The Complete Poems Of Christina Rossetti

Ranked among the finest English poets of the nineteenth century, Christina Rossetti is a widely read, though not widely imitated poet recognized for her devotional poetry, influenced by the religious conservatism and asceticism of the Church of England. This complete collection of poems includes her most renowned work, "Goblin Market," as well as "The Prince's Progress," and a vast array of love lyrics, sonnets, hymns, ballads and sprightly verses for children. Rossetti's poetry is remarkable for its clarity and simplicity of diction in dealing with themes of truth, beauty, love, death, heavenly joys and earthly pleasures, and purity of faith. These poems, broad in their range of subject matter and variety of verse form, continue to spark scholarly study and debate throughout the world. However, these endearing works of inward contemplation and timeless vision will inspire and delight readers of all ages.

My heart is like a singing bird Whose nest is a watered shoot; My heart is like an apple-tree Whose boughs are bent with thickest fruit. --From A Birthday From the sensuous, deliciously scary, and popular Goblin Market to the delicate and musical Sing-Song, Christina Rossetti's verses feature earthy, almost tactile images. As the sole woman among the Pre-Raphaelites, her work has a unique feminine perspective. Among the selections by Jan Marsh, author of an acclaimed biography of Christina and her brother, Dante Gabriel Rossetti, are At Home, Confluents, Maude Clare, and Songs for Strangers and Pilgrims.

The first art book to explore Rossetti's art and poetry together, including her own artworks, illustrations to her writing, and art inspired by her Christina Rossetti (1830-1894) is among the greatest of English Victorian poets. The intensity of her vision, her colloquial style, and the lyrical quality of her verse still speak powerfully to us today, while her striking imagery has always inspired artists. Rossetti lived in an exceptionally visual environment: her brother, Dante Gabriel Rossetti, was the leading member of the avant-garde Pre-Raphaelite Brotherhood, and she became a favorite model for the group. She sat for the face of Christ in William Holman Hunt's The Light of the World, while both John Everett Millais and Frederick Sandys illustrated her poetry. Later on, the pioneering photographer Julia Margaret Cameron and the great Belgian Symbolist Fernand Khnopff were inspired by Rossetti's enigmatic verses. This engaging book explores the full artistic context of Rossetti's life and poetry: her own complicated attitude to pictures; the many portraits of her by artists, including her brother, John Brett, and Lewis Carroll; her own intriguing and virtually unknown drawings; and the wealth of visual images inspired by her words. Published in association with Watts Gallery Exhibition Schedule: Watts Gallery, Guildford, Surrey (11/13/18-03/17/19)

'The mystery of Life, the mystery Of Death, I see Darkly as in a glass...' Christina Rossetti (1830-94) is perhaps the most contradictory of the great Victorian poets. She writes of the world's beauty, but fears that it may be deceptive, even deadly. She is a religious poet, but much of her work is driven by uncertainty. Her poems are restrained, even secretive, but they seek nothing less than the mystery of Life and Death. This edition contains Rossetti's strongest and most distinctive work: poetry (including 'Goblin Market', 'The Prince's Progress', and the sonnet sequence 'Monna Innominata'), stories (including the complete text of Maude), devotional prose (with nearly fifty entries from the 'reading diary' Times Flies), and personal letters. Those poems which Rossetti published, and those which she withheld from publication, are here brought together in chronological order, allowing the reader to observe her poetic trajectory. This edition also records the major revisions made by Rossetti when preparing her poems for publication. It brings together the fullest range of Rossetti's poetry and prose in one volume, and is an indispensable introduction to this entrancing writer. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

A captivating collection of enduring verse by one of the Victorian era's most beloved poets Rossetti is unique among Victorian poets for the sheer range of her subject matter and the variety of her verse form. This collection brings together fantasy poems, such as Goblin Market, and terrifyingly vivid verses for children, love lyrics and sonnets, and the vast body of her devotional poetry. Rossetti's poems weave connections between love and death, triumph and loss, heavenly joys and earthly pleasures. The directness and clarity of her lyrics still have the power to startle us with their truth and beauty. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

These Everyman's Library Pocket Poets hardcover editions are popular for their compact size and reasonable price which do not compromise content. Poems: Rossetti contains a full selection of Rossetti's work, including her lyric poems, dramatic and narrative poems, rhymes and riddles, sonnet sequences, prayers and meditations, and an index of first lines.

Christina Rossetti is known as the greatest female poet of the Victorian age. By the time of her death in 1898 she had written eleven hundred poems and had published over nine hundred of them. Scholars have long felt the need for a complete collection of her work, yet, until now, there has been none. In this projected three-volume set, R.W. Crump will present all of Rossetti’s known poetry. Crump gives the reader a remarkably comprehensive text with notes revealing Rossetti’s process of composition and revision and her painstaking concern for the technical details of her work. The variant readings in the notes are taken from extant manuscripts, individual poems as published or privately printed before being incorporated into her published collections, and all the English and American editions of her poems through William Michael Rossetti’s The Poetical Works of Christina Georgina Rossetti (1904). A special feature of this variorum edition is its list of holographs and their locations. In the first volume Crump brings together Rossetti’s two earliest published collections; in the second will be the individually published poems; and in the third, the unpublished poems.

Born in 1830, Christina Rossetti began composing verse at the age of eleven and continued to write for the remaining fifty-three years of her life. Her brother Dante Gabriel Rossetti, himself a poet and painter, soon recognized her genius and urged her to publish her poems. By the time of her death in 1894, Christina had written more than eleven hundred poems and had published over nine hundred of them. Although she is regarded as the greatest woman poet of the Victorian period, there has not been until now and authoritative edition of her poetry. In this second volume of the three-volume The Complete Poems of Christina Rossetti, R.W. Crump continues the editorial standards she established n Volume I, published in 1979. She gives the reader a comprehensive text with notes revealing Christina’s process of composition and revision and her painstaking concern for the technical details of her work. The variant readings in the notes are taken from extant manuscripts, individual poems as published or privately printed before being incorporated into her published collections, and all the English and American editions of her poems through William Michael Rossetti’s The Poetical Works of Christina Georgina Rossetti (1904). A special feature of both Volumes I and II is a complete list of holographs and their locations. Volume II contains Sing-Song: A Nursery Rhyme Book (1872), A Pageant and Other Poems (1881), and Verses (1893), as well as the poems added to these volumes after their original publication. Volume III contains poems Christina published but did not include in any of her collections as well as poems that have not previously appeared in print.