Jr.'s To Cuba and Back: A Vacation Voyage -- chapter 3 The Kings of the Sandwich Islands: Mark Twain's Letters from Hawaii and Postbellum American Imperialism -- chapter 4 Charles Warren Stoddard and the American Homocolonial Literary Excursion -- chapter 5 And Who Are These White Men?: Jack London's The House of Pride and American Colonization of the Hawaiian Islands.

A Timely Look Back at the Era That Shaped Our World Thousands of years of recorded history show that the main way in which human societies have been organized is as empires. Today, the evidence of recent European overseas empire’s lasting effects is all around us: from international frontiers and fusion cuisine to multiplying apologies for colonial misdeeds. European Overseas Empire, 1879-1999: A Short History explores the major events in this critical period that continue to inform and affect our world today. New access to archives and a renewed interest in the most recent era of European overseas empire building and the decolonization that followed have produced a wealth of fascinating information that has recharged perennial debates and shed new light on topics previously considered settled . At the same time, current events are once again beginning to echo the past, bringing historical perspective into the spotlight to guide our actions going forward. This book examines our collective past, providing new insight and fresh perspectives as it: Traces current events to their roots in the European overseas imperialism of the 19th and 20th centuries Challenges the notion of political, cultural, social, and economic exchanges of the era as being primarily “Europe-outward” Examines the complexity and contingency of colonial rule, and the range of outcomes for the various territories involved Explores the power dynamics of overseas empires, and their legacies that continue to shape the world today

Vestiges of monolingual bias are present in the portrayal of study abroad as an idealized monolingual immersion experience and the steps many programs take to encourage or enforce target language monolingualism. In reality, study abroad is often inherently multilingual. This book addresses the need for a recognition of the multilingual realities of study abroad across a variety of traditional and non-traditional national contexts and target languages. The chapters examine multilingual socialization and translanguaging with peers, local hosts and instructors; how the target language is necessarily entwined in global, local and historical contexts; and how students negotiate the use of local and global varieties of English. Together the chapters present a powerful argument for scholars and study abroad practitioners to consider and critically incorporate multilingual realities into their research and planning.

Examines writings on China's oceanic piracy wars of the sixteenth century

"Foreign Objects is a critical look at consumption through the lens of indigenous knowledge and archeological theory"--Provided by publisher.

This is the first systematic study to trace the way representations of 'Germanness' in modernist British literature from 1890 to 1950 contributed to the development of English identity. Petra Rau examines the shift in attitudes towards Germany and Germans, from suspicious competitiveness in the late Victorian period to the aggressive hostility of the First World War and the curious inconsistencies of the 1930s and 1940s. These shifts were no simple response to political change but the result of an anxious negotiation of modernity in which specific aspects of Englishness were projected onto representations of Germans and Germany in English literature and culture. While this incisive argument clarifies and deepens our understanding of cultural and national politics in the first half of the twentieth century, it also complicates current debates surrounding race and 'otherness' in cultural studies. Authors discussed include major figures such as Conrad, Woolf, Lawrence, Ford, Forster and Bowen, as well as popular or less familiar writers such as Saki, Graham Greene, and Stevie Smith. Accessibly written and convincingly argued, Rau's study will not only be an important book for scholars but will serve as a valuable guide to undergraduates working in modernism, literary history, and European cultural relations.

Blending cultural history, biography, and literary criticism, this book explores how one of America's greatest icons used the French to help build a new sense of what it is to be “American” in the second half of the nineteenth century. While critics have generally dismissed Mark Twain’s relationship with France as hostile, Harrington and Jenn see Twain’s use of the French as a foil to help construct his identity as “the representative American.” Examining new materials that detail his Montmatre study, the carte de visite album, and a chronology of his visits to France, the book offers close readings of writings that have been largely ignored, such as The Innocents Adrift manuscript and the unpublished chapters of A Tramp Abroad, combining literary analysis, socio-historical context and biographical research.