The Complete Servant Being A Practical Guide To The Peculiar Duties And Business Of All Descriptions Of Servants

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Illuminates Britain's literary field during the 1820s as a decade of improvisation, speculation and rapid cultural change.

"This superb collection of essays brings together the most exciting new work in cultural and literary history. Although the authors focus on the various cultural revolutions of the late 18th and early 19th centuries, the significance of their investigations extends far beyond that moment. They show how the major categories of modern social life took root in this era, but they emphasize the surprising and often paradoxical ways those developments took place. Nothing about the experience of class, gender, race, nation, sentiment or even death was pre-ordained. These essays will enable readers to take a fresh new look at the origins of modernity."—Lynn Hunt, editor of The New Cultural History and coeditor of Beyond the Cultural Turn "This is a valuable and provocative set of essays. Differing markedly in subject matter, they are linked by their intelligence and concern to re-assess early modern English and French histories, and the differences conventionally drawn between them, in the light of current work on language, class, race and gender."—Linda Colley, author of Britons: Forging the Nation, 1707-1837

A revealing and unique portrait of Victorian life as told through the discovery of one woman's textile scrapbook. In 1838, a young woman was given a diary on her wedding day. Collecting snippets of fabric from a range of garments - some her own, others donated by family and friends - she carefully annotated each one, creating a unique record of their lives. Her name was Mrs Anne Sykes. Nearly two hundred years later, the diary fell into the hands of Kate Strasdin, a fashion historian and museum curator. Using her expertise, Strasdin spent the next six years unraveling the secrets contained within the album's pages, and the lives of the people within. Her findings are remarkable. Piece by piece, she charts Anne's journey from the mills of Lancashire to the port of Singapore before tracing her return to England in later years. Fragments of cloth become windows into Victorian life: pirates in Borneo, the complicated etiquette of mourning, poisonous dyes, the British Empire in full swing, rioting over working conditions, and the terrible human cost of Britain's cotton industry. This is life writing that celebrates ordinary people: not the grandees of traditional written histories, but the hidden figures, the participants in everyday life. Through the evidence of waistcoats, ball gowns, and mourning outfits, Strasdin lays bare the whole of human experience in the most intimate of mediums: the clothes we choose to wear.