The Colors Of Crime

"Perhaps the most explosive and troublesome phenomenon at the nexus of race and crime is the racial hoax - a contemporary version of The Boy Who Cried Wolf. Examining both White-on-Black hoaxes such as Susan Smith's and Charles Stuart's claims that Black men were responsible for crimes they themselves committed, and Black-on-White hoaxes such as the Tawana Brawley episode, Russell illustrates the formidable and lasting damage that occurs when racial stereotypes are manipulated and exploited for personal advantage. She shows us how such hoaxes have disastrous consequences and argues for harsher punishments for offenders."--BOOK JACKET.

The Colors of Crime—A collection of short stories as varied as they are action packed.

How we can understand race, crime, and punishment in the age of Black Lives Matter When The Color of Crime was first published in 1998, it was heralded as a path-breaking book on race and crime. Now, in its third edition, Katheryn Russell-Brown’s book is more relevant than ever, as police killings of unarmed Black civilians—such as George Floyd, Breonna Taylor, and Daniel Prude—continue to make headlines around the world. She continues to ask, why do Black and white Americans perceive police actions so differently? Is white fear of Black crime justified? With three new chapters, over forty new racial hoax cases, and other timely updates, this edition offers an even more expansive view of crime and punishment in the twenty-first century. Russell-Brown gives us much-needed insight into some of the most recent racial hoaxes, such as the one perpetrated by Amy Cooper. Should perpetrators of racial hoaxes be charged with a felony? Further, Russell-Brown makes a compelling case for race and crime literacy and the need to address and name White crime. Russell-Brown powerfully concludes the book with a parable that invites readers to imagine what would happen if Blacks decided to abandon the United States. Russell-Brown explores the tacit and subtle ways that crime is systematically linked to people of color. The Color of Crime is a lucid and forceful volume that calls for continued vigilance on the part of scholars, policymakers, journalists, and others in the age of Black Lives Matter.

Considering race and ethnicity as organising principles in why, how, where and by whom crimes are committed and enforced, this volume argues that dimensions of race and ethnicity condition the very laws that make certain behaviours criminal, and the determination of who becomes a victim of crime under which circumstances.

In this authoritative volume, race and ethnicity are themselves considered as central organizing principles in why, how, where and by whom crimes are committed and enforced. The contributors argue that dimensions of race and ethnicity condition the very laws that make certain behaviors criminal, the perception of crime and those who are criminalized, the determination of who becomes a victim of crime under which circumstances, the responses to laws and crime that make some more likely to be defined as criminal, and the ways that individuals and communities are positioned and empowered to respond to crime. Contributors: Eric Baumer, Lydia Bean, Robert D. Crutchfield, Stacy De Coster, Kevin Drakulich, Jeffrey Fagan, John Hagan, Karen Heimer, Jan Holland, Diana Karafin, Lauren J. Krivo, Charis E. Kubrin, Gary LaFree, Toya Z. Like, Ramiro Martinez, Jr., Ross L. Matsueda, Jody Miller, Amie L. Nielsen, Robert O'Brien, Ruth D. Peterson, Alex R. Piquero, Doris Marie Provine, Nancy Rodriguez, Wenona Rymond-Richmond, Robert J. Sampson, Carla Shedd, Elizabeth Trejos-Castillo, Avelardo Valdez, Alexander T. Vazsonyi, María B. Vélez, Geoff K. Ward, Valerie West, Vernetta Young, Marjorie S. Zatz.

Two people convinced they're unworthy of love...until they meet each other. Camille Rivera is drowning. Her father's sick, her brother's in deep with a dirty cop, and her mechanic shop is failing. She's growing desperate, trying to keep her world afloat in whatever way she can. Nero Gallo is the neighborhood hazard. A mess-maker. A walking disaster. Camille has watched him burn through every girl in a ten-mile radius, as vicious as he is gorgeous, breaking hearts and never, ever getting attached. Which is why she can't believe it when Nero unexpectedly saves her from a risky situation. They've lived next to each other their whole lives, yet she's only ever known him as sin made flesh. Is it possible she didn't really know him at all? They aren't friends. They aren't allies. But Nero is the only chance Camille has, and she'll have to trust there's more to him beneath the savage surface. Except trust is a dangerous thing to give. And Camille is about to learn the only thing more dangerous than trusting Nero is falling for him.

"A powerful, engaging book that critiques the history of race, law, and justice by examining where race lives and breathes across the U.S. criminal-legal system"--

"Three-quarters of a century ago, Dorothy L. Sayers compiled the classic anthology The Omnibus of Crime, a definitive collection of short fiction that brought together crime and mystery works from the Apocryphal Scriptures to whodunits from the 1920s. Now, reflecting the explosive developments in the genre, Tony Hillerman and Rosemary Herbert celebrate the seventy-fifth anniversary of that book's publication with A New Omnibus of Crime. Like Sayers's volume, this new book is envisioned as a vehicle carrying stories the editors think represent the best in crime and mystery writing in our time. Selections also reflect the tastes of Contributing Editors Sue Grafton and Jeffery Deaver, both of whom have stories in this volume."--BOOK JACKET.